Results
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£62.95In the Hall of the Mountain King (Concert Band - Score and Parts) - Grieg, Edvard - Wasson, John
From Peer Gynt Suite No.1. We all know the tune fittingly describes this work. In the transfer to the concert band medium, none of the charm has been lost. Careful voicing makes each part very playable.
Estimated dispatch 7-14 working days
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£44.95DECK THE HALL (With Boughs of Holly) (Simply Classics Concert Band) - Stubbs, Duncan
This popular Christmas carol, believed to be Welsh in origin, first appeared in the early 1700s in Edward Jones's Musical and Poetical relics of the Welsh Bards. Its origins are reputed to have come from a tune called Nos Galan (New Year's Eve) dating back to the 16th century. Today it still represents the joy of Christmas and numbers amongst the all-time most popular carols. American Grade 2 Duration 2:26
Estimated dispatch 7-14 working days
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£43.95IN THE HALL OF THE MOUNTAIN KING (Midway Concert Band) - Grieg, Edvard - Conley, Lloyd
This exciting study in accelerando and crescendo demands playing in a clearly articulated style with passion and intensity. From the pianissimo of the opening measures to the triple forte of the final note, an ever-increasing surge of sound is necessary. Suggested metronome markings are given at key intervals throughout, and ample cues are provided to strengthen vital lines played by bassoons (2), oboes (2), and F horns (4). Duration ca. 2:30.
Estimated dispatch 7-14 working days
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£29.95Deck the Hall (Concert Band - Score and Parts) - Kinyon, John
The Christmas standard expertly arranged by John Kinyon
Estimated dispatch 7-14 working days
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£242.50Orpheus in Town, Dance Suite from (Concert Band - Score and Parts) - Rosenberg, Hilding - Johansson, Jerker
Dance Suite in Seven Movements. Op.75. Orpheus In Town. In 1936 the Stockholm Concert Hall was given its most distinguished artistic adornment, Carl Milles' Orpheus fountain. A Greek god lets his voice and the sounds of his lyre float over the rush and bustle of the big city far up in Ultima Thule. Two choreographers at the Stockholm Opera, Julian Algo and Vera Sager, had a brainwave. Why should Orpheus merely be a statue, a symbol of the beauty and inspiring power of music, why not give the myth about him its special Stockholm chapter as well? This is what happened: On the stage we see the columned facade of the Concert Hall and in front of it the statue group with Orpheus and the eight enraptured listeners. Suddenly the figures come to life, jump down from their pedestal and dance into the crowd at the marketplace. Orpheus, who is consumed by longing for Eurydice, begins looking for his beloved, first among other well-known sculptures in town, then in restaurants and nightclubs. At last he thinks he recognises her in a fashionable society woman and brings her to the Concert Hall. However, faced with the threat of having to spend her life in bronze at Orpheus' side, she runs away. She wasn't Eurydice after all. Or was she? For this ballet, which had its first performance at the Stockholm Opera in 1938, Hilding Rosenberg wrote vital and entertaining music in a style which is unusually to the point, and with a bright and strong orchestration. The music in the Dance Suite from Orpheus in Town is taken from the dance scenes at the nightclub: guests and a bartender perform, finally also Orpheus and his entourage. The suite consists of: 1. Rhythm of the Times (2.00); 2. Bartender's Dance (1.30); 3. Girl's Dance (1.00); 4. Dance of the Negress (2.30); 5. Trio Dance (1.30); 6. Tango (2.00); 7. Finale (1.30). Total duration: 14.00.
Estimated dispatch 7-14 working days
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£84.95
Fire in the Blood (Concert Band - Score and Parts) - Lovatt-Cooper, Paul
Fire in the Blood was commissioned by Dr Stephen Cobb for the 120th anniversary of the International Staff Band of the Salvation Army. The piece was composed for the celebration concert where the ISB were joined by several other staff bands from around the world to perform independently to a sell-out capacity crowd at Britain's most famous concert hall The Royal Albert Hall. Fire in the Blood received its world premier at the 'ISB 120' concert at the Royal Albert Hall on June 4th 2011.With this piece I wanted to acknowledge music that had an impact on me through my Salvation Army upbringing. When thinking of a title for this piece I had no hesitation than to reflect and re-word the Salvation Army's motto under their famous crest 'Blood and Fire'.When composing Fire in the Blood I wanted to use three songs of worship that have been prevalent in the Salvation Army's services over a number of years. Opening with Richard Phillips' setting of Psalm 95, 'Sing for Joy', the music is vibrant and full of energy, I wanted to capture the spirit of the well known words of Scripture. The music then moves into a more reflective section that includes Howard Davies' emotive song melody 'Lord, you know that we love you' and Laurie Klein's worship song 'I love you Lord'.A re-statement of the opening Psalm setting follows and this, in turn, leads into a dramatic and powerful finale that combines two pivotal statements drawn from the slower, reflective section: I love you lord, and I lift my voice to worship you, O my soul rejoice and Lord, you know that we love you with a final flourish from Psalm 95: Come let us sing joy to the Lord!- Paul Lovatt-CooperDuration: 10:00
Estimated dispatch 7-14 working days
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£104.00Legacy - Andreas Ziegelbäck
"Legacy" is a festive concert opener by Austrian composer Andreas Ziegelbck, written for the inauguration of the new rehearsal hall of the Werkskapelle Laufen Gmunden-Engelhof. The composer shares a close friendship with the band - a bond, like any structure, built on a strong foundation. This is symbolized by the pure intervals of the fourth and fifth in the main theme. At bar 18, a lyrical Andante appassionato expresses trust and unity. The new hall is a milestone and a legacy for future generations. With fanfares, warm harmonies, and a powerful finale, the piece becomes a musical tribute to shared creativity and community.
Estimated dispatch 7-14 working days
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£66.00Festmusik der Stadt Wien - Richard Strauss
Richard Strauss' Wiener Fanfare, the shorter version ofFestmusik der Stadt Wien - a piece originally written for ten trumpets, seven trombones, two tubas, and timpani - was the basis ofthis arrangement for concert band by Franco Cesarini. Strauss completed the "Festmusik" on 14 January 1943 after having previously received the "Beethoven Prize" in 1942. He dedicated the piece to the City Council of Vienna as a sign of his gratitude. Strauss conducted the premiere of this work in the Festival Hall of Vienna City Town Hallon 9th April 1943.An arrangement that highlights the characteristics of Franco Cesarini's writing.
Estimated dispatch 7-14 working days
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£308.50Morning Star - David Maslanka
Morning Star was commissioned by the conductor of the Grand Ledge, Michigan High School Wind Symphony, Michael Kaufman, to celebrate the opening of the school's new concert hall. It was premiered by the students in May of 1997. Morning Star is a happy piece about beginnings: the dawning of a new day, the opening of a new hall, the beginning of adult life for the young people who premiered the piece, and for those who are playing it now.
Estimated dispatch 7-14 working days
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£57.50Instant Swing Concert
What a great idea! Here's 11 of the biggest swing hits from two eras, the 40's and the 90's, cleverly put together in a medley that will turn your concert hall into a dance hall. Eric's skilled writing makes it fun and easy to play for any group. This one's an entertainment winner. Includes: Woodchopper's Ball, Jumpin' Jack, Zoot Suit Riot, Puttin' On the Ritz, It Don't Mean a Thing (If It Ain't Got That Swing), Stompin' at the Savoy, Boogie Woogie Bugle Boy, Leap Frog, Go Daddy-O, In the Mood, and Jump, Jive An' Wail.
Estimated dispatch 7-14 working days
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