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  • £211.80

    Karneval i Paris - Johan S. Svendsen

    Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -

    Estimated dispatch 7-14 working days

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  • £149.40

    Polska from Four Watercolours - Tor Aulin

    Few composers have had such an impact on Swedish music life as Tor Aulin (1866 1914). He studied violin and music theory in Stockholm 1877 83, and in Berlin 1884 86. In 1887 he founded the Aulin Quartet, which for more than 20 years played animportant role in broadening Swedish interest in chamber music. The quartet was often on tour with the composer Wilhelm Stenhammar at the piano.1889 1902 Aulin was the leader of the orchestra at the Royal Opera in Stockholm.At Aulinsinstigation the Concert Association in Stockholm (later The Royal Philharmonic Orchestra) was founded in 1902, and he was its conductor until 1909. From then on he was the conductor of the Gothenburg ConcertAssociation (nowadays The GothenburgSymphony Orchestra).Besides being a first class violinist, Tor Aulin was also an accomplished pianist, and Edvard Grieg was deeply impressed by Aulin's rendering of his piano concerto.Aulins list of works is dominated by his musicfor violin. He wrote three violin concertos, the third of which still has a place in the repertoire.Four Aquarelles for violin and piano from 1899 is his most beloved composition. In 1996 Jerker Johansson arranged this work for soloinstruments, one for each of the four movements, and concert band. The solo instruments being clarinet, trumpet, flute and alto saxophone.

    Estimated dispatch 7-14 working days
  • £149.40

    Idyll - Tor Aulin

    Few composers have had such an impact on Swedish music life as Tor Aulin (1866 1914). He studied violin and music theory in Stockholm 1877 83, and in Berlin 1884 86. In 1887 he founded the Aulin Quartet, which for more than 20 years played animportant role in broadening Swedish interest in chamber music. The quartet was often on tour with the composer Wilhelm Stenhammar at the piano.1889 1902 Aulin was the leader of the orchestra at the Royal Opera in Stockholm.At Aulinsinstigation the Concert Association in Stockholm (later The Royal Philharmonic Orchestra) was founded in 1902, and he was its conductor until 1909. From then on he was the conductor of the Gothenburg ConcertAssociation (nowadays The GothenburgSymphony Orchestra).Besides being a first class violinist, Tor Aulin was also an accomplished pianist, and Edvard Grieg was deeply impressed by Aulin's rendering of his piano concerto.Aulins list of works is dominated by his musicfor violin. He wrote three violin concertos, the third of which still has a place in the repertoire.Four Aquarelles for violin and piano from 1899 is his most beloved composition. In 1996 Jerker Johansson arranged this work for soloinstruments, one for each of the four movements, and concert band. The solo instruments being clarinet, trumpet, flute and alto saxophone.

    Estimated dispatch 7-14 working days
  • £149.40

    Humoresque - Tor Aulin

    Few composers have had such an impact on Swedish music life as Tor Aulin (1866 1914). He studied violin and music theory in Stockholm 1877 83, and in Berlin 1884 86. In 1887 he founded the Aulin Quartet, which for more than 20 years played animportant role in broadening Swedish interest in chamber music. The quartet was often on tour with the composer Wilhelm Stenhammar at the piano.1889 1902 Aulin was the leader of the orchestra at the Royal Opera in Stockholm.At Aulinsinstigation the Concert Association in Stockholm (later The Royal Philharmonic Orchestra) was founded in 1902, and he was its conductor until 1909. From then on he was the conductor of the Gothenburg ConcertAssociation (nowadays The GothenburgSymphony Orchestra).Besides being a first class violinist, Tor Aulin was also an accomplished pianist, and Edvard Grieg was deeply impressed by Aulin's rendering of his piano concerto.Aulins list of works is dominated by his musicfor violin. He wrote three violin concertos, the third of which still has a place in the repertoire.Four Aquarelles for violin and piano from 1899 is his most beloved composition. In 1996 Jerker Johansson arranged this work for soloinstruments, one for each of the four movements, and concert band. The solo instruments being clarinet, trumpet, flute and alto saxophone.

    Estimated dispatch 7-14 working days
  • £89.99

    Czardas - Vittorio Monti

    This lively Hungarian folk dance, originally set for solo violin and piano by Italian composer Vittorio Monti, has been arranged for solo instrument and concert band for the Barnhouse "Spotlight" series by Andrew Glover. This rhapsodical work allows the soloist to display great lyrical skills as well as technical virtuosity! Includes solo parts for violin or flute, b-flat clarinet (or any b-flat instrument in similar range), e-flat alto saxophone, or euphonium (bass clef). Band accompaniment parts grade 3; solo part grade 4+. A great way to feature your outstanding soloist or guest artist, and guaranteed to astonish your audience!

    Estimated dispatch 7-14 working days

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  • £74.99

    Beyond the Horizon - Tracy O. Behrman

    A distinctive composition for intermediate level bands that features short solos for flute, clarinet, alto sax, euphonium (baritone), trumpet, F horn (cued in sax), and timpani. From the gentle beginning, a spirited new tempo gives huge energy to the main theme. Contains multiple percussion parts should keep even the largest drum section involved and interested. Impressive for this grade level and an outstanding choice for contest or concert use.

    Estimated dispatch 7-14 working days

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  • £83.50

    Inversia - Jutras

    This composition from popular Canadian composer Andre Jutras is a distinctive piece that begins with short expressive solos for flute and clarinet. The contrasting slower section features solos for alto sax and either tenor sax, horn or euphonium before returning to a faster tempo for the exciting ending. Perfect for any concert or contest performance.

    Estimated dispatch 7-14 working days

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  • £74.99

    Spirit of the Pioneers - Hillis

    Featuring themes that evoke the spirit of the settlers moving westward, this delightful Greg Hillis composition is an exceptional choice for any mid-level band concert or contest performance. The adagio section begins with short solos for flute, clarinet, horn, bells and baritone (all are cued elsewhere) before building into a lush and powerful tutti. Full of appeal for audiences and players alike, this dynamic piece is sure to make your band sound like a million bucks!

    Estimated dispatch 7-14 working days

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  • £94.50

    Of Honor and Valor Eternal - Shabazz

    Commissioned for the 2005 Mississippi All-State Band, "Of Honor and Valor Eternal" is a very impressive debut composition by an outstanding young composer. Contemporary in nature and full of vitality, it features short solos for oboe, clarinet and trumpet and interesting interplay between the various motives. The sonorities of the horn lines mix with the powerful rhythms of the percussion to create a dynamic and vibrant work that is perfect for any concert or contest performance by better bands.

    Estimated dispatch 7-14 working days

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  • £55.50

    Song Without Words - Gustav Holst

    With gentle grace, this charismatic melody is introduced by your clarinet section, setting into motion one of Gustav Holst's most famous themes, scored here for young concert band. The legato styling creates magnificent teaching opportunities and makes for a quality performance vehicle. Great care has been taken to maintain the integrity of the original composition. (2:20)

    Estimated dispatch 7-14 working days

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