Results
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£209.99Codon - Kevin Houben
"Codon" is a term used in the field of molecular genetics to describe the interaction between the three elements that are important for both the creation and the preservation of life. Kevin Houben uses this term as a metaphor for the interaction between the conductor, the musicians and the committee of a concert band. They all have the same goal, to preserve the life of the band. This work consists of three movements, symbolising birth, life and death - either of a human being or a band. From the foundation of a band over good and bad times up to the optimistic future, this work will appeal to the soul of every band member in the world!
Estimated dispatch 7-14 working days
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£189.99Spotlights - Thomas Doss
Spotlights is a fantastic virtuoso piece for saxophone quartet (SATB) and concert band that was commissioned by the outstanding Austrian saxophone quartet Mobilis. It is an impressive and exceptionally spectacular piece in which every member of the saxophone family is featured. The most important ingredients of this solo work are virtuosity, rhythm and a good dollop of funk. It is a challenging, but rewarding piece for your saxophone soloists and yet very accessible to the audience.
Estimated dispatch 7-14 working days
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£69.99Ducks on the Road - Gilbert Tinner
Attention drivers and cyclists, theres something happening on the road - the ducks are on the move! Quacking and waddling along the street they dominate the traffic scene. To the left, to the right, in their own good time! Its not so far to thenext pond after all...As entertaining as its story is this new piece by the renown Swiss composer Gilbert Tinner that he dedicated to the 2015 YAMAHA BlserKlassenkongress. Designed for the needs of a German BlserKlasse, it is suitable for any youth concert band. Therock style and some funny special effects make this grade 1,5 composition attractive to any audience!
Estimated dispatch 7-14 working days
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£102.99
Saturnalia - Ben Haemhouts
Saturnalia is a feast, in honour of Saturn, that originated in the Roman Empire (circa 800-510 BC). It was celebrated for the first time on 17 December 497 BC when the gods Saturn and Janus ruled Italy. These gods assured affluence, fertile land, good harvests and introduced writing to the people. Saturn's symbol was a sickle denoting that all citizens were equal and that no one had the right to individual possessions. During the feast of Saturnalia, the roles of slaves and masters were reversed. This varied work by Ben Haemhouts is suitable for competitions or concerts.
Estimated dispatch 7-14 working days
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£274.99Symphony No. 2: States Of Mind, Opus 87 - Teo Aparicio-Barberán
I- Logos (reason)II- Pathos (emotion)III- Ethos (credibility)The ancient Greeks believed that music shaped the character of man. In Egyptian temples, music was an essential part of the magical rites to alter the course of nature or to treat illness.And today we know that sound can actually alter matter. The secret of music lies in harmony and mathematics, as many great musicians and experts have always known.One of the most important qualities of music is that it enables the listener to focushis attention inwards instead of on what is around him. It is indisputable that music can inspire emotion. Music leads us into a universe of emotions that are difficult to put into words. In short, music reaches into corners of our soul and thoughtsthat words cannot reach and makes it possible to more clearly describe these different States of mind.The composer of this symphony also believes that each "musical argument" must be constructed so that it will induce the desired reaction in thelistener.Music: more than wordsIn recent times, most orchestral symphonies have been based on a story, a text or something similar so that their composition must be structured accordingly.The intention of this work by Teo Aparicio-Barbern is quitedifferent. The composer describes the three elements of the argument as the only formal structure of the work. Since certain philosophers in world history were able to subdivide grammatical argument, why shouldnt that also be possible for the musicalargument?Since ancient times the power of the spoken word has captivated mankind. How can an argument move people and mobilise the masses? Where does the power of words come from today? The answer lays not so much in what people say but in how theysay it.Rhetoric is one of the oldest humanist disciplines in Western civilisation. Aristotle, in the 4th century BC, called it the art of persuasion. Indeed, the terms rhetoric and persuasion are mutually interchangeable.More than 2000 years agoAristotle structured his rhetoric according to the following three elements: the logos, the pathos and the ethos.Logos (words, reason) is the reasoning that gives freedom to the structure of the text by expressing what one wishes to say usingspecialist terms. With logos we create arguments to receive public approval and to defend our ideas.Pathos, the second element, refers to the effective use of public psychology. Pathos can be considered as the capacity to induce the desired emotionalresponse in the public, by creating an emotional connection with the public so that they accept our message.The third element, ethos (credibility), refers to the character of the speaker and is perhaps the most important of the three elements.Aristotle based his concept of ethos upon his belief that truth and justice will always have the upper hand over anger. He believed that what was true and good was easier to prove and was more persuasive.This second orchestral symphony from thecomposer from Enguera follows these three parameters of the argument according to Aristotle. Each movement tries to summon a different state of mind in the listener so that the message itself can be better understood and appreciated. Apart from thesethree general concepts the music is only structured, as Claude Debussy would say, in a "formative way".The first movement, logos, is based on a scherzo melody that undergoes various changes in rhythm and harmony. The arguments are presented by meansof conventional techniques of composition. The second movement, pathos, is characterised by suggestions of sound. It is subdivided into two large parts. The first part is based on a five seven sequence with five sounds that are repeated in differentenvironments, structures and dynamics. The second part, which is largely tonal, brings out more directly the emotional overtones that each argument must have. The third movement, ethos, is a faithful rendition of the composers personality. In thislast part, clear rhythmic sequences stand out, there are large dynamic contrasts and lots of tone variation. In addition, and this is quite in keeping with the composers earlier work, the harmony in States of Mind is handled in a manner that is bothoriginal and efficient, as a result of which Aparicio-Barberns message is well understood by the listener.This second symphony by Teo Aparicio-Barbern is devoted to "my dear Henrie Adams, a guiding light in this eternally dark musical world. Thankyou for everything."
Estimated dispatch 7-14 working days
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£104.99Wedding March - Jan Van der Roost
Wedding March is, as the name suggests, a festive composition that the composer wrote for the wedding of a good friend. Performed at the 2008 Midwest Band and Orchestra Clinic in Chicago, this piece clearly reflects influences ofMendelssohn and Elgar. It is written in a festive setting, but a beautiful cantabile trio, that is very characteristic of the works of Jan van der Roost, is wonderfully included. An optional organ part is included for those whochose to add a little gloss to their performance. Dur: 5:15 (Grade 4)
Estimated dispatch 7-14 working days
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£39.99African Portrait - James Curnow
Let the rhythmic joy of these African folk songs invigorate your audience at your next concert. The young band will enjoy performing this excellent arrangement by James Curnow with foot-stomping and hand-clapping as well asaccessibly enjoyable instrumental parts. Good, easy band arrangements of authentic African melodies are somewhat rare considering the immense wealth of styles of music that infuse the continent. This new piece is sure to becomestandard literature for young bands. Perfect for multicultural events.
Estimated dispatch 7-14 working days
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£149.40Skogtrollet - Hans Peter Nielsen
The Wood Troll was composed in 1950 for bassoon solo with orchestra.This arrangement can be played with bassoon- or tuba soloist. It's a funny and challenging piece for an intermediate soloist.To the conductorPlease payattention to the dynamics when the soloist play. To make shure that the balance between soloist and accompaniment is good, it's preferred to omit some players in the biggest sections of the band.
Estimated dispatch 7-14 working days
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£64.99Heroic Tribute - James Curnow
The grand and energetic opening, contrasting styles, careful attention to articulations, and rich harmonies make this one sound more advanced than it actually is. Consider using Heroic Tribute as the opening piece for your young band festival performance. The easy but bright and colorful Percussion, along with excellent use of the Woodwind and Brass sections, make this an ideal contest piece. There are plenty of teaching opportunities packed into this majestic new mini-overture for young bands. In fact, even if your band usually plays higher grade level music you should still give this one serious consideration. Occasionally it's good idea to rehearse a high-quality easiercomposition, where your entire ensemble can concentrate fully on ensemble playing, phrasing, tone quality, etc. and not worry about just chasing notes. This piece provides great cross-curricular teaching opportunities with history.A great teaching piece as well as a gem in performance!
Estimated dispatch 7-14 working days
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£104.99Dance of the Knights from Romeo and Juliet - Sergei Prokofiev
This publication marks the first-ever symphonic wind band edition of the Dance of the Knights, from Scene 2 Capulet's Ball of Prokofiev's ballet Romeo and Juliet. [The ballet] led to one of the most beloved dance works in the repertory and a series of famous orchestral suites... but the celebrated legacy of Romeo and Juliet belies its tortured history: It left Prokofiev broken and emerged from a period that left many of his colleages dead. (New York Times). Nathan Jones' scoring for symphonic wind band faithfully captures the magic of the original orchestraion of this famous work, which has been heard in numerous films and TV shows, including The Simpsons, Warm Machine, Good Morning Britain and Gotham, among many others. This piece is an ideal opener or closer for intermediate to advanced band.
Estimated dispatch 7-14 working days
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