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£174.10Norge i rdt, hvitt og bltt - Lars-Erik Larsson
Norge i rdt, hvitt og bltt ("Norway in Red, White and Blue") was commissioned by the Oslo Fagott Choir (yes, that is indeed a gay men's choir) for a concert with The Staff Band of the Armed Forces in 2015. I was given artistic licence to write a more modern and somewhat 'eclectic' arrangement for this originally Swedish melody written by Lars-Erik Larsson, which became something of a national liberation anthem when Nazi occupation ended in May 1945 - then with new lyrics by Finn B, Bias Bernhoft and Arild Feldborg.After the premiere in Oslo, and a music video with Oslo Fagott Choir and The Staff Band, broadcasted by Norwegian Broadcasting Corporation (NRK) on Constitution Day during coronavirus lockdown in 2020, I was approached by many to write an instrumental version of the arrangement for concert band. This version is now available through Norsk Noteservice.- Petter S. Kragstad -
Estimated dispatch 7-14 working days
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£101.50
Arts du Cirque - Bill Calhoun
Arts du Cirque takes the listener on an exotic musical journey through a day at the circus. You hear the lion tamers, the trapeze artist--you even hear the clowns. It is a tapestry of sounds and marvelously orchestrated colors, not a tongue-in-cheek presentation. This new work for band will fit nicely as a contrasting piece on a concert, contest, or festival program.
Estimated dispatch 7-14 working days
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£109.50Three London Sketches - David Campo
London is one of my favorite cities in the world, and in 2016 I was invited there to serve as an adjudicator for the London New Year's Day Parade and Gala Concerts. While I was there, I was fortunate to meet and spend time with The Lord Mayor of Westminster Councillor Steve Summers. While his title sounds formidable and intimidating, I found Steve to one of the nicest, most easygoing people I've ever met. And boy, does he love London! He was fond of saying that he had "the best job in the greatest city in the world." He spoke passionately about London and his favorite places in the city, and his enthusiasm was contagious. Some of his favorite places became some of my favorite places, and the inspiration for this piece. I hope that this work not only conveys the beauty and history of these iconic places, but Steve's deep and abiding love for them as well. I. Tower Bridge - The Tower Bridge was built over 120 years ago to ease road traffic while maintaining river access to the busy Pool of London docks. Its giant moveable roadways lift up for passing ships, making it a true engineering marvel. It is also one of the most iconic sites in London, and was used to display the Olympic Rings during the 2012 Olympics. II. St. Paul's (The Whispering Gallery) - The history of St. Paul's Cathedral goes back well over a thousand years, but construction on the current St. Paul's began in 1669 after a fire destroyed the earlier structure. The dome of St. Paul's Cathedral is a whispering gallery; you can whisper against the wall on the inside of the dome and it can be clearly heard on the other side of the dome over 100 ft. away. Imagine the secrets that have passed there... III. Trafalgar Square - The name commemorates the 1805 naval Battle of Trafalgar and is marked by Nelson's Column, a monument to Admiral Horatio Nelson, the hero of the Battle of Trafalgar. It is the heart of London; full of life and constant energy and home to iconic buildings including the National Gallery, St. Martin-in-the-Fields, Canada House and South Africa House. Londoners say that all roads in London lead to Trafalgar Square.
Estimated dispatch 7-14 working days
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£169.99Colossus - Thomas Doss
The giant Haymon was a peaceful knight who lived in Inntal (Austria). One day the bloodthirsty giant Thyrsos came and destroyed Haymon's castle. A horrible fight ensued and Haymon, being the better armed, was victorious and slew his adversary. But instead of rejoicing in his success, Haymon felt deep remorse. This remorse led him to seek out a monk and become a Christian, upon which he immediately started building a monastery. Once completed, Haymon joined the monastic order. Two statues at the monastery's entrance stand in remembrance of his victory. A colossal new work for concert band.
Estimated dispatch 7-14 working days
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£184.99
Rubicon - Bert Appermont
The Rubicon is a river in Northern Italy which Julius Caesar crossed with his army in 49 BC in defiance of the leaders of Rome, who feared his power. A civil war against rival Pompey ensued, which culminated in Caesar seizing power as the absoluteruler of Rome. The phrase "crossing the Rubicon" therefore refers to any person committing himself irrevocably to a risky, decisive and irrevocable of course of action.The work consists of three parts that deal with this important moment in history.Part 1 (Meditation) symbolises Caesars request to the Gods to assist him in his difficult choice. In a slow introduction we hear the melancholy and beseeching sounds of the duduk (alternatively, this part can be played by a soprano saxophone)and of the soprano solo singer over the bourdon accompaniment. The soprano solo singer then sings "dona tibi pacem" (give him rest) in a melodious and probing theme.In Part 2 (Battle of Pharsalus) trumpets and trombones resound alternately ina stately Roman fanfare, producing a stereophonic effect. This develops into a martial theme in which Caesars impressive army goes to battle against the army of rival Pompey. While the theme of Caesars army fades away, Pompeys theme emerges as anaive dance in six-eight time. His army is definitely in the majority and it believes it can easily defeat the enemy. Suddenly trumpets and trombones clash on two sides of the orchestra: Caesars army advances and attacks. A fierce battle ensues inwhich the two themes are played alternately as well as simultaneously. Thanks to his shrewd battle tactics, Caesar manages to win this legendary battle after all: his theme resounds ever louder in trumpets and horns until everything dies out andchanges into a kind of reconciliation between the soldiers of the two armies. The melancholy "dona tibi pacem" from part 1 now serves as a reconciliation theme.Caesar is now the sole ruler of the New Roman Empire, which would be destined to leave itsmark on our Western civilisation to this day. The third part is a sparkling succession of dance music (Dance) with many Greek and Roman elements in which Caesars victory is praised and celebrated. It is common knowledge that the culture(arts, gods, etc.) of the Romans drew heavily on Greek culture. I have therefore used an authentic Greek theme (the Seikolos song) several times in this part (bar 17 in the euphonium, bar 60 in the base section, bar 68 in the sopranosaxophone) to suggest the music of that era and to evoke the right atmosphere. After a gradual increase in tempo in the entire orchestra, the opening melody gloriously resounds once more, surrounded by virtuoso dance music. The work ends withbombastic brass fanfares in which Caesars theme triumphs once more.NOTE FOR THE CONDUCTOR:The Armenian duduk and the monochord that are used in the introduction give a special tone to the music, but could be substituted (soprano saxophone instead ofthe duduk) or left out (monochord). The soprano solo is also doubled within the orchestra and could therefore also be left out if necessary, although it does provide the work with an extra dimension. The male voices in the introduction and the finalecould possibly be replaced with a synthesizer with choral setting.As a visual and acoustic element in part 2, the trumpets, the e-flat cornet, the small drum and trombones can be stood up and placed at two sides of the orchestra (bar 80).Seen fromthe point of view of the conductor, put the trumpets, the e-flat cornet and the small drum in the left section and the trombones in the right section of the orchestra. This also helps to create a visual contrast between the two themes of the secondpart. The players can be seated again at bar 97 or bar 121. The soprano soloist can be placed in or in front of the orchestra, depending on what gives the best result. For the conclusion of the work the soprano solo can be sung from afar (from thewings) to create additional atmosphere.This work was composed especially for the "St Joseph" brass band from Pey/Echt (Belgium) with conductor Mark Prils.
Estimated dispatch 7-14 working days
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£49.00Carol for Coventry (Concert Band - Score and Parts) - Smith, Robert W.
The classic "Coventry Carol" is an English Christmas carol from the 16th century. The haunting melody became more widely known in1940, after Coventry was bombed by the German Air Force during World War II. On Christmas Day, the BBC broadcasted a service from the ruins of the Coventry Cathedral that included a dramatic choral performance of the work. This single broadcast with the song's melancholy lyrics gave new meaning to the carol, cementing its place in our holiday repertoire. Robert W. Smith's powerful "Carol For Coventry" brings that 1940 cathedral setting to life with a powerful and dramatic opening statement and a flowing, lyrical setting of the classic carol. A very dramatic choice for your holiday program! Duration: 3.00
Estimated dispatch 7-14 working days
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£84.99Animal Kingdom Wind Band Set (Score & Parts)
In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with "special effects", Animal Kingdom contains many educational elements, such as playing in swing (triplets feeling), chromatics, flutter tonguing, gypsy tuning, varying keys, and, of course, dynamics and articulation. The melodic lines occur in all four voices, as well as in all percussion parts, providing each musician with the opportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore very expressive, containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds, but the percussion section is also featured in his special effects. The world of the animals always plays on ones imagination. In Animal Kingdom, William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style also emphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal, but for Eduard (Eddy for friends and intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys, accompanied by special effects in the percussion section. Curtis Camel - Curtis the Camel trudges across the desert, feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. Betty Butterfly - Butterfly Betty elegantly, and without worries, flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A "swing" monkey stirs up the feelings. Even members of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing "in swing" (triplets feeling). This can be practised using scales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. "New" sounds are, of course, welcome. Curtis the Camel introduces the gypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swing rhythm that was introduced in the first part, alternated by a "straight" part with attention to chromatics and articulation. A story teller will definitely be an asset when performing this composition. 07:30
Estimated dispatch 7-14 working days
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£332.99
Cantica de Sancto Benedicto Wind Band Set (Score & Parts)
Cantica de Sancto Benedicto is a three-movement work for mixed choir, soprano solo, concert band and organ ad libitum - on Latin lyrics that relate to the life of Saint Benedict. It was commissioned by the city of Norcia in Italy, where Benedict was born. The holy Benedict (480-547) is considered the founder of monastic life within the Roman Catholic Church. His enormous influence is especially owing to his monastic rule, the Regula Benedicti.Jacob de Haan has named the movements of Cantica de Sancto Benedicto after the Holy Trinity: the Father (Gloria Patri), the Son (Gloria Filio) and the Holy Spirit (Gloria Spiritui Sancto). The lyrics of thehymn Gemma Caelestis, (which, like the other texts, were originally used in Gregorian chant) are voiced by the choir. To this purpose, Jacob de Haan composed new, choral-like, homophone music. The sequence Laeta Quies is rendered by the soprano; the verses (divided over the three movements) are alternated with those of Gemma Caelestis. The work closes with an impressive grand finale, in which texts are used from the proprium of the mass in honor of the saint's day of the holy Benedict (11 July). Notes to the conductor: For this cantata, there are various possibilities for the performance. The first involves a performance in which the choir and soprano parts are only accompanied by organ. Such a performance has several advantages: since the band never sounds together with the choir and the soprano, no balance problems occur, and even a performance with a large concert band and a small cantata choir is conceivable. A special layout is also possible - with which you can set up a three-dimensional performance in a church. For example, the choir can sing in the chancel, accompanied by the choir organ; the soprano can stand on the gallery, accompanied by the main organ; and the band can be seated in another part of the church. The choir could also sing from a gallery. With layouts like this, working with two conductors is advisable. Choral parts available separately. 0:28:30
Estimated dispatch 7-14 working days
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£169.99
Colossus (Concert Band - Score and Parts)
The giant Haymon was a peaceful knight who lived in Inntal (Austria). One day the bloodthirsty giant Thyrsos came and destroyed Haymon's castle. A horrible fight ensued and Haymon, being the better armed, was victorious and slew his adversary. But instead of rejoicing in his success, Haymon felt deep remorse. This remorse led him to seek out a monk and become a Christian, upon which he immediately started building a monastery. Once completed, Haymon joined the monastic order. Two statues at the monastery's entrance stand in remembrance of his victory. A colossal new work for concert band. 10:34
Estimated dispatch 7-14 working days
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£202.99
Euterpe Wind Band Set (Score & Parts)
Music is an indispensable element in the lives of human beings. In nature, we see the essence of this principle reflected. Plato imagined the cosmos as a live animal: all parts are connected in harmony. From this point of view, the universe forms a large pentagram in which all notes flow together perfectly. This is confirmed around us every day. The twittering of a canary, the sputtering of fire, the sparkle of a waterfall pattering and falling on stones, the rattle of a snake that takes on a threatening attitude, or even the silence of the desert are expressions of Euterpe (the muse of music). Why not let your flautist shine with this major new solo work. 12:37
Estimated dispatch 7-14 working days
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