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£149.99Goddess of Jeju Island - Jacob de Haan
This work is based on an old folksong from Jeju, an island off the coast of South Korea. The song tells of the legend of the origins of the island through a volcano -- the embodiment of a goddess. Along with various treatments of the folksong melody Jacob de Haan weaves into his work a repeating majestic theme to honour the goddess and powerful robust passages symbolising the powerful forces of nature that brought forth the island.
Estimated dispatch 7-14 working days
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£104.99Call of the Valley - Jacob de Haan
The inspiration for this three-part work goes back to the International European Youth Wind Music Festival, of which the patron has been Jacob de Haan several times. It begins in a festive march tempo, then sacred music, instrumental groups playing off_x005F_x001E_stage and a little march for brass and _x005F_x001D_flutes. The third movement is a parade in which the various sections of the ensemble head towards the stage from different directions. Even without the effective choreography of the musicians, Call of the Valley is an impressive concert band composition.
Estimated dispatch 7-14 working days
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£84.99River City - Jacob de Haan
Sacramento, in the American state of California, is also known as River City - which is also the name of the concert band that commissioned Jacob de Haan to write this sonorous, lyrical work on the occasion of the 37th Annual ACB National Convention, which took place in 2015 in Rancho Cordova. All of the fun that the musicians will have with the rich melodic material provided for all instrument groups will immediately radiate into the audience!
Estimated dispatch 7-14 working days
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£60.99
Martini - Jacob de Haan
This swinging march by Jacob de Haan was commissioned by the foundation "Vrienden van de Groningse Politie-muziek" (Friends of the Police Music of Groningen), on occasion of the 950 year anniversary of the "Martini-city" Groningen. The trio in this piece features the anthem of the province of Groningen.
Estimated dispatch 7-14 working days
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£134.99Odilia - Jacob de Haan
Odilia is an up-tempo and joyful ode to Baume-les-Dames, a village in the department of Doubs in Franche-Comt, Eastern France.The title is derived from the legend of Odilia of Alsace (venerated as Saint Odilia, or Odile), the daughter of the Duke of Alsace. She was born blind, and literally saw the light at the age of twelve at the convent of Baume-les-Dames. From this miraculous occurrence, she was dubbed Odilia -- child of light.Jacob de Haan was inspired by medieval dance music for the opening of this composition. In the slow movement that follows, a lyrical minor theme builds to a dramatic climax, which is followed by a calm passage featuring the repeatedlyrical theme. Finally, the medieval motif returns, this time presented in a festive gospel version.
Estimated dispatch 7-14 working days
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£47.50I Wonder as I Wander - John Jacob Niles
This traditional Appalachian carol, adapted or re-written by John Jacob Niles, has been arranged for a full Concert Band by Michael Brown. Presented here in full score and parts, the arrangement represents a wonderful addition tothe festive repertoire of any young concert band.
Estimated dispatch 7-14 working days
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£69.95
Jacob the Goose - Martin Ellerby
Estimated dispatch 7-14 working days
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£206.50 -
£206.50 -
£144.99Ross Roy (Concert Band - Score and Parts) - De Haan, Jacob
Jacob de Haan was commissioned to compose this concert piece by the "St. Peters Wind Symphony" from Brisbane, Australia. "Ross Roy" is the monumental late 19th century villa where St. Peters Lutheran College was founded in 1945. The villa has always remained the school symbol. In this composition, Jacob de Haan sees the "Ross Roy" as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of "Tempo di Marcia". This movement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of "passing through" the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the "overture" to the rest of one's life. The premiere of "Ross Roy" was conducted by Jacob de Haan in Brisbane, on August 22, 1997.Duration: 9:20
Estimated dispatch 7-14 working days
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