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£78.95
Little Champ - Ted Mesang
As one of the most popular and easy quick-step marches by a well-known educator and composer, Little Champ uses the form with great verve and respect for its conventions. With its memorable themes and countermelodies, this classic deserves to be discovered by a new generation of young musicians, and Quincy Hilliard's concert edition should be just the thing to help that happen. Duration: 2' 30"
Estimated dispatch 7-14 working days
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£89.00Rhapsody in Blue (Piano Solo with Concert Band - Score and Parts) - Gershwin, George - Longfield, Robert
George Gershwin's iconic masterpiece is now available in this well-paced, abridged arrangement by Robert Longfield for concert band and piano soloist. Since its premiere in 1924, Rhapsody in Blue has become one of the most popular and beloved American concert works. Its jazzy themes have been featured on the concert stage as well as in movies and commercials. One of the finest musical works ever produced in America, Rhapsody in Blue is a classic that will enthral your audience. Superb!Duration: 5.45
Estimated dispatch 7-14 working days
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£2.25Homeward Bound (2-Part Choral Octavo) - Keen, Marta - Althouse, Jay
Homeward Bound is one of the most popular and widely-performed contemporary choral pieces. This heartfelt piece is elegant in its simplicity and has touched thousands of musicians and their audiences with its warmth and sincerity. Additionally, it has become the anthem for many soldiers returning home. Create a stirring moment for combined band and choir using this exquisite new setting for concert band.
Estimated dispatch 7-14 working days
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£58.50Homeward Bound (Concert Band - Score and Parts) - Keen, Marta - Karrick, Brant
Homeward Bound is one of the most popular and widely-performed contemporary choral pieces. This heartfelt piece is elegant in its simplicity and has touched thousands of musicians and their audiences with its warmth and sincerity. Additionally, it has become the anthem for many soldiers returning home. Create a stirring moment for combined band and choir using this exquisite new setting for concert band. The choral arrangement is by Jay Althouse.
Estimated dispatch 7-14 working days
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£2.25Homeward Bound (TBB Choral Octavo) - Keen, Marta - Althouse, Jay
Homeward Bound is one of the most popular and widely-performed contemporary choral pieces. This heartfelt piece is elegant in its simplicity and has touched thousands of musicians and their audiences with its warmth and sincerity. Additionally, it has become the anthem for many soldiers returning home. Create a stirring moment for combined band and choir using this exquisite new setting for concert band.
Estimated dispatch 7-14 working days
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£1.95Homeward Bound (SAB Choral Octavo) - Keen, Marta - Althouse, Jay
Homeward Bound is one of the most popular and widely-performed contemporary choral pieces. This heartfelt piece is elegant in its simplicity and has touched thousands of musicians and their audiences with its warmth and sincerity. Additionally, it has become the anthem for many soldiers returning home. Create a stirring moment for combined band and choir using this exquisite new setting for concert band.
Estimated dispatch 7-14 working days
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£1.95Homeward Bound (SATB Choral Octavo) - Keen, Marta - Althouse, Jay
Homeward Bound is one of the most popular and widely-performed contemporary choral pieces. This heartfelt piece is elegant in its simplicity and has touched thousands of musicians and their audiences with its warmth and sincerity. Additionally, it has become the anthem for many soldiers returning home. Create a stirring moment for combined band and choir using this exquisite new setting for concert band.
Estimated dispatch 7-14 working days
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£1.95Homeward Bound (SSA Choral Octavo) - Keen, Marta - Althouse, Jay
Homeward Bound is one of the most popular and widely-performed contemporary choral pieces. This heartfelt piece is elegant in its simplicity and has touched thousands of musicians and their audiences with its warmth and sincerity. Additionally, it has become the anthem for many soldiers returning home. Create a stirring moment for combined band and choir using this exquisite new setting for concert band.
Estimated dispatch 7-14 working days
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£127.00Ray of Light - Kevin Houben
Ray of light was composed for the 75th anniversary of the Royal Wind Band (De Heidegalm Berkenbos). The mining environment of Berkenbos (Heusden-Zolder, B) is a proof of what used to be one of the most flourishing industries inLimburg viz. the Mining Industry. Going down the shaft in the elevator for the first time was a sensational experience for every miner: the noise of the closing doors, the shock experienced when the lift cage started moving tofall down whizzingly into the deep at a speed of 30 km an hour. The opening theme of Ray of Light doesn't only reflect the bravery of the descending miners but also their anxiety, their doubt and insecurity. In the solo passage,the anxiety during the long walk in the dark through the mine corridors with only headlamps and mine lamps is clearly audible. Working in the mines wasn't without any danger. The very flammable and at times explosive mine gasesalways posed a hidden threat. Apart from that there was always the continuous danger of collapse. The beautiful choral movements are therefore an ode to the miners that left their lives in the mine. The eastern scale refers tothe multicultural character of the mining environment of Berkenbos with its many commercial shops and different types of housing inherent in mining architecture. The mining profession is still a very dangerous job, but at the endof the dark corridor the miners still see a beam of light as a sign of hope.
Estimated dispatch 7-14 working days
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£435.40Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
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