Results
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£149.95Diversions - Variations on a Swiss Folk Song (Prestige Concert Band - Score and Parts) - Sparke, Philip
The variations are based on fragments of 'Der Heimetvogel', dating from the 19th century. The variations are: 1. Vivo e scherzando (a moto perpetuo); 2. Subito meno mosso (a macabre 12/8 march); 3. Lendo espressivo; 4. Vivace (fugue).Performance time 15'55"Recorded on QPRM134D THE KINGS GO FORTH, Central Band of the Royal Air Force
Estimated dispatch 7-14 working days
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£29.95
Diversions - Variations on a Swiss Folk Song (Prestige Concert Band - Score only) - Sparke, Philip
The variations are based on fragments of 'Der Heimetvogel', dating from the 19th century. The variations are: 1. Vivo e scherzando (a moto perpetuo); 2. Subito meno mosso (a macabre 12/8 march); 3. Lendo espressivo; 4. Vivace (fugue).Performance time 15'55"Recorded on QPRM134D THE KINGS GO FORTH, Central Band of the Royal Air Force
Estimated dispatch 7-14 working days
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£59.95DIVERSIONS ON CALON LAN (Programme Trombone/Concert Band) - Davoren, Tom
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Estimated dispatch 7-14 working days
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£13.95
Dreamscapes
1-4DreamscapesMartin EllerbyRoyal Northern College of Music Wind Orchestra I. Eldorado 6.09 II. Avalon 4.00 III. Shangri-La 2.43 IV. Xanadu! 3.325RailWilfred JosephsRoyal Northern College of Music Wind Orchestra9.296-9Euphonium ConcertoMartin EllerbySteven Mead (Euphonium) with Royal Northern College of Music Wind Orchestra I. Fantasy 7.02 II. Capriccio 3.35 III. Rhapsody (for Luis) 6.41 IV. Diversions 5.0810-12Mata HariNigel ClarkeRoyal Northern College of Music Wind Orchestra I. Dancer in the Shadows 4.16 II. Deceit and Seduction 6.26 III. Evasion and Capture 5.0613MeditationsMartin EllerbyRoyal Northern College of Music Wind Orchestra12.50
Estimated dispatch 7-14 working days
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£13.95
Wind Borne
1Heroic MarchPercy Fletcher arr. Philip SparkeRoyal Northern College of Music Wind Orchestra5.402-7The Cries of LondonMartin EllerbyRoyal Northern College of Music Wind Orchestra I. Dawn Watch 1.48 II. Westminster Chimes 2.29 III. A Dream or Two (A Song for London) 3.46 IV. Catch that Catch Can Kenneth Boyd (Tenor)2.24 V. Evening Watch 1.39 VI. Hymn 4.268Diversions (Epitaph for a Dreamer)Darrol BarryRoyal Northern College of Music Wind Orchestra10.489-11Leading EdgeRob WiffinRoyal Northern College of Music Wind Orchestra I. Prelude 3.43 II. Sicilana 3.34 III. Finale 4.3412Wind BorneAvner HananiRoyal Northern College of Music Wind Orchestra7.1013Dragon DanceDuncan StubbsRoyal Northern College of Music Wind Orchestra5.0314-16Fanfares and CelebrationsNigel ClarkeRoyal Northern College of Music Wind Orchestra I. Intrada 5.54 II. Processional 5.40 III. Jubilate 4.41
Estimated dispatch 7-14 working days
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£104.00Side Paths - Andreas Ziegelbäck
This symphonic wind orchestra piece is a homage to the painting "Main Path and Side Paths" by the painter and graphic artist Paul Ernst Klee. At the center of the painting runs a straight main path in vibrant colors, surrounded by irregular side paths that are nevertheless held in similar color tones.Just like in the painting, the piece repeats a short motif in various variations, while the surroundings of this motif constantly change, similar to the side paths in the painting. The color gradients and paths of the painting are considered an allegory of human life. Just as in our lives, ideas, goals, and desires constantly change, our path often leads through different routes. Even when we pursue a great goal, we usually reach it only through numerous detours and sometimes unexpected diversions.The piece carries a deep message of hope with a second theme: it encourages us to hold on to our dreams and pursue them with unwavering determination, even if the path is marked by unexpected turns and seemingly insurmountable obstacles. It is an ode to the youth around the world who are still at the beginning of their journey to realize their dreams. May it give them the strength and determination to continue their path undeterred even in the midst of the greatest challenges.
Estimated dispatch 7-14 working days
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£57.50The Buccaneers - James Curnow
Rhythmic excitement and powerful melodies suffuse James Curnow's memorable symphonic portrait titled The Buccaneers. Interesting modal diversions combine with widely varied colors and densities to make this a piece that will moveyour developing group to an even higher standard of musical expression. It will be a rich and rewarding musical experience for your band as well as an energizing experience for the audience.
Estimated dispatch 7-14 working days
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£82.50Belmont County Saga - Barry E. Kopetz
The decidedly religious overtones of this work bear a strong resemblance to the sacred melodic content in the wonderful hymnbook The Southern Harmony. Occasional offbeat diversions from the main theme allow a natural energy to alter its character. Quasi-religious chordal passages and lighthearted comic sections lead to the joy and excitement of the extended finishing coda.
Estimated dispatch 7-14 working days
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£13.95The Kings Go Forth (Concert Band CD)
Great British Music for Wind Band Vol.6The Central Band of the Royal Air Force conducted by Wing Commander Rob Wiffin with the Royal Northern College of Music Wind Orchestra conducted by James Gourlay1Fiesta!Philip SparkeCentral Band of the Royal Air Force7.092Diversions - Variations on a Swiss Folk SongPhilip SparkeCentral Band of the Royal Air Force15.553-6New World DancesMartin EllerbyCentral Band of the Royal Air Force8.39 Earth Dance 2.08 Moon Dance 3.25 Sun Dance 3.066-8Sinfonietta No.1Philip SparkeCentral Band of the Royal Air Force14.05 Overture 2.41 Aria 5.32 Scherzo 5.259-11The Kings Go ForthEdward GregsonRoyal Northern College of Music Wind Orchestra17.17 The Church 4.27 The People 4.42 The State 8.05
Estimated dispatch 7-14 working days
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£164.95Euphonium Concerto (Concert Band - Score and Parts) - Ellerby, Martin
This Euphonium Concerto was written between late 1994 and early 1995 in response to a commission from Steven Mead to whom the work is dedicated. It is cast in four movements and lasts a little over 22 mins:I. Fantasy: After the briefest of introductions, the solo euphonium enters with the key melodic phrase of the movement in a fast 'Tempo I'. This idea is developed up to the point where a slower 'Tempo II' breaks the argument - here the mood is reflective but it is only to be a brief interruption as 'Tempo I' returns very quickly. The opening material is then subjected to further transformation with 'Tempo II' making occasional returns en route, the distances between the contrasting tempi becoming ever closer, and the movement closes in a rather soft though definite manner.II. Capriccio: This relatively short presto movement forms a bridge between the first movement and the work's slow movement. The majority of the band parts are bright and muted with the percussion players enhancing the texture with contributions from xylophone, glockenspiel and vibraphone. Again the initial solo euphonium phrase provides the basis for almost all the movement's material. This is extremely virtuosic for the soloist and band alike and makes great play of the rhythmic possibilities of combining simple and compound music either in close proximity or together.III. Rhapsody (for Luis): A Lento movement, sitting between two different but essentially rapid ones, this provides the work's emotional core exploiting the soloist's cantabile qualities in an almost seamless fashion. Again, as will all the work's movements, the initial idea paves the way for subsequent development, eventually culminating in a passionate climax; thereafter it winds down with an affectionate backward glance towards the close of the the slow movement of the Euphonium Concerto of Joseph Horovitz, whose mark had been made indelibly on the euphonium repertoire. This movement is dedicated to Luis Maldonado who set the full score of the brass version before his untimely death.IV. Diversions: The work's variation finale is cast in 3/4 throughout though the barline is often a guideline and was seen by the composer as a challenge of metrical restraint! There is an obvious jazz feel to this movement (both rhythmically and harmonically) with a swaggering ritornello theme first announced by the solo euphonium. Thereafter follows a series of interludes and 'adjusted' returns of the main theme. A lyrical idea is allowed to enter but the underlying momentum is ever present. The band also contributes to the interludes and eventually the tempo increases towards a 'wild' and absolute conclusion.Duration: 22.30Recorded on QPRM143D Dreamscapes, Royal Northern College of Music Wind Orchestra
Estimated dispatch 7-14 working days
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