Results
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£55.00Jazz Kings
This jazz styling of the popular holiday carol "We Three Kings" offers a tribute to artists who are considered jazz royalty: Duke Ellington and Count Basie. Shades of "It Don't Mean a Thing" and "One O'Clock Jump" emerge around the carol tune as it moves between sections of 4/4 and 3/4 time. Introduce students to playing in jazz style with this fun take on a holiday classic!
Estimated dispatch 12-14 working days
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£52.00The Voyage
At first lush and mysterious, then light and uplifting, The Voyage begins. Newcomer George Sweet brings us some invigorating ideas and harmonic treatments, as well as shifting rhythmic feels from 4/4 to 3/4 time. There is some great interplay between various sections of the band that changes from light woodwind sounds to strong brass interjections. George is a composer to watch in the years to come.
Estimated dispatch 12-14 working days
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£62.95Once Upon a Time Signature - Vince Gassi
Themes are pliable; they can evolve and exist in more than one time signature. Once Upon a Time Signature is the perfect opportunity for your young musicians to improve their craft by adapting to frequent changes in time. 4/4 to 3/4, and back again, they will rise to the challenge. Count on it!
Estimated dispatch 7-14 working days
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£95.995 Tantum Ergo - Anton Bruckner
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth.In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism.Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism.Hymns for four-part mixed choir a cappella (1846, St. Florian)No. 1 in E flat major (WAB 41/3): Quite SlowNo. 2 in C major (WAB 41/4): AndanteNo. 3 in B flat major (WAB 41/1): SlowNo. 4 in A flat major (WAB 41/2): SlowHymn for five-part (2 S, A, T, B) mixed choir and organNo. 5 in D major: SolemnlyThey are simple works, completely subordinate to their liturgical use, which nevertheless already show numerous characteristics of personal expression. These small pieces were able to stand up to the harsh scrutiny of the mature master: in 1888, Bruckner subjected them to a revision in which he made only minor corrections.
Estimated dispatch 7-14 working days
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£57.50Spider-Man: No Way Home Main Theme - Michael Giacchino
Scored for flexible instrumentation, this dynamic arrangement of the Spider-Man main theme includes three stylistic sections - the slow opening, delicate treatment in 3/4, and concluding with the exciting setting in 4/4.
Estimated dispatch 7-14 working days
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£53.50Flash in the Pan! - Richard L. Saucedo
Composed in a single driving tempo, this dynamic and concise work provides plenty of excitement and flash. The playful main theme is accompanied by a rhythmic pattern alternating between 4/4 and 3/4. In addition, some quirkydissonant passages and percussion feature spots help to spice things up. Dur: 2:15
Estimated dispatch 7-14 working days
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£65.99
Bach To the Future - Jerry Williams
You'll quickly fall in love with this great little rock tune based on a very famous melody by J.S. Bach. First stated by the woodwinds in a legato 3/4 style, the melody soon is revamped in 4/4 and a medium rock style. Excellent materials for the end of the first year or second year students. Very attractive as a concert piece. This theme will be familiar to your concert audience.
Estimated dispatch 7-14 working days
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£78.95
The Voyage - George Sweet
At first lush and mysterious, then light and uplifting, The Voyage begins. Newcomer George Sweet brings us some invigorating ideas and harmonic treatments, as well as shifting hythmic feels from 4/4 to 3/4 time. There is some great interplay between various sections of the band that changes from light woodwind sounds to strong brass interjections. George is a composer to watch in the years to come.
Estimated dispatch 7-14 working days
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£37.95
Ash Grove Variations - Stephen Bulla
Based on a Welsh folk song, this simple melody is tastefully scored to fit the familiar style of Holst and Vaughn Williams. After an introduction that builds on fragmentary melodic elements in 4/4 meter, the main theme of the variations appears in 3/4. Scored to feature different instrumental textures throughout, in addition to a full ensemble treatment. Very appropriate for contest.
Estimated dispatch 7-14 working days
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£45.95
In Quest Of Uluru - James Swearingen
The slow introduction splits the melody between the clarinets, alto sax, and flute. This builds into a full band statement scored in a very lush manner. A faster section moves between 4/4 and 2/4, creating a pulse that captivatesthe listener. The repetitive rhythms and solid scoring of James Swearingen make this an ideal festival or contest piece.
Estimated dispatch 7-14 working days
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