Results
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£115.00My Way (Flexible Solo with Concert Band - Score and Parts) - Francois & Revaux - Kadlec, Jirka
Solo for Flute, Clarinet, Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Trumpet, Horn, Trombone, Euphonium, Violin, Viola or VioloncelloDuration: 3.45
Estimated dispatch 7-14 working days
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£115.00Oblivion (Flexible Solo with Concert Band - Score and Parts) - Piazzolla, Astor - Moren, Bertrand
Solo for Flute, Clarinet, Bassoon, Trumpet, Trombone, Euphonium, Violin or VioloncelloDuration: 4.15
Estimated dispatch 7-14 working days
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£115.00Sunday Mood (Flexible Solo with Concert Band - Score and Parts) - Kadlec, Jirka
Solo for Flute, Clarinet, Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Trumpet, F Horn, Trombone, Euphonium, Violin, Viola or VioloncelloDuration: 2.50
Estimated dispatch 7-14 working days
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£118.99Twilight Serenade (Euphonium or Bassoon Solo with Concert Band - Score and Parts) - Schoonenbeek, Kees
Duration: 8:00
Estimated dispatch 7-14 working days
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£45.95UFO (Euphonium Solo or Section Feature with Concert Band - Score and Parts) - Kennedy, Edward
The title of this work conjures up images in one's mind of outer space and flying saucers. However, although intended to be a programmatic work, the title is also a pun on the affectionate name often given to the Euphonium in the U.K. and Australia, Eupho. This exciting work will give your euphonium or baritone players a chance to shine and have some fun, either as soloists or in a section feature.Duration: 2:45
Estimated dispatch 7-14 working days
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£78.99Rondo for Solo and Wind Band - Wolfgang Amadeus Mozart
For flute, oboe, clarinet, alto saxophone, bassoon, bass clarinet, trumpet or euphonium solo with band accompaniment.A tasteful arrangement of the third movement of Mozart's Bassoon Concerto which was chosen because the original solo would work so well with a large variety of wind instruments. The perfect setting to show off your top student no matter what they play! Wonderful music that will be an impressive addition to any concert!
Estimated dispatch 7-14 working days
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£64.35Rondo for Solo and Wind Band - Mozart, Wolfgang Amadeus
For flute, oboe, clarinet, alto saxophone, bassoon, bass clarinet, trumpet or euphonium solo with band accompaniment. A tasteful arrangement of the third movement of Mozart's Bassoon Concerto which was chosen because the original solo would work so well with a large variety of wind instruments. The perfect setting to show off your top student no matter what they play! Wonderful music that will be an impressive addition to any concert!
Estimated dispatch 7-14 working days
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£33.95Song of Tranquillity (Trumpet Duet with Concert Band - Score and Parts) - Wiffin, Rob
A reflective piece featuring two trumpets and band but also playable as a solo for trumpet, trombone or euphonium. The composer wrote Song of Tranquillity just after a close friend died suddenly. It was cathartic, just written to reflect the release from pain to peace. It fits the expressive style and power of the solo brass instruments.Duration: 3.45
Estimated dispatch 7-14 working days
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£88.00
BRILLANTE (Euphonium/Concert Band) - Graham, Peter
Brillante was commissioned by Peter Wilson for the British Bandsman Centenary Concert in 1987 and was first performed as a duet by Robert and Nicholas Childs. Later reworked a as solo with brass band accompaniment, it has become popular the world over - an accessible mix of sentiment and virtuosity! The wind band version brings the piece to a wider range of players and audiences and is a sure-fire hit! Duration: 6:00 American Grade: 4+
Estimated dispatch 7-14 working days
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£164.95Euphonium Concerto (Concert Band - Score and Parts) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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