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  • £110.99

    Concertino Classico (Flexible Solo with Concert Band - Score and Parts)

    for Flute, Clarinet or Alto Saxophone with Concert BandPhilip Sparke published a book of etudes, Super Solos in 2008, the third volume in a series for flute, clarinet, alto saxophone, trumpet, horn, trombone and euphonium. A young German Flutist was so excited by these pieces that his father secretly commissioned an arrangement of three of the etudes. The result is this mini-concerto, containing Little Overture, Berceuse and Molto Perpetuo.Duration: 7:00Recorded on Anglo AR0263 Atlantic Odyssey.

    Estimated delivery 7-14 working days

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  • £64.99

    I Dreamed a Dream (Vocal or Instrumental Solo with Concert Band - Score and Parts) - Brown, Michael

    This touching ballad from the landmark musical Les Miserables had established itself as a classic long before Susan Boyle scored her knock-out punch on "Britain's Got Talent." This skilfully crafted arrangement can be used to feature a vocalist or any number of instrumental solos (including Clarinet, Alto Sax, Trumpet, or F Horn). Sure to be a showstopper wherever it is performed.

    Estimated delivery 7-14 working days
  • £71.10

    Horn-A-Plenty

    This exciting new work for French horn(s) and concert band is the perfect medium for featuring that up-and-coming young horn player who is tired of playing ``after-beats'' or harmony parts. Written for horn solo with optional section parts (can be used as a solo, section feature or horn ensemble feature), HORN-A-PLENTY utilizes the best range of the instrument without placing excessive demands on young players. The ``up-tempo'' character of this piece makes it a great choice, even for more advanced bands.

    Estimated delivery 7-14 working days

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  • £69.30

    Horn-A-Plenty

    This exciting new work for French horn(s) and concert band is the perfect medium for featuring that up-and-coming young horn player who is tired of playing ``after-beats'' or harmony parts. Written for horn solo with optional section parts (can be used as a solo, section feature or horn ensemble feature), HORN-A-PLENTY utilizes the best range of the instrument without placing excessive demands on young players. The ``up-tempo'' character of this piece makes it a great choice, even for more advanced bands.

    Estimated delivery 7-14 working days

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  • £69.00

    Abendsterne - Michael Geisler

    The lyrical piece 'Abendsterne' was written for solo trombone and wind orchestra. The soloist can really unfold in this ballad. Solo partsDownload the trombone solo part here: downloadDownload the horn solo part here: download

    Estimated delivery 7-14 working days

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  • £59.95

    COOGEE FUNK (Advanced Concert Band) - Higgins, Gavin

    Coogee Funk is a wild and fast paced exploration of funk riffs and rhythms. Inspired by a trip to Sydney in 2005, it is divided into three core sections. The work opens with a blazing brash fanfare that, after a distant call from an off-stage saxophone quartet, subsides into a drunken nautical seascape. After a series of solos from flugel horn and saxophone the work charges headlong into a wild funk fugue which soon rears out of control. A lonely horn solo brings the piece to a melancholic close.

    Estimated delivery 7-14 working days
  • £174.95

    RUNCORN BRIDGE (Professional Concert Band - Score and Parts) - Carpenter, Gary

    The through-arch bridge that is visible for miles across the Cheshire Gap is one of two adjacent bridges that cross both the River Mersey and Manchester Ship Canal. Its formal name is the Silver Jubilee Bridge is more usually known as the Runcorn Bridge. Runcorn Bridge begins with a brief, quiet, introduction featuring an oboe solo. There follows a lively march at the end of which a reflective interlude (or bridge!) based upon the tune that occurs twice in the march leads to a lyrical, almost nocturnal section spotlighting the alto saxophone. A variant of the first interlude leads to a scherzo-like section kicked off by the euphonium with a 'trio' that contains a Latin-inflected version of the oboe melody first heard in the introduction. A third interlude variant heralds a return of the nocturnal melody firstly as a horn solo but subsequently returning to the alto saxophone. Previous melodic materials gradually combine as an extended crescendo leads to a majestic, but short, coda that in a gesture of symmetrical solidarity refers back to the march tune utilised in the earlier interludes. Duration: 10:30. Recorded on Polyphonic QPRM160D Bells Across the Atlantic.

    Estimated delivery 7-14 working days

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  • £37.95

    RUNCORN BRIDGE (Professional Concert Band - Score only) - Carpenter, Gary

    The through-arch bridge that is visible for miles across the Cheshire Gap is one of two adjacent bridges that cross both the River Mersey and Manchester Ship Canal. Its formal name is the Silver Jubilee Bridge is more usually known as the Runcorn Bridge. Runcorn Bridge begins with a brief, quiet, introduction featuring an oboe solo. There follows a lively march at the end of which a reflective interlude (or bridge!) based upon the tune that occurs twice in the march leads to a lyrical, almost nocturnal section spotlighting the alto saxophone. A variant of the first interlude leads to a scherzo-like section kicked off by the euphonium with a 'trio' that contains a Latin-inflected version of the oboe melody first heard in the introduction. A third interlude variant heralds a return of the nocturnal melody firstly as a horn solo but subsequently returning to the alto saxophone. Previous melodic materials gradually combine as an extended crescendo leads to a majestic, but short, coda that in a gesture of symmetrical solidarity refers back to the march tune utilised in the earlier interludes. Duration: 10:30. Recorded on Polyphonic QPRM160D Bells Across the Atlantic.

    Estimated delivery 7-14 working days

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  • £317.99

    Music of the Spheres - Philip Sparke

    The piece reflects the composer's fascination with the origins of the universe and deep space in general. The title comes from a theory, formulated by Pythagoras, that the cosmos was ruled by the same laws he had discovered that govern the ratios of note frequencies of the musical scale. ('Harmonia' in Ancient Greek, which means scale or tuning rather than harmony - Greek music was monophonic). He also believed that these ratios corresponded to the distances of the six known planets from the sun and that the planets each produced a musical note which combined to weave a continuous heavenly melody (which, unfortunately, we humans cannot hear). In this work, these six notesform the basis of the sections MUSIC OF THE SPHERES and HARMONIA. The pieces opens with a horn solo called t = 0, a name given by some scientists to the moment of the Big Bang when time and space were created, and this is followed by a depiction of the BIG BANG itself, as the entire universe bursts out from a single point. A slower section follows called THE LONELY PLANET which is a meditation on the incredible and unlikely set of circumstances which led to the creation of the Earth as a planet that can support life, and the constant search for other civilisations elsewhere in the universe. ASTEROIDS AND SHOOTING STARS depicts both the benign and dangerous objects that are flying through space and which constantly threaten our planet, and the piece ends with THE UNKNOWN, leaving in question whether our continually expanding exploration of the universe will eventually lead to enlightenment or destruction.

    Estimated delivery 7-14 working days

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  • £224.99

    Lux Futura - Kevin Houben

    Lux Futura (Light of the Future) was commissioned by the Royal Wind Orchestra Delft and is inspired by the letters 'D-E-L-F-T' using the letter notation system by Bla Bartk. In this 'Delft' cell, there is referral to the 'Trinitas', the bourdon bell of the Old Church in Delft, that only tolls during a funeral of a member of the Dutch Royal Family. The Delft melody switches to the 'Agneta March', which is a reference to the history of the Royal Wind Orchestra Delft. Further on the love theme, played by the bass instruments represents the love of the inhabitants for their city throughout space and time. In the middle movement, the beauty of the city is depicted by the coranglais (English horn) solo, as an ode to the lovely city of Delft. When performed, one can choose to use sound city samples recorded in Delft to create a truly magnificent spectacle. The three samples can be downloaded from websites www.halleonardeurope.com or www.kevinhouben.be.

    Estimated delivery 7-14 working days

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