Results
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£84.99The Longest Time
This 1984 doo-wop song by Billy Joel stood out from the crowd and got famous thanks to its inventive and original approach using an a cappella vocal accompaniment a very unusual choice in pop music at the time. This is a real ear worm which sticks in your head and guarantees a cheerful mood in any concert!
Estimated dispatch 7-14 working days
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£79.99Beyond the Clouds and Into the Heavens! - Richard L. Saucedo
Richard takes the listener and performer on an extended journey through various mood styles in this impressive work for mature ensembles. The stately opening strains gather momentum and intensity, leading to a fast-paced sectionthat features intertwining solo and small group fragments passed throughout the texture. An overall soaring theme adds a tone of triumph and grandeur throughout, and the final push to the end is both exhilarating and rhythmicallydynamic. Dur: 6:50
Estimated dispatch 7-14 working days
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£50.50Day of the Shofar - Jared Spears
Colorful, dramatic and musical are all words which best describe this work by the writer of ``Alleluias.'' It begins in a mysterious mood featuring unusual colors. Horns move to the forefront followed by contrasting sections of lyrical and marcato styles all leading to the brilliant climax.
Estimated dispatch 7-14 working days
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£90.30Brasilian Mood - Laguestra
An alto saxophone solo with wind band accompagniment written by the Dutch expert in exotic music Laguestra (Willy Langestraat). The soloist needs a good technique (degree of difficulty D). The chorus is noted. The accompaniment is easy.
Estimated dispatch 7-14 working days
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£53.99Fernando's Fandango - Ed Huckeby
In the mood for a lively Spanish tune for your concert? Look no further! "Fernando's Fandango" is very playable, but will make your young band "sound like a million bucks." Contrasting dynamic styles and simple syncopations make this piece a good teaching tool, yet will have your audience members on their feet asking for more. Very nice!
Estimated dispatch 7-14 working days
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£124.95SWORD AND THE CROWN, The (Prestige Concert Band - Score and Parts) - Gregson, Edward
In 1988 I was commissioned by the Royal Shakespeare Company to write the music for The Plantagenets trilogy, directed by Adrian Noble in Stratford-upon-Avon. These plays take us from the death of Henry V to the death of Richard III. Later, in 1991, I wrote the music for Henry IV parts 1 and 2, again in Stratford. All of these plays are concerned with the struggle for power (the crown) through the use of force (the sword) and they portray one of the most turbulent periods in the history of the British monarchy.This work quickly became established in the mainstream repertoire and has received performances worldwide as well as five commercial recordings and many broadcasts. In 2002 I was approached by the Parc and Dare Band regarding their summer festival and commissioned to do a version for brass band. This was given its first performance in Treorchy Hall by the combined bands of Black Dyke and Parc and Dare conducted by Nicholas Childs.When the Royal Air Force Music Services commissioned me to write a work especially for their British tour in 1991 I immediately thought of turning to this music and transforming some of it into a three-movement suite for symphonic band.The first movement opens with a brief fanfare for two antiphonal trumpets (off-stage), but this only acts as a preface to a Requiem aeternam (the death of Henry V) before changing mood to the English army on the march to France; this subsides into a French victory march, but the English army music returns in counterpoint. Finally, a brief reminder of the Requiem music leads to the triumphal music for Richard Plantagenet, Duke of York, father of Edward IV and Richard III (the opening fanfare transformed).The second movement takes music from the Welsh Court in Henry IV (part 1) which is tranquil in mood; distant fanfares foreboding battles to come are heard, but the folktune is heard three times in different variations and the movement ends as it began with alto flute and gentle percussion.The final movement starts with two sets of antiphonally placed timpani, drums and tam-tam, portraying the 'war machine' and savagery of battle. Trumpet fanfares and horn calls herald an heroic battle theme which, by the end of the movement, transforms itself into a triumphant hymn for Henry IV's defeat of the rebellious forces.- Edward GregsonPerformance time 13'54"Recorded on QPRM117D FESTIVAL OF MUSIC 1991, Massed Bands of the Royal Air ForceRecorded on QPRM120D THE SWORD AND THE CROWN, Central Band of the Royal Air Force'Finale' recorded on QPRM142D FESTIVAL OF MUSIC 2002, Massed Bands of the Royal Air Force)
Estimated dispatch 7-14 working days
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£95.00Holiday Mood (Concert Band - Score and Parts) - Curtis, Matthew - Noble, Paul
Paths to Urbino (Symphonic Suite) owes its name to a walking tour in which the composer participated in spring 1995 in the Marche, a region of north eastern Italy about 120 miles south of Venice unjustly but mercifully neglected by mass-tourism. At the time, he was inspired more with the idea of writing a musical account of the trip than with any specific thematic material. Holiday Mood is an exuberant introduction, largely constructed on a characteristic two-bar rhythm (6/8 alternating with 2/4, disturbed by the occasional 2/8).
Estimated dispatch 7-14 working days
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£168.50The Last Flower of Autumn (Male Voice Choir with Concert Band - Score and Parts) - Sparke, Philip
In this work for male voice choir and concert band, Philip Sparke aptly captures the mood of the poem The Last Flower of Autumn by Edith Sodergran (1892-1923), a Swedish-speaking Finnish poet. This solemn composition with extensive instrumentation echoes the idyllic, romantic mood of the poem, which can be understood as an allegory of human existence with all its hardships and life's inevitable difficulties.20 choral parts are included in the set, and extra Male Voice Choir parts can be ordered if needed.Duration: 10.15
Estimated dispatch 7-14 working days
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£149.99Out of the Darkness, into the Light (Concert Band - Score and Parts) - Sparke, Philip
Out of the Darkness, Into the Light is about optimism. All of us experience disappointments in our lives, such failed relationships or the loss of loved ones, but the indomitably of the human spirit allows us to overcome such set backs and get through the darker moments. For some, faith and religion may be the answer, but this piece is more about the internal strength that we can all call upon.Opening in sombre mood, the first phase of the work symbolises the doubts we all have about ourselves and our lives. The opening phrase on solo clarinet appears throughout the piece and could be seen as the central idea of the work, the human spirit itself. The faster, central section is about the struggle to overcome the pain we experience and at bar 88 the moment of catharsis occurs. This signals a change of mood and from then on, the clarinet motif is transformed into a feeling of joy and optimism. We have entered the light.Duration: 8:30
Estimated dispatch 7-14 working days
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£39.99The Last Flower of Autumn (Male Voice Choir - 25 Pack) - Sparke, Philip
In this work for male voice choir and piano, Philip Sparke aptly captures the mood of the poem The Last Flower of Autumn by Edith Sodergran (1892-1923), a Swedish-speaking Finnish poet. This solemn composition echoes the idyllic, romantic mood of the poem, which can be understood as an allegory of human existence with all its hardships and life's inevitable difficulties.Duration: 10.15
Estimated dispatch 7-14 working days
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