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£59.40Our Father Who Art In Heaven - Bach, Johann Sebastian
Here is Bach in his monumental mood, powerfully yet sensitively set for all of the instrumental colors inherent in the large wind band as only Alfred Reed seemingly can produce. An excellent concert opener or prelude in an instrumental church service.
Estimated dispatch 7-14 working days
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£71.28
Passacaglia - Bach, Johann Sebastian
This Bach masterwork for organ has been expertly adapted and arranged for band by Andrew Glover. Beginning with a bass ostinato, and followed by a series of variations that explore the full depth and sonority of the concert band, this work will showcase your mature ensemble and astonish audiences. This intense work will provide a rich musical experience for all! A truly superb work for band. Great music from one of the all-time great composers!
Estimated dispatch 7-14 working days
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£59.40
Prelude No. 4 - Bach, Johann Sebastian
An exquisite setting of the 4th Prelude from "The Well-Tempered Clavichord". It is the first of the Bach Keyboard works to be transcribed in terms of the modern wind ensemble/concert band, and represents another high point in making available to wind players some of the greatest of Bach's music originally conveived for other media
Estimated dispatch 7-14 working days
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£60.00Come, Sweet Death (Concert Band - Score and Parts) - Bach, Johann Sebastian - Reed, Alfred
This is certainly one of the most beloved and widely sung of all the many great chorales. Richness of texture, singing lines, and deep feeling make the present instrumental setting an unforgettable experience for both performers and audiences. Alfred Reed's transcription of this true Bach favourite is a perfect selection for concert use. Will stir your audience each time it is performed.Duration: 4.00
Estimated dispatch 7-14 working days
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£39.60Bach for Band (Concert Band - Score and Parts)
A garden fresh mix of delightful options are contained in this wonderful selection by popular composer Don Schaeffer. This excellent programming choice featuring the flute section has been a true staple in the Barnhouse catalog for many years.
Estimated dispatch 7-14 working days
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£31.68
Bach To the Future (Concert Band - Score and Parts)
Traditional march favorites that can be performed by younger ensembles. Shaffer has crafted this contemporary medley of three of the most famous march melodies of all time; National Emblem, Colonel Bogey and The Billboard March.
Estimated dispatch 7-14 working days
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£93.10Pop Looks Bach (Concert Band - Score and Parts) - Fonteyn, Sam - Woodfield, Ray
Theme song for BBC's Ski SundayDuration: 2.15
Estimated dispatch 7-14 working days
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£49.50
Three Bach Chorales (Concert Band - Score and Parts) - Sousa, John Philip
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Estimated dispatch 7-14 working days
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£435.40Goldberg 2012 - Svein H. Giske
The first time I heard Bach's Goldberg Variations was in the movie Silence of the lambs, in the early 1990s. I noticed the beautiful background music in one of the scenes, but at that time I didn't know what it was. A few years later, when I was studiying at the Grieg Academy, I got to know the entire piece. For me, this is a piece of music which I can listen to countless times. I think it sounds as fresh today as it did more than 15 years ago and it never ceases to inspire me. Both Bach's composition and Glenn Gould's famous 1955 recording (which was the first one I heard) still makes a great impression on me. Before Gould recorded it at age 22, it wasn't a highly ranked piece amongst pianists and Bach was by many viewed as a bit old-fashioned. The young Canadian turned all this around. He managed to portray Bach in a reformed way, producing fine nuances in phrasing and making the many layers in Bach's music more transparent than anyone before him. Thus he plunged both himself and Bach (back) onto the international music scene. When The Norwegian Band Federation (NMF) asked me to write the test piece for NM in 2012, it was only natural for me to use the Goldberg Variations as a starting point and inspiration for my work. Since I was a teenager at NMF's summer courses in the mid eighties I've always listened to many different styles of music. Growing up in Sunnmre with the Brazz Brothers as teachers and mentors, jazz-, pop/rock- and folk music were early on a natural part of my musical background. I also have my classical education from the Grieg Academy on trumpet. As the title of my piece implies, I've wanted to bring Bach to the present and put his music into various modern musical landscapes. I think you can bring about a special kind of energy when music from different genres are mixed and I've tried to do this by mixing Bach with artists and musical styles from the present. In Goldberg 2012, the music is often constructed by several layers, which in a way are living parallel musical lives. They are seemingly moving or floating freely, almost unaware of each other, but bound together by the same basic pulse. The rythms, however, are often notated on a different rythmic subdivision level than the usual 8th- or 16th note levels. By doing this, I hope to achieve transparent sounds that rythmically are perceived as more free and detached from each other. In large sections of the piece, pop/jazz is fusioned with elements from Bach. I guess you could have this little scene as a synopsis for the piece: picture a group of musicians meeting: some are classical performers, some are jazz. They start to improvise together, each in their own voice or musical dialect and I'm sort of in the middle, trying to write down what they are playing. This is what I feel much of Goldberg 2012 is about. The foundation of the piece, in addition to Bach and references from pop/jazz music, lies also in my own material. This material, basically two chords, is heard in it's purest form in the 1st movement. I use these chords to create scales, new chords and different motifs which contribute to blend together the different moods of the piece. It has not been my intention to copy Bach's form (theme and 30 variations), but rather to use the bits and pieces that I like the most as an inspiration for my own variations. The 1st movement, Aria 2, is for my 3rd son, Olav, who was born on the 21st of April 2011, and the 5th movement, From long ago, is dedicated to the memory of my father, Svein J. Giske, who passed away on the 6th of June 2011. -Svein H. Giske, January 2012-
Estimated dispatch 7-14 working days
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£159.20Chasing the Mystery - Kevin Houben
Commissioned by KU Leuven on the occasion of the 600th anniversary of KU Leuven.Chasing the MysteryKevin HoubenDedicated to the Wind Orchestra Universitair Harmonieorkest (UHO) of KU Leuven.Chasing the Mystery is the final movement of the triptych Beyond the Horizon of Thought.On the occasion of KU Leuven's 600th anniversary in 2025, the university commissioned Kevin Houben to compose a new work tailored to the Universitair Symfonisch Orkest, the Universitair Harmonieorkest and the Leuvens Universitair Koor. Maud Vanhauwaert, writer-in-residence during the 2023-2024 academic year, provided a poetic libretto.With Beyond the Horizon of Thought, Kevin Houben created not only a unique anniversary composition for more than 250 student musicians. The composition also conveys a universal message that perfectly reflects the spirit of the celebrating university: keep searching, keep developing yourself and keep hoping - even in turbulent times.From a compositional perspective, the work is built around themes and motifs with a clear symbolism. Kevin Houben explains: "I use a technique in which letters are converted into musical notes - a method also used by great masters such as Bach, Bartk and Shostakovich. This musical signature forms the basis of the melodic structure. In this way, 'KUL600' is represented by the notes D - G - E - F (re - sol - mi - fa)."The composition is conceived as a triptych: three movements that flow seamlessly into one another and are performed by different orchestral formations, yet together form a single whole. The work opens with the symphony orchestra, where the thematic 'KUL600' cells are introduced and explored. In this movement, Awakening the Wonder, several highlights establish a musical connection with the following movements.In the second movement, The Urge of Search, the choir sings a cappella to the poem Het is het by Maud Vanhauwaert, in which she reflects on the tireless quest for knowledge that has characterized the university for 600 years. Classical Gregorian techniques and traditional voice leading enter into dialogue with contemporary techniques, as the singers alternately whisper, call out and proclaim.Finally, the wind orchestra introduces the third movement, Chasing the Mystery. With a searching and anticipatory character, the orchestra presents the thematic cells in soloistic fashion, based on the main melody of the choral movement. References once again appear to the rhythmic 'KUL600' cells, which ultimately culminate in a grand apotheosis. A solitary soprano saxophone opens the finale with the 'KUL600' theme in its most intimate and meditative form. The expanded choir then joins the orchestra for an impressive final chord, musically preparing KU Leuven for the next 600 years.Beyond the Horizon of Thought premiered on Wednesday 23 and Thursday 24 April 2025 at LUCA Campus Lemmens, and was also performed on 9 May 2025 at Concertgebouw Brugge on the occasion of the 600th anniversary of KU Leuven. More than 250 musicians from the Universitair Symfonisch Orkest (USO) conducted by Edmond Saveniers, the Leuvens Universitair Koor (LUK) conducted by Kevin Hendrickx, and the Universitair Harmonieorkest (UHO) conducted by Erwin Scheltjens shared the stage.Cover illustration design: Grotezk Studio.
Estimated dispatch 7-14 working days
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