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£70.00
Masque - Kenneth Hesketh
A Masque (short for Masquerade) has been defined by Historians as 'A revel in which Mummers or masked folk come with torches blazing into the festive hall and call upon the company to dance and dice' . The chaos of this dramatic dance is depicted in this 'Masque' by Hesketh. The main theme is bravura and is often present, in the background. The form of the piece is a simple scherzo-trio-scherzo. Colourful scoring (upper wind solos, trumpet and horn solos alternating with full bodied tuttis) with a dash of wildness may tease both player and listener to let their hair down a little!Masque has been transcribed for wind band by Kenneth Hesketh from his 'Scherzo for Orchestra', commissioned by the National Children's Orchestra in 1987.
In stock: Estimated delivery 1-3 days
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£55.42Suite - A Renaissance Christmas (Wind Band) Kevin Norbury
VIEW SCORE PDF This magnificent festive suite was written by Kevin Norbury for the Pierre Elliott Trudeau High School Wind Symphony and features three well known carols set in a Renaissance style. Three contrasting movements comprise the work: i. Processional (Personent hodie - On this day earth shall ring) This is a short piece imagining a torchlight Yuletide procession (perhaps bearing the traditional roasted wild boar), using a well-known Christmas melody from the large collection of music compiled in the 16th century called Piae Cantiones (1582). The tune is presented twice with accompanying, related melodic material. ii. Pastorale (Quem pastores laudavere - Shepherds sang their praises o'er him) This is a 14th-century melody which was originally collected by Michael Praetorius at the end of the 16th-century. The treatment throughout is very lyrical without overly complex harmonies. The melody is heard three times with brief linking episodes and a short coda. iii. Celebration! (In dulci jubilo - In sweet celebration - Ding-dong merrily on high) This magnificent 13th-century melody was also a part of Michael Praetorius's collection. It is traditionally associated with the words 'Good Christian men, rejoice!' The opening is a straight transcription of the great chorale prelude for organ by J.S. Bach. After the grandeur of the opening, the tune is heard in more of a 'folky' style. A lot of related melodic material is then presented before the tune Ding-dong merrily on high is heard. After another episode of previously used music In dulci jubilo reappears in a joyful conclusion to the piece. Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Difficulty Level: Medium Instrumentation: Piccolo Flute Oboe Bassoon Clarinet in Bb 1-2 Bass Clarinet in Bb Alto Saxophone in Eb 1-2 Tenor Saxophone in Bb Baritone Saxophone in Eb Trumpet in Bb 1-2 Horn in F 1-2 Trombone 1-2 Bass Trombone Euphonium Tuba Double Bass Timpani Glockenspiel Tubular Bells Tambourine Snare Drum Tenor Drum
In stock: Estimated dispatch 1-3 days
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£33.25Processional from 'A Renaissance Christmas' (Wind Band) Kevin Norbury
VIEW SCORE PDF This exciting and uplifting processional is the first movement of a festive suite, A Renaissance Christmas, written by Kevin Norbury for the Pierre Elliott Trudeau High School Wind Symphony. Based on Personent hodie (On this day earth shall ring), this is a short piece imagining a torchlight Yuletide procession (perhaps bearing the traditional roasted wild boar), using a well-known Christmas melody from the large collection of music compiled in the 16th century called Piae Cantiones (1582). The tune is presented twice with accompanying, related melodic material. Sheet music available from : UK: www.wind-band-music.co.uk USA: www.solidbrassmusic.com Difficulty Level: Medium-Easy Instrumentation: Piccolo Flute Oboe Bassoon Clarinet in Bb 1-2 Bass Clarinet in Bb Alto Saxophone in Eb 1-2 Tenor Saxophone in Bb Baritone Saxophone in Eb Trumpet in Bb 1-2 Horn in F 1-2 Trombone 1-2 Euphonium Tuba Double Bass Timpani Glockenspiel Tubular Bells Tambourine Snare Drum Tenor Drum
In stock: Estimated dispatch 1-3 days
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£93.00Third Coast Jubilee
Third Coast Jubilee is a vibrant and celebratory piece that evokes the spirit of festivals along the Gulf Coast. With a lively ABA form, the music captures the excitement of a grand celebration, from the anticipation of the event to a more intimate middle section, and culminating in a fiery, festive conclusion. The dynamic range and rhythmic complexity make this piece an excellent showcase for a concert band.
Estimated dispatch 12-14 working days
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£82.00A Joyful Jingling Holiday Can-Can - Jacques Offenbach
A Joyful Jingling Holiday Can-Can is a high-energy, festive arrangement that blends Jacques Offenbach's famous Can-Can from Orpheus in the Underworld with cheerful holiday jingles. This lively composition infuses the fast-paced melody of the Can-Can with familiar winter tunes, creating a thrilling and whimsical holiday celebration. The bright brass fanfares, sparkling woodwinds, and energetic percussion capture the excitement of the season. From the first exhilarating notes to the dazzling finale, this piece delivers nonstop fun, making it a perfect addition to any winter concert.
Estimated dispatch 12-14 working days
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£41.006-Note Reindeer
6-Note Reindeer is a festive piece designed for very young bands who have learned their first six notes and are familiar with eighth notes. Based on the well-known Christmas song Up on the Housetop, this arrangement helps introduce eighth-note rhythms in a fun and accessible way. The piece provides opportunities for every instrument to play the melody, except for oboe, tenor saxophone, and horn, due to range limitations at the beginning level. The snare drum part features various eighth-note patterns, adding rhythmic variety. A continuous sleigh bell part is also included, which can be shared by different players if needed. This piece is perfect for a beginner band performance, especially during the winter holidays.
Estimated dispatch 12-14 working days
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£48.00Island Drummer Boy
Island Drummer Boy is a fresh take on the classic holiday song "Little Drummer Boy." This tropical twist on the familiar melody invites listeners to a sunny paradise. From crisp staccatos to smooth legatos, each articulation contributes to the unique island vibe, creating a rich and textured musical experience. An irresistible percussion groove sets the rhythm and pace of the music, invoking images of swaying palm trees and gentle ocean breezes in this festive celebration.
Estimated dispatch 12-14 working days
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£56.00Balalaika!
A Balalaika is a type of Russian folk stringed instrument. They come in a variety of sizes and can have full orchestras of these instruments. The music they play has a distinctly Russian folk music sound and composer James Meredith has worked to present this style in a modern concert piece. The work is a festive dance-like piece and contains quotes throughout of famous Tchaikovsky themes in order to help give it that Russian flavor. Balalaika is a different and refreshing choice for your next concert.
Estimated dispatch 12-14 working days
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£211.80Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
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£94.99Viva Besana! - Jan Van der Roost
This solemn overture was written for concert band to commemorate the 20th Festival Bandistico Besana in Brianza for 2024. This multifaceted work features three movements: the serene and solemn Corale solenne, which is then followed by Danza con eleganza, in which alternating changes of time signature form a jaunty and also somewhat whimsical whole. The Finale trionfale is thematically based on the opening chorale, though now in a festive guise. Frequent modulations convey the melodies and themes in various keys, resulting in a wonderful harmonic colourfulness. Viva Besana, viva la musica!
Estimated dispatch 7-14 working days
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