Results
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£75.00When the Saints Go Marching In (from Feel the Spirit) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
Feel the Spirit is a collection of seven spirituals originally arranged for mezzo-soprano, choir and orchestra, now which have been arranged for mezzo-soprano, choir and Concert Band, and which can be performed by Band alone. All the pieces are familiar spirituals, skillfully and delightfully scored with optional audience participation to 'bring down the house'. The moods go from exuberant Dixieland with optional clarinet and trombone ad lib solos to a somber and dark mood, conjuring up the depth of feelings for which the spirituals are noted. The music is available either as a complete suite of seven pieces, or as individual pieces which may be purchased separately.
Estimated dispatch 7-14 working days
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£72.99Moon River (Vocal or Flexible Solo with Concert Band - Score and Parts) - Mancini, Henry - Brown, Michael
Performed by Audrey Hepburn in the 1961 film Breakfast at Tiffany's, Henry Mancini's iconic ballad has won numerous awards including the Oscar for Best Original Song and the Grammy for Record of the Year, and has been recorded by countless artists over the years. Arranged as a flexible solo vehicle for vocalist or instrumentalist (flute, oboe, clarinet, alto sax, trumpet, or F horn), this finely crafted setting will certainly add a special moment on any concert.
Estimated dispatch 7-14 working days
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£72.00Classical Rondo (Flexible Solo with Concert Band - Score and Parts) - Capuzzi, Antonio - Glover, Andrew
Originally composed for solo double-bass and orchestra, the latest addition to the Barnhouse "Spotlight" series presents almost endless opportunities for featuring your soloist with concert band or a small wind ensemble. Parts are included to provide solo instrument options for any wind (or string) instrument in C, Bb, Eb, F, or bass clef. The accompaniment may be performed with full band; or, for balance purposes while accompanying string or higher woodwinds, it may also be performed by a smaller wind ensemble of flutes, oboe, clarinets, bass clarinet, bassoon, horns, and timpani. An excellent way to feature your star player or a guest artist!
Estimated dispatch 7-14 working days
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£76.00As Spirits Take Flight (Concert Band - Score and Parts) - Earl, Christian
Uplifting and bright, this fine overture was written for the Salt Lake Symphonic Winds. Images of flight are suggested through the composer's use of rhythm and tempo. The middle section has solo lines for trumpet and clarinet and is beautifully scored utilizing the many different colours available to the wind medium. Various cross cueings allow the conductor/director freedom to tailor the piece to fit a particular ensemble. An excellent choice for high school and community bands alike.Duration: 7.30
Estimated dispatch 7-14 working days
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£104.95Crazy Diamonds Shining (Concerto For Saxophone, Or Bb Clarinet, Wind Ensemble And Percussion) (Concert Band - Score and Parts) - Meechan, Peter
A modern, improvisatory work that utilizes contemporary harmonies and techniques. Written for the modern-day soloist and a band looking for a challenge.
Estimated dispatch 7-14 working days
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£20.95
Crazy Diamonds Shining (Concerto For Saxophone, Or Bb Clarinet, Wind Ensemble And Percussion) (Concert Band - Score Only) - Meechan, Peter
A modern, improvisatory work that utilizes contemporary harmonies and techniques. Written for the modern-day soloist and a band looking for a challenge.
Estimated dispatch 7-14 working days
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£44.95Two Susato Dances (Concert Band - Score and Parts) - Susato, Tielman - Ellerby, Martin
Around 1540 Tielman Susato, the Belgium trumpet player and composer, established himself in Antwerp as a printer of music. In 1551 he brought out The Third Little Music Book, a collection of instrumental dances. Most of these are arrangements, possible by Susato himself, of popular dance tunes. In keeping with sixteenth-century practice, this book details no specific instrumentation; something to be worked out by the players with whatever available means. Doubtless many of the dances were performed on wind instruments at festive outdoor events. The date of Susato's birth is unknown but estimated to be around 1500. The same applied to his death, which is thought to be somewhere between 1561-64.The third Little Music Book gives several examples of the traditional sixteenth-century genre, the dance pair, a predecessor of the Baroque suite. In such a pair the first dance was often in slow or moderate duple time, the second in quick triple time. This is the case in the pair presented here, which consists of a lively round dance followed by a Hop Up or saltarello.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 2.00
Estimated dispatch 7-14 working days
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£44.95Three Folk Miniatures (Concert Band - Score and Parts) - Fraser, Bruce
Three Folk Miniatures (Good Mornin' to Ye; Shepherd Song; When the Sun Shines) reflect the style of old English folk songs offering young players the opportunity to show off several acquired skills in performance.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 2:20
Estimated dispatch 7-14 working days
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£44.95Ye Olde Dance Musicke (Concert Band - Score and Parts) - Fraser, Bruce
This piece reflects the style of Elizabethan dance music. The opening tempo should be quite steady, though played with energy. Good balance is required to achieve the contrasts. The change of tempo should be easily achieved, again taking care with the balance, dynamics and accents to produce an energetic performance.Titles in the Prelude Series are specifically scored for bands with few, if any, bass instruments but will sound well on larger ensembles. The bass line is playable by any combination of bass clarinet, bassoon, baritone saxophone, trombone, euphonium or tuba; in the event that none of these is available, the part for trombone/euphonium (B flat TC) can be played by tenor saxophone. The tuned percussion part is entirely optional and can be played by any available instrument(s). Each piece also includes a preliminary exercise. This is always in the same key as the accompanying piece and consists of a scale and chord progression that can be used for improving ensemble, balance, intonation and instrumental facility by changing tempo, articulation and dynamics.Duration: 1:45
Estimated dispatch 7-14 working days
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£174.99Et in terra Pax (Concert Band - Score and Parts) - Van der Roost, Jan
This piece was commissioned by the Concert Band Vlamertinge and is a plea for peace: the title translates as Peace on Earth. This is expressed by means of the vocal contribution expected from the performers. In various places of the piece you can recognize, the words Et In Terra Pax, an appeal for peace, at first jumbled together but later more rhythmically structured, developing into synchronized massed voices. The work starts with a pentatonic theme based on the notes D, E, G, A and C (taken from 'ConCErtbAnD VlAmErtinGE' and the name of the conductor, NiCk VAnDEnDriessChe). A somewhat sad melody is developed during an orchestral climax which leads to the first explosion of sound (measure 62 onwards). Suddenly the opening measures are recaptured, albeit with a differently coloured sound: the words Et in Terra Pax bring the first movement to a close. A restless Allegro follows which abruptly stops and is replaced by a calming chorale-like passage. A narrator reads aloud the poem 'Sonnet' by the young poet Charles Hamilton Sorley, who was killed during World War I. This poem fittingly puts into words the cruelty and senselessness of war. After the expanded recapitulation of the allegro, the broad, almost infinite atmosphere of the beginning returns. Clarinet and English horn play the pentatonic opening theme once more, this time broadly, while the words Et in Terra Pax are repeated again and again by the rest of the ensemble. The composer has purposely avoided all forms of aggression and bombastic sounds regularly used in works about war. Fear of violence and destruction can be heard and felt during the allegro passages. The charged opening makes way in the end for hope: May peacefulness replace cruelty in everyday life, too.Duration: 13:45
Estimated dispatch 7-14 working days
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