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£211.80Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
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£139.90Tempo di Marcia from Symphony No. 1 - Einar Englund
Einar Englund (1916-1999) was a major Finnish composer of symphonies, concertos and film music. His first symphony (1946) bears the title "War Symphony", not given by the composer. He preferred to think think of it rather as a euphoric shout of joy at living to survive the hells of war. The first movement Tempo di marcia depicts seemingly never-ending marching through Karelia during the Soviet-Finnish war. Influences from Sibelius and Shostakovich are present.American conductor Robert J. Ambrose's arrangement of Englund's Tempo di Marcia is scored for wind band. The duration is 9 minutes. This product includes the full score and the parts:PiccoloFlute 1-2Oboe 1Oboe 2 doubling English hornBassoon 1-2Clarinet 1-3 B-flatBass Clarinet B-flatSoprano Saxophone (opt.) (part for alto saxophone II provided in lieu of soprano saxophone)Alto SaxophoneTenor SaxophoneBaritone SaxophoneHorn 1-4 FTrumpet 1-3 B-flatTrombone 1-3Euphonium (BC)TubaTimpaniPercussion 1-4Harp (opt.)Double Bass
Estimated dispatch 7-14 working days
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£239.99Contemplation - Jan Van der Roost
Contemplation is the first movement from the Clarinet Concerto by Jan Van der Roost, which was commissioned by Musica Reservata VOF, Belgium, and is dedicated to the famous Clarinet soloist Eddy Vanoosthuyse.A slightly mysterious intro leads to an orchestral climax with ascending melodies and the entrance of the soloist. This occurs at first with fragmentary musical ideas, and then with longer melodic lines. The Orchestra delivers the dialogue with the soloist, and creates a fitting musical frame with a delicate and colourful instrumentation. Towards the end of the music, the atmosphere from the beginning is restored, and the soloistfinishes on the same note that he started the piece on.The concerto is also available as a Piano reduction.
Estimated dispatch 7-14 working days
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£134.99
Recalls - Ben Haemhouts
Recalls obviously refers to memories. This piece of music is in fact a series of flashbacks, however, it does not highlight the actual memories of specific thoughts, people or events.The composition evolves around the late Frans Steurs, who for manyyears was the inspirational artist behind the brass band that is currently commissioning this work. The main theme of the work is based on the name STEURS". E = mi, U = do, R = re and S = "si" which is Dutch for the note "ti". This idea forms themusical theme for the entire composition and different variations are used throughout. The structure of the work is based on the concept of a story which father Steurs is telling his two daughters, who play the flute and the clarinet. Each part ofthe work has a story-like character:1. Introduction: following a short ominous intro, the main theme is presented for the first time.2. The Story: father Steurs has both his daughters on his knee and he tells them stories from the old days. Trumpetsand trombones play variations of the theme. The story gets very exciting (accelerande, poco a poco agitato) until the tale takes a dramatic turn when the father tells an exciting story at the time of the Second World War. He tells of being hunteddown by the occupying army and these adventurous episodes are related to us musically in part3. Danger, with its skilful references to "vor dem Sturm" from "Eine Alpensinfonie" by Richard Strauss.4. called Fugitives, is about how he fled in the nightfrom the enemy and this is reflected in the bass tones of a new theme. The aggression of the war is illustrated from bar 117 onwards, by a harsh brass section. The main theme is repeated once again and this time up-tempo. The second theme is broughtonce again from bar 149 onwards.5. Dialogues, depicts the conversations between the two daughters and their father. Father speaks (bar 155); the daughters answer (bar 164 - flute, bar 166 - clarinet); bar 178: father answers with the tune of the maintheme to the two daughters. The discussions gradually intensify but ultimately end in peace in the last part called Conclusion.The piece of music "Recalls" is a free interpretation by the composer who consulted the letters between the two daughtersof Steurs and their father and in this respect it is not really music for a programme."
Estimated dispatch 7-14 working days
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£72.95
American Ballad Variants
A fresh and spirited treatment of the traditional American ballad Black Is the Color of My True Love's Hair, this fine piece for a developing band starts with a slow and atmospheric introduction featuring solos by flute and trumpet that hint at the tune. The main section sets the ballad to a driving Latin beat, but the slow reflective mood returns at the end with solos for clarinet, bass clarinet and flute.
Estimated dispatch 7-14 working days
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£420.99Tre Sentimenti - Jan Van der Roost
At last the bass clarinet can shine in this major new solo work for bass clarinet and concert band. This composition begins with a rather mysterious opening passage with atmospheric sounds and effects. The soloist plays - preferably backstage - a number of fragments and melodic patterns, without actually "starting" the piece. After this somewhat hesitant introduction, a lively, cheerful allegro entitled Con Giocondita (with joy) bursts out. It is swarming with irregular meters, changing tempos, and polyrhythm, through which the listeners (and sometimes also the musicians) constantly get the feeling that they are being tossed around. The second movement brings rest andpeace making careful use of sound colours. The upbeat finale, titled Con Allegria (with cheerfulness), is the most significant movement for the soloist. This is a challenging piece of music that demands great virtuosity, but with the correct performer it will be a real highpoint in any concert..
Estimated dispatch 7-14 working days
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£45.95
Little Bit O' Licorice, A - David A. Myers
A fabulous way to showcase your clarinet section. This piece lies very well on the clarinet so it will not be difficult for your young musicians. David has scored this to work well with any beginning band instrumentation. Its catchy melody will have your audience humming the tune all the way home. A great change of pace for your concert!
Estimated dispatch 7-14 working days
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£309.99Vulcan - Michael Daugherty
(2014) Vulcan for Concert Band is Grammy award winning composer Michael Daugherty's first work for the high school and intermediate level college band. The work is a colorful homage to Gene Roddenberry's interstellar universe as depicted in the classic American television series Star Trek (1966-69). The title refers to the fiery planet Vulcan, home world of half-human, half-Vulcan Mr. Spock. As the rational-minded science officer aboard the starship Enterprise (commanded by the hot-blooded Captain James T. Kirk), Mr. Spock grapples with the fascinating predicament of making decisions predicated on human emotion versus Vulcan logic. Daugherty has composed stirring, yet highly structured music that alludes to the Vulcan Pon Farr ritual, Vulcan telepathic mind-melds, and the volcanic planet itself. At the the Ann Arbor, Michigan world premiere (utilizing the combined forces of the Pioneer, Huron and Skyline High School bands), Vulcan was an immediate hit and will surely become one of Daugherty's most performed works. Instrumentation The number of players doubling each part is at the conductor's discretion, but should be in keeping with a balanced sound. Piccolo 2 Flutes 2 Oboes English Horn (optional but recommended) 3 Bb Clarinets (minimum 2 players per part) 2 Bb Bass Clarinets Eb Contralto Clarinet or Bb Contrabass Clarinet and Bb Bass Saxophone (optional but recommended) 2 Bassoons 2 Eb Alto Saxophones Bb Tenor Saxophone Eb Baritone Saxophone 3 Bb Trumpets (straight metal mutes, harmon mutes-stem out) 2 F Horns 2 Trombones (straight metal mutes) Euphonium 2 Tubas Contrabass or Electric Bass (optional but recommended) Timpani (4 drums recommended) Percussion (instruments are not shared): 1. Glockenspiel, Xylophone 2. Vibraphone, Small Anvil (metal beater) 3. Shakaray, Marimba, Chimes, Suspended Cymbal (yarn mallets) 4. Two Tam-Tams (small, medium), Tambourine, Mark Tree, Finger Cymbals, Vibraslap, Piccolo Snare Drum 5. Tenor Drum, Maracas, Snare Drum 6. Large Bass Drum Movement I (YouTube) Movement II (YouTube) Movement III (YouTube)
Estimated dispatch 7-14 working days
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£49.99Buffalo Rock - A Royal Portrait - James Rae
James Rae is the man who put fun into woodwind and brass teaching. His many compositions, especially in the jazz and blues idioms, have often featured on examination syllabuses. Recent years have seen his publications of easy flexible ensembles for younger players and now he turns his attention to the wind band. In his series The Concert Band Collection, he has written exciting new pieces for the standard concert band line up. Attention is given to each instrument so that the technical and musical requirements do not exceed UK Grade 2. An optional piano part will provide "stuffing" and moral support for the young players who will quickly enjoy James' catchy and imaginative music. Each volume contains two titles. Buffalo RockThis piece has been specifically composed for bands in their early stages of development. All instrumental parts have been written in comfortable keys and ranges with all clarinet parts staying entirely in the low register. After a short, powerful introduction, the music immediately kicks in to a driving rock mode, setting the scene for the remainder of the piece. Strong rhythmic playing is required from all sections of the band in order to achieve a solid performance. A Royal PortraitThis piece is very regal in style and portrays all the pomp and circumstance that surrounds a high-profile state occasion. It is to be performed with a full, warm sound and players must resist the temptation to overblow as this could have a detrimental effect on tone quality and intonation. As with Buffalo Rock, the instrumental parts have been written in comfortable keys and ranges with all clarinet parts staying entirely in the low register.
Estimated dispatch 7-14 working days
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£84.99Claritude - Wim Laseroms
In this new work by Wim Laseroms, the clarinet section appears in thespotlight. The classical etude forms the basis, thus the elegant titleis aptly chosen. Virtuosity is the key in Claritude. With this wonderfulconcert work, any band can show off their clarinet section.
Estimated dispatch 7-14 working days
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