Results
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£75.00The New Spirit of '76 (Concert Band - Score and Parts) - McCall Noblitt, Katheryn - Noble, Paul
Though never before published, The New Spirit of '76 march is perhaps Katheryn McCall Noblitt's best known piece, and was among her favorites. Originally composed in 1947 as a piano solo, in 1975, in anticipation of our nation's Bicentennial celebration, she composed a second-piano part for two additional players, wrote patriotic words in both two-part and four-part harmony. The melodies are so well-crafted that they seem very familiar. This arrangement includes short quotations from other Bicentennial favorites - The Star-Spangled Banner, Battle Hymn of the Republic, Dixie, and Yankee Doodle. Dr. Noble directed its premiere performance in 1976 during a music festival, followed by performances with the 500-member Virginia Bicentennial Band and Marching Chorus in Philadelphia, Washington, Alexandria and other cities.
Estimated dispatch 7-14 working days
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£85.00The Tree of Life (from The Gift of Life) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul
The Gift of Life was written early in 2015 as a commission to honour a retiring Minister of Music at a church in Dallas, Texas. In planning this piece, John Rutter has stated: In 1985 I had written a Requiem - which, like any Requiem, inevitably reflects on death - why not write the opposite, a work celebrating life? Unlike a Requiem, where a set form of words is laid down in Catholic liturgy, no framework exists for a celebration of life, and I had to choose (and in three cases, write) texts which were appropriate to a theme rarely expressed in music since Haydn's wondrous oratorio The Creation in 1798. The six movements reflect different facets of the miracles of creation and of life. This arrangement is written for combined Concert Band and Chorus, but may be performed by Concert Band alone.
Estimated dispatch 7-14 working days
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£56.50Zeeland (Concert Band - Score and Parts) - Grice, Rob
Zeeland was written as a celebration of the community and the students who make music come to life. It is a reflection of those special moments experienced by young musicians and teachers when the performance of music brings people closer together and creates memories that will last a lifetime.Duration: 4.00
Estimated dispatch 7-14 working days
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£56.50Dynamo (Concert Band - Score and Parts) - Stalter, Todd
Written in celebration of the career of a highly energetic administrator, this piece mimics these characteristics by opening with a large release of energy. The Mixolydian motives bounce around the ensemble unexpectedly.Duration: 3.00
Estimated dispatch 7-14 working days
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£164.95Amphibiosity (Concert Band - Score and Parts) - Ellerby, Martin
Amphibiosity was commissioned by the Royal Marines Band Service with funds made available by the Royal Navy and Royal Marines Charities for the 2014 Mountbatten Festival of Music held at the Royal Albert Hall in London.The work was written in celebration of the 350th Anniversary of the Royal Marines Corps and utilises many familiar tunes associated with them. Although the piece is cast in one continuous movement it falls into an introductions, ten sections and a coda.The Introduction sets the tone with the Amphibiosity mofif - a call to attention, it is of serious intent. During the course of the work it returns as a point of reference. The first section makes use of The Globe and Laurel (Original Regimental Slow March of the Royal Marines, the tune (Early One Morning) making an apt appearance, it has been played in the minor and like much of the quotational material in the piece is of a referenced nature being symbolic in meaning. However it soon turns to the major to provide a less sombre aspect to the introduction proper. There follows an interlude, the Amphibiosity motif returning rather like a ritornello to give cohesion to the structure and act as a point of change.Section two presents Sarie Marais (Regimental March Past of the Royal Marine Commandoes), the first half of the tune used as a fugal subject (placed in the minor) and as such providing the impression of a building up of activity. The ensuing third section is light-hearted commencing with an original hornpipe leading into the fourth section, Seascape, representing the fleet at sea. Another interlude follows, the Amphibiosity motif reappearing as a woodwind fanfare making way for the fifth section. Anticipation, serious matters lie ahead, there is trouble in the papers, the Corps will be placed on standby.Section six is subtitled Preparation, all hands-on deck, time to get set: A Life on the Ocean Wave (Regimental March of the Royal Marines) is alluded to. On reaching section seven, Assault, the landing goes ahead. Within this section there is an internal interlude reflecting on things past: other men have been in this position before. It is a taut and trying situation, training must pay off!Section eight is named Victory, but not gung-ho, and here the Seascape music is revisited. The penultimate ninth section is called Rememberances, although all made it this time, it was not always the case in times past and the Naval Hymn (Eternal Father) provides a moment of tribute to the fallen of previous generations.The Finale (section ten) delivers By Land and Sea (Slow March of the Royal Marines) in a bright and positive orchestration, the mood being celebratory. In a brief Code, the Amphibiosity motif makes a last triumphant appearance.Duration: 10.30
Estimated dispatch 7-14 working days
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£32.95Amphibiosity (Concert Band - Score only) - Ellerby, Martin
Amphibiosity was commissioned by the Royal Marines Band Service with funds made available by the Royal Navy and Royal Marines Charities for the 2014 Mountbatten Festival of Music held at the Royal Albert Hall in London.The work was written in celebration of the 350th Anniversary of the Royal Marines Corps and utilises many familiar tunes associated with them. Although the piece is cast in one continuous movement it falls into an introductions, ten sections and a coda.The Introduction sets the tone with the Amphibiosity mofif - a call to attention, it is of serious intent. During the course of the work it returns as a point of reference. The first section makes use of The Globe and Laurel (Original Regimental Slow March of the Royal Marines, the tune (Early One Morning) making an apt appearance, it has been played in the minor and like much of the quotational material in the piece is of a referenced nature being symbolic in meaning. However it soon turns to the major to provide a less sombre aspect to the introduction proper. There follows an interlude, the Amphibiosity motif returning rather like a ritornello to give cohesion to the structure and act as a point of change.Section two presents Sarie Marais (Regimental March Past of the Royal Marine Commandoes), the first half of the tune used as a fugal subject (placed in the minor) and as such providing the impression of a building up of activity. The ensuing third section is light-hearted commencing with an original hornpipe leading into the fourth section, Seascape, representing the fleet at sea. Another interlude follows, the Amphibiosity motif reappearing as a woodwind fanfare making way for the fifth section. Anticipation, serious matters lie ahead, there is trouble in the papers, the Corps will be placed on standby.Section six is subtitled Preparation, all hands-on deck, time to get set: A Life on the Ocean Wave (Regimental March of the Royal Marines) is alluded to. On reaching section seven, Assault, the landing goes ahead. Within this section there is an internal interlude reflecting on things past: other men have been in this position before. It is a taut and trying situation, training must pay off!Section eight is named Victory, but not gung-ho, and here the Seascape music is revisited. The penultimate ninth section is called Rememberances, although all made it this time, it was not always the case in times past and the Naval Hymn (Eternal Father) provides a moment of tribute to the fallen of previous generations.The Finale (section ten) delivers By Land and Sea (Slow March of the Royal Marines) in a bright and positive orchestration, the mood being celebratory. In a brief Code, the Amphibiosity motif makes a last triumphant appearance.Duration: 10.30
Estimated dispatch 7-14 working days
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£53.50Noel Fantasy (Concert Band - Score and Parts) - Curnow, James
Here is a joyous celebration of the Christmas season featuring two familiar uptempo carols; the traditional French carol Noel Nouvelet and the 17th-century English carol The First Noel. James Curnow skilfully uses a set of variations and contrasting musical styles in weaving both tunes into an appealing and uplifting setting, perfect for any holiday concert.
Estimated dispatch 7-14 working days
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£48.95The Spirit of Thanksgiving (Concert Band - Score and Parts) - Sheldon, Robert
Two of the most popular Thanksgiving hymns (We Gather Together; Praise God from Whom All Blessings Flow) are set for young band in this heartfelt setting. Contemporary harmonic structures are carefully woven into the fabric of these beautiful melodies in celebration of this uniquely American holiday.Duration: 2:45
Estimated dispatch 7-14 working days
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£102.99Minimundus (Concert Band - Score and Parts) - Doss, Thomas
Thomas Doss composed this suite against the backdrop of his experience with young conductors and youth orchestras. Each of the four parts contains a different "soundscape", in which each of us is free to let our imaginations run wild. An Overture, heralding a celebration, a magnificent Pastorale at dusk, the Lament that seems descended from heaven, and finally a colourful, fiery Danza - ideal for young orchestras and conductors with plenty of imagination.Duration: 7:00
Estimated dispatch 7-14 working days
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£56.50Melody Park (Concert Band - Score and Parts) - Sheldon, Robert
Majestic fanfares and noble melodies create a tapestry of pride and celebration in this overture for concert band.Duration: 4.45
Estimated dispatch 7-14 working days
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