Results
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£104.99Caldas da Rainha (Concert Band - Score and Parts) - De Haan, Jacob
The city of Caldas da Rainha lies on the west coast of Portugal. The name refers to the thermal baths (caldas) as well as to the word for queen (rainha). This festive work depicts several beautiful venues of 'Rainha', and can be seen as a tribute to the queen Eleanor, who founded the settlement at the end of the 15th Century. The city of Caldas da Rainha lies on the west coast of Portugal. The name refers to the thermal baths (caldas) as well as to the word for queen (rainha). This festive work depicts several beautiful venues of 'Rainha', and can be seen as a tribute to the queen Eleanor, who founded the settlement at the end of the 15th Century.Duration: 5:00
Estimated dispatch 7-14 working days
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£64.00Santa in Merrie Olde England
Santa in Merrie Olde England imagines Santa Claus's journey through England on Christmas Eve, encountering landmarks, carolers, and festive sounds along the way. Incorporating well-known English melodies, the piece blends joyful themes with a sense of holiday magic, showcasing dynamic contrasts and moments of festive cheer. Performance should highlight key moments such as bell solos and melodic passages in the winds to capture the warmth and charm of the English holiday season.
Estimated dispatch 12-14 working days
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£211.80Karneval i Paris - Johan S. Svendsen
Johan Svendsen (1840-1911) composed "Carnival in Paris" in 1872, inspired by the energy and vibrancy of the Parisian carnival celebrations. The piece showcases a variety of moods and orchestral colours, ranging from jubilant and playful sections to more lyrical and elegant passages. It is a lively and colourful work that reflects Svendsen's skill in orchestration and his ability to capture vivid, festive atmospheres in music. In "Carnival in Paris", his Nordic musical roots meet the cosmopolitan influences he encountered while living and working in major European cities. The work has become one of Svendsen's most popular and is frequently performed in concert halls and festivals. About My Transcriptions for Wind Bands Ever since I started playing the clarinet at 8 or 9 years old in the school band "Blveisene" in my hometown of Gjvik, playing transcriptions of orchestral music has been a natural part of the repertoire. In regional bands, Norway's National Youth Band, and during my 10 years in a Military band, I played many such transcriptions. These transcriptions often included handwritten parts, masterfully crafted by colleagues in a time when music notation software didn't exist. Similarly, the scores were often incomplete, typically featuring just a solo clarinet part and condensed score in Bb. The transcriptions also contained parts for instruments like the Eb cornet and multiple tenor horns, but no saxophones, which made them less suitable for modern wind bands. The rise of many skilled Concert Bands and the increasing demands for scores and accessibility made me realize that someone needed to preserve this tradition. The reason I've transcribed these works is to ensure that you can play or conduct a repertoire that I believe has a rightful place in Norwegian Wind Band tradition. These transcriptions are my contribution to preserving some of the unique works in Norwegian music literature. Creating a transcription is a complex task, and I believe the score of "Carnival in Paris" is one of the most intricate I've undertaken. The first part of the process involves entering the entire orchestral score into music notation software. This is time-consuming and requires meticulous work. The next step is to check several editions to see if there are any discrepancies. Mistakes are often found in orchestral material, which can lead to further errors in the transcription. After that, I listen to many different recordings while following along with the score, paying attention to how different conductors emphasize balance and timbre. Gradually, I begin to note down passages I believe will work well for wind bands. One particular challenge in this piece is that the woodwinds and strings operate in the same register. In the original, the tonal difference between the strings and winds helps to clarify the individual musical lines. In the transcription, I've tried to address this by separating the lines, for example through octave adjustments, and highlighting them without compromising other aspects. I've also used some mallet percussion to broaden the tonal palette. There are countless decisions to be made to create a product that will hopefully allow future generations of wind band musicians to play this repertoire. - Stig Nordhagen -
Estimated dispatch 7-14 working days
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£204.99Credentium Wind Band Set (Score & Parts)
A spectacular dive via an extended chromatic scale immediately submerges us in a charged and somewhat archaic-feeling atmosphere. Trumpets, horns and trombones resound in rhythmic patterns, buttressed by restless motifs in the percussion. A second theme, in the woodwinds, begins much calmer but is quickly pushed aside by that same brass offensive. This introduction is the musical expression of the sometimes tumultuous early history of the town of Peer in Belgium. It closes with a D scale played over two octaves and repeated three times, symbolizing the church steeples that dominate the townscape. Peer has the credentials of a town, and people should know about it.There follows a rhythmic, turbulent passage: in the course of history, Peer has not been spared the ravages of war, arson, occupation, epidemic and other evils. In contrast, a slow, pastoral, lyrical part expresses the periods of peace and prosperity the town has known, as well as the serene geographic setting that still characterizes the place. Various instruments in groups are developed in solo style while the accompaniment displays vast, painterly images of sound. Now and then an exotic intonation is heard: a variety of peoples and cultures have left their mark on the town.This episode of tranquility and peacefulness comes to a sudden end when, via a surprising, almost chaotic transitional passage, we are in effect transported back to our own time. A hopeful, festive march expresses the confidence in the future that the Royal Concert Band of Peer exudes. This confidence is wholly justified: under the direction of conductor Willy Fransen, the 95 members of the concert band have experienced an extended period of good fortune, and the 75 musicians of the youth band - and the 45 little musicians of the mini-band - are involved in thriving operations. 0:13:15
Estimated dispatch 7-14 working days
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£94.00Third Coast Jubilee
Third Coast Jubilee is a vibrant and celebratory piece that evokes the spirit of festivals along the Gulf Coast. With a lively ABA form, the music captures the excitement of a grand celebration, from the anticipation of the event to a more intimate middle section, and culminating in a fiery, festive conclusion. The dynamic range and rhythmic complexity make this piece an excellent showcase for a concert band.
Estimated dispatch 12-14 working days
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£76.99Santa's Spring Break - Larry Clark
Take a fun and engaging trip with Santa as he enjoys his spring vacation! This creative piece is a treasure of musical concepts wrapped up in one accessible package! Spring from The Four Seasons is cleverly woven amongst a medley of popular holiday songs. Creative orchestration puts the music in a variety of settings from festive to march-like to Middle Eastern. Beginning players will reinforce a wide variety of musical concepts, and young trombonists will work on developing first to sixth position. A guaranteed holiday favorite!
Estimated dispatch 7-14 working days
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£74.99Fanfare for an Occasion - Philip Sparke
Fanfare for an Occasion was written to celebrate the 20th anniversary of the founding of Anglo Music Press, the publishing company dedicated to the works of British composer, Philip Sparke. It is a bright and festive work in which the main theme starts on the tenor instruments of the band before appearing as canonical imitation by all sections in turn. A short, repeated bridge passage leads to a second theme on the saxes that is taken up by the full band and leads back to a return of the main theme and a repeat of the second subject, which brings the fanfare to a brilliant close.
Estimated dispatch 7-14 working days
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£76.99March of the Day - Wim Laseroms
This joyful work begins with a powerful introduction, followed by a playful and light theme. The middle section introduces your bass players. A beautiful trio follows this, leading to a brilliant and festive closing. March of the Day will 'make your day' as it is a traditional march in a bright and modern jacket.
Estimated dispatch 7-14 working days
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£72.99Forever Free - Kenneth Fuchs
Commissioned to celebrate the sesquicentennial of the state of West Virginia, Forever Free incorporates indigenous elements of the state's musical heritage, capturing a robust and celebratory spirit. Cast in a single movement inthree sections, the title is inspired by the state motto, Montani semper liberi (Mountaineeers forever free). The work is unified at the outset and closing by a ceremonial fanfare that is based on thematic figures from the statesong West Virginia Hills. A contrasting middle section features a lyric variant accompanied by a militaristic snare drum and timpani cadence, before all thematic elements are combined for the buoyant and festive conclusion. Dur:4:25
Estimated dispatch 7-14 working days
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£134.99
Tangle Wood Overture - Daisuke Shimizu
With this festive overture, which can also be played as a concert work, we introduce this young Japanese composer for the first time. He is already a real superstar in Japan, and with this piece, we get a little peek at why this is so. This piece is reminiscent of a flashy movie soundtrack with powerful and enthralling melodies and spectacular rhythmical sections. A very promising piece from a very promising composer.
Estimated dispatch 7-14 working days
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