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£94.99
Prayer - Charles Gounod
Gounod's Prayer (O, Divine Redeemer!), originally a solo for Mezzo-soprano, chorus, and orchestra, comes from his oratorio La Redemption, and here is presented as a beautiful lyrical solo for Euphonium and Piano accompaniment.
Estimated dispatch 7-14 working days
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£87.70Introduction and Rondo Capriccioso - Camille Saint-Saëns
A brilliant transcription of this very famous violin solo, utilizing a more chamber-like wind ensemble scoring in order to maintain the delicate balance between the soloist and ensemble. Instrumentation: Solo Flute, C Flute 1, C Flute 2, Oboe 1, Oboe 2, Clarinet 1, Clarinet 2, Bass Clarinet, Bassoon, Horn 1, Horn 2, Trumpet 1, Trumpet 2, Euphonium (T.C. and B.C.), Tuba, Timpani
Estimated dispatch 7-14 working days
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£61.70LEncore For Flute, Clarinet and Concert Band - Victor Herbert
Instrumentation: Solo Flute, Solo Clarinet, Flute, Oboe, Clarinet 1, Clarinet 2, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Baritone Saxophone, Bassoons, Horn 1, Horn 2, Trumpet 1, Trumpet 2, Trombone, Euphonium, Tuba, Timpani, Triangle, Cymbal
Estimated dispatch 7-14 working days
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£69.99
Mondo Glissando - Mike Hannickel
Slip-slidin' trombone smears in this rip-snortin' ragtime setting are sure to tickle your ears and put some tap in your toes. The trombone glissando is the happiest sound around! Dedicated to, and premiered by, the Westchester Middle School Band of Westchester, Illinois, Mr. Jason Kluge, director, MONDO GLISSANDO targets that most critical of wind sections. When was the last time you featured your trombones? When was the last time they felt like STARS? Section feature pieces are one of the most important techniques available for keeping a section strong and well represented. MONDO GLISSANDO can even be used as a trombone SOLO piece, by having the non-solo trombones play from thetechnically simpler euphonium part.Either way, section or solo, there's nothing like an exposed part on an upcoming performance to reinvigorate a musician's interest and encourage that all-important PRACTICE!
Estimated dispatch 7-14 working days
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£52.70Far Eastern Dream - Paul Voet
The longest trip we make is to the Far East. Japan, China, Tibet,... all countries with an enormous cultural background and history. Percussion is very important here to give a rich dimension to this Japanese 'Black Bamboo' theme. Tam-tam, Chinese cymbals, Tibetan gong and a kododrum (if not possible, large floor tom) together with marimba and glockenspiel are used all the time in a carefulway. A solo cornet presents the main theme that is answered by the whole lower brass section. Whilethis theme develops now and then the sounds of the impressive 'dung' is heard. (dung is the Tibetan very large trumpet-like instrument with loud and very deep sounds) In a quicker tempo Eb bass, euphonium and solo cornet start with the theme and even the counter theme. The whole group joins the party but everything ends very silently with mute.
Estimated dispatch 7-14 working days
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£96.40La Flute De Pan - Jules Mouquet
This arrangement features a colorful, yet light accompaniment to this delightful flute solo. A great piece to feature your first chair flute player. The first movement is appropriate for bands of all ages, while the latter two movements are a most likely appropriate for high school groups and up. Instrumentation: Solo Flute, Flute 1/2, Oboe, Bassoon, Clarinet 1/2, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet 1/2, Horn 1/2, Trombone, Euphonium (BC and TC), Tuba, Snare Drum/Bass Drum, Triangle/Suspended Cymbal, Bells
Estimated dispatch 7-14 working days
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£79.99Angelo del Cielo - Giacomo Puccini
The one-act opera Suor Angelica is set in the cloisters of an Italian convent at the end of the seventeenth century. Of noble birth, Angelica has been a nun for seven years, forced there by her family as punishment for an unknown sin. When her aunt visits her, she tells Angelica that her child had died. This terrible news becomes the reason for her only aria, Senza Mamma, a heart-wrenching song of restraint and dignity to her little 'angel in heaven' (Angelo del Cielo). The set contains solo parts, for soprano voice, cello and a duet for soprano and cello. There is also an optional solo part for trombone or euphonium.
Estimated dispatch 7-14 working days
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£89.99
Aria - Robert Finn
An aria is a lyrical dramatic solo work for voice. For this work an instrumental soloist interprets the vocal part. The typical melancholy, nostalgia and drama of the Italian aria combines with filmtrack like passages (Morricone) to form the main ingredients of this simple composition. The solo part can be played by a euphonium, a trombone or a tenor saxophone (or flugelhorn).
Estimated dispatch 7-14 working days
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£72.99
Valse Caprice - Herbert L. Clarke
Herbert L. Clarke was a legendary composer and musician active in the early part of the 20th century, well-known for his solos for cornet, trombone, euphonium and combinations of brass instruments with band accompaniment. What is not as well-known is that Clarke also wrote three works for alto saxophone and band! Helen, Valse Caprice and Lavinia were written between 1918-1922 in Canada for Charles Shaw, saxophonist for the Anglo-Canadian Leather Company Band which Clarke directed at the time. Valse Caprice is a fine example of pure lyric elegance. Written in modified ABA form, the principal theme is followed by a more embellished variation in eighth notes. The contrasting middle section is a pensive meno mosso, which leads into a reprise with cadenza-like figures, building to a rousing conclusion. The historic publication of these three works by Southern Music represents a significant contribution to saxophone solo and band literature that will introduce generations of musicians to some of Herbert Clarke_x001A_s finest hidden gems.
Estimated dispatch 7-14 working days
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£144.99Serenata - Jan Van der Roost
While composing Serenata, Jan Van der Roost didn't focus too much on virtuosity, acrobatics or spectacle. Instead, he wanted to let the solo instrument shine as a melodic and expressive voice. And indeed: the warm sound of the euphonium touches the heart of the audience straight away in the first section with a melodious theme. Then follows a rigaudon, a noble and elegant dance from the Renaissance era. Despite the fact that some of the variations on the main theme require some technique and agility, the overall character mostly remains songful. The composition as a whole builds further on these two musical ingredients, but thanks to a clever alternation of melodic and technical passages, it offers a nice stylistic diversity to the listeners. The band is definitely not 'just accompanying' but fully participates and begins a dialogue with the soloist: both musical partners have their say. The end is more spectacular and sonorous, giving an extra boost of energy to the soloist as well as the band in a grand finale!
Estimated dispatch 7-14 working days
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