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£149.99Cossack Folk Dances - Franco Cesarini
The Cossacks played an integral part in Russia's history which finally ended with the Soviet occupation in the 1920s. Franco Cesarini had the opportunity to attend performances by an ethnic group of Cossacks from Kuban. He was deeply touched by the beauty of the songs and traditional dances of the Cossacks and has written this work for concert band which faithfully retains the essential spirit of this seductive music.
Estimated dispatch 7-14 working days
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£139.99Renaissance Suite - Franco Cesarini
Franco Cesarini has used four anonymous renaissance pieces as the basis for this four-movement composition, and, by exploiting the many colours of the brass band, he has recreated the atmosphere of these fascinating musical forms. A glorious renaissance-inspired piece for your band.
Estimated dispatch 7-14 working days
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£289.99Bulgarian Dances (part II) - Franco Cesarini
Bulgarian folk music has a long tradition and numerous typical characteristics, such as particular dissonances and complex, irregular rhythms. In Bulgarian Dances (Part II) (which can be performed together with the previously published title Bulgarian Dances) Franco Cesarini has preserved the original spirit of Bulgarian folk music, yet has imbued it with a symphonic character and brought it into the concert hall. The three different movements give us a meditative, moving folksong and a lively dance, before a distinctly symphonic part leads to a glittering finale.
Estimated dispatch 7-14 working days
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£154.99Greek Folk Song Suite - Franco Cesarini
Greek folk music is characterised by the sound of the 'buzuki' which is often used in combination with the clarinet, the mandolin, the violin and various types of tambourines. In Greek Folk Song Suite, Franco Cesarini has elaborated on three songs belonging to this most ancient tradition. The first, O Haralambis, is in 7/8 time, a characteristic of a popular folk dance called kalamatianos. Originally, the song O Haralambis was sung to 'tease' during weddings with the text of the song refering to a young man who refuses to marry. The second movement, Stu Psiloriti, refers to an ancient song from the island of Crete. The third movement of the suite is based on the songVasilikos tha gino and is characterised by the sirtaki, probably the most popular Greek dance outside of Greece. This is Greek passion portrayed by a concert band!
Estimated dispatch 7-14 working days
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£175.0060 Warm-Up Chorales (Concert Band - Score and Parts) - Cesarini, Franco
During his experience as a band conductor and teacher of wind orchestra conducting at university, Franco Cesarini has dealt with the topic of warm-ups very frequently. Throughout these long years of conducting he has had the opportunity to try many existing methods, evaluating their advantages and disadvantages. After a long time, he has decided to compile a collection of chorales for warm-ups, which are organised according to the criteria that he considers most effective. While working on his60 Warm-up Chorales for Concert Band, Franco Cesarini has always borne in mind that amateur musicians play for pleasure. He feels that it is extremely important that they have satisfaction at every moment of the rehearsal and not to start the rehearsal with needless "punishing" exercises. Nobody is really motivated to start playing with scales, long notes, or tricky rhythmical exercises. There is often a distinguished absentee in band rehearsals, namely music itself! Although this publication does not foresee a specific tempo for the chorales, they should often be performed rather slowly but without dragging. Dynamics are not indicated, so that the conductor has the opportunity to draw the attention of the musicians to his gestures and to make them react according to his indications. Timpani and bell parts have been added with the aim of not leaving the percussionists completely inactive during the warm-up phase, but can also be omitted. The chorales are written in four parts (SATB) and are also playable in smaller groups. The four voices can be played in different combinations of woodwinds or brass quartets or in mixed combinations. The collection includes ten chorales for the following keys: D flat major, A flat major, E flat major, B flat major, F major and C major. With his 60 Warm-up Chorales Franco Cesarini would like to convey the message to play the chorales in a musical way, thus raising the musicians' awareness of phrasing, the right interpretation of cadences, rubato and agogic. Above all, never do anything without putting the musical aspect in the foreground. 60 Warm-up Chorales for Concert Band: A perfect collection to warm-up and improve tuning of a concert band!
Estimated dispatch 7-14 working days
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£84.99Jubilee Fanfare (Concert Band - Score and Parts) - Cesarini, Franco
Franco Cesarini composed this beautiful fanfare for the 150th anniversary of the Swiss Railroad. In this piece Franco Cesarini reveals the brilliance of the brass, the softness of the woodwind and the dexterity of the percussion section. The rich dynamics of this festive piece will brighten up any occasion.Duration: 3.45
Estimated dispatch 7-14 working days
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£76.99Lugano (Concert Band - Score and Parts) - Cesarini, Franco
Lugano is an exciting concert march that Franco Cesarini composed for the Civica Filarmonica di Lugano, which Cesarini has been conducting since 1998. The idyllic location of the Ticinese city and the happy disposition of its citizens provided Cesarini with more than enough inspiration, and this is reflected in Lugano's uplifting themes.Duration: 3.00
Estimated dispatch 7-14 working days
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£154.99Old Russian Romances (Concert Band - Score and Parts) - Cesarini, Franco
Foreign culture - art, literature and above all music - have long fascinated Franco Cesarini and often serve as a source of inspiration for his compositions. For Old Russian Romances, Cesarini immersed himself in the study of Russian folksongs and eventually selected a number of joyful and also melancholy melodies which he worked into his composition with typical craft and imagination but also with respect for the original tunes.Duration: 13:00
Estimated dispatch 7-14 working days
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£179.99Tom Sawyer Suite (Concert Band - Score and Parts) - Cesarini, Franco
During his childhood The Adventures of Tom Sawyer was the favourite book of the composer Franco Cesarini. With his memories of the magic of joy, fear and freedom, Cesarini seeks to bring the figures of the book to life musically in his Tom Sawyer Suite. Each of the first four movements describes a figure from the story. Tom Sawyer is depicted in the first movement, where the characteristic "cake walk" rhythm is used. The second movement depicts Huckleberry Finn. The third movement is slower, more expressively melancholic and is dedicated to Becky Thatcher. Then there is Injun Joe, who tries to catch Tom in the fourth movement with the fifth movement leading to a happy end.Duration: 12:00
Estimated dispatch 7-14 working days
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£171.00Passacaglia and Fugue in C minor BWV 852 (Concert Band - Score and Parts) - Bach, Johann Sebastian - Cesarini, Franco
The Passacaglia is a set of instrumental variations based on an ostinato bass. Bach's Passacaglia and Fugue in C-minor for organ represents the pinnacle of what had been achieved in this compositional form at that time. In Franco Cesarini's arrangement for large wind orchestra, the particularly careful interpretation of the original piece enables him to exploit all the sound colors at his disposal, and in this sumptuous guise Bach's work also takes on a grandiose dimension, albeit tinged with late-Romanticism. The exposition of the beautiful theme begins in the bass part, immediately creating a solemn and serious atmosphere which is accentuated by the intensely pathetic character of the first variations. Up to the tenth variation it remains confined to the bass, but in subsequent ones it also passes to the soprano and alto register. The integrity of the theme is also embellished with elegant arpeggios, in whose lower and higher extensions the theme can be distinguished. Towards the end it returns to the bass in an impressive thickening of the polyphonic texture that swiftly re-establishes the key of C-minor. The "Thema fugatum" which follows immediately does not constitute a Fugue in its own right, rather it is nothing but the twenty-first and most extensive variation of the Passacaglia. This time Bach uses only the first half of the theme, superimposing a rhythmic countersubject that considerably enlivens the entire development of the composition. The polyphonic discourse becomes increasingly dense, until the building tension peaks in a powerful "Neapolitan sixth" chord, followed by a sudden pause. This culminating moment then leads to the coda and final cadence on a bright C-major chord. Duration: 12.45
Estimated dispatch 7-14 working days
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