Results
-
£115.60I Don't Know How to Love Him - Andrew Lloyd Webber
This is a ballad from the rock-opera "Jesus Christ Superstar" written by Andrew Lloyd Webber (Music) and Tim Rice (Lyrics). Together with the title song, this ballad is the most popular tune from Jesus Christ Superstar. It's recorded and performedlive by many artists since the music saw the light of day in 1971.This arrangement can be performed with a vocal- or instrumental solist. In addition to the vocal solo part, there are also solo-options for the followinginstruments:Flute Oboe Bassoon Clarinet in Bb Altosax Tenorsax Trumpet/Cornet F-horn Euphonium/Trombone
Estimated dispatch 7-14 working days
-
£184.99
Rubicon - Bert Appermont
The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.
Estimated dispatch 7-14 working days
-
£84.99High Voltage - Thierry Deleruyelle
High Voltage is an especially energetic composition in the big band style. The blaring brass and the ornate interplay of the woodwinds lend this work great character and conviction. In the second half of the piece two solos are played: firstlythe tenor saxophone (alternatively alto saxophone), followed by a virtuoso variation in the trombone (alternatively baritone euphonium).
Estimated dispatch 7-14 working days
-
£84.99Best Friends - Johan Nijs
Friends are of the utmost importance in any person's life. True friends can always count on one another, even if they don't meet up as often as they might wish. With Best Friends, the Belgian composer Johan Nijs portrays this themein a wonderful ballad that can be played on the trumpet, euphonium or trombone. A great chance to put one of your players in the spotlight.
Estimated dispatch 7-14 working days
-
£144.99
Febesa - Filip Ceunen
The title of this work, Febesa, refers to the four notes it is based on: F, E, Bflat (BES in Dutch) and A. At the beginning of the work, the sound of these notes creates a mysterious, extraordinary atmosphere. The work slowly builds from the low brass as the thematic torch is handed to the woodwind section and this leads into a grand tutti. In a tonal and refreshing allegro, the febesa-theme now has a more harmonic role. After this passage, the symmetric form of the work brings us back to the mysterious atmosphere of the introduction, with solos for euphonium, oboe and flute.
Estimated dispatch 7-14 working days
-
£159.99
Symphonic Variants - James Curnow
Through variations in tempo and tone, the Symphonic Variants bring forth the sonority of the euphonium and the skills of the soloist. The work begins with an allegro con espressivo statement of the theme and alternates with adagio and allegro con spirito variations. Lento, presto, and pesante treatments add further interest to the composition.
Estimated dispatch 7-14 working days
-
£137.99The Seventh Night of July - Itaru Sakai
In Japan, July the 7th is a holiday known as Tanabata, for which large celebrations are held throughout the country. The holiday is based on a legend about a young man and a young woman who are separated by the Milky Way and can only see each other once a year on this night. The Seventh Night of July is Itaru Sakai's musical interpretation of this romantic legend. The alto saxophone and euphonium solos during the middle movement represent the two main themes from the legend.
Estimated dispatch 7-14 working days
-
£159.99Alpine Flowers' Party! - Itaru Sakai
The Hida High School is in a highland city called Takayama in Gifu Prefecture. Takayama City has some of the highest mountains in Japan, atmospheric rows of houses and streets, and a beautiful landscape. The magnificent views from these mountains can be described as a paradise above the clouds. When the composer visited there in the summer of 2001, the lovely flowers spreading through the valley and the refreshing air welcomed him. The flowers looked as if they were fashionably dressed and fully enjoying conversation and a short summer at a reunion party. The composer was inspired by this scenery to compose this piece. The musical party opens with happy greetings of a reunion andjoyful themes follow one after another. A light xylophone solo, a waltz and an adagio featuring alternate solos by alto saxophone, euphonium and trumpet lead to a brilliant finale featuring brass and percussion played in irregular time. A beautiful musical picture that your band will enjoy performing for many years.
Estimated dispatch 7-14 working days
-
£107.50Pilatus: Mountain of Dragons - Steven Reineke
A major work for advanced bands that utilizes the full resources of the modern concert band/wind ensemble. Solos for flute, alto sax, oboe, euphonium, horn, and trumpet. Vast dynamic contrasts as it builds from soft delicate sections of just a few instruments to huge tutti sections of massive symphonic proportions. A truly exception composition that is sure to become a standard of the band repertiore. OUTSTANDING IN EVERY RESPECT!
Estimated dispatch 7-14 working days
-
£84.50Many Moons - Peter Sciaino
A poignant balladic description of a memory of a New Mexico night sky, this lyrical piece encapsulates the feeling of wonder and humility felt when we stare out at a sky seemingly filled with hundreds of little moons. Beginning with subtle percussion and a cross-cued euphonium solo, a wistful theme is developed and passed throughout the ensemble. Multiple expressive demands related to phrasing, balance, listening, and tone let you teach these in a composition that sounds harder than it is. Use this ballad as a contrast to your opener in concert or as a second selection in festival or contest performances.
Estimated dispatch 7-14 working days
View Music