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  • £47.50

    Dragonfire - Paul Lavender

    Explorer Level (correlates with Book 1, p. 11) Dark and sinister are not words normally associated with music for beginning bands. However, this well-written Paul Lavender original provides powerful and dramatic sounds even atthis very easy level. With nothing faster than a quarter note (8th notes in percussion), your players will be eager to tackle this one!

    Estimated dispatch 7-14 working days
  • £47.50

    Turbo Rock - Michael Sweeney

    Explorer Level (correlates with Book 1, p. 11) Let your beginners crank up the energy level on their very first concert with this driving rock original. Featuring tutti rhythms and nothing faster than a quarter note (exceptpercussion), every section gets a chance to rock out on this winner. Dur: 1:30

    Estimated dispatch 7-14 working days
  • £38.50

    Distant Journey - Paul Lavender

    Explorer Level (correlates with Book 1, p. 11) Using brash open harmonies and bold tutti rhythms, Paul has created a powerful-sounding work for beginners to sink their teeth into. Using only quarter and half notes, this is sureto sound great with only a few rehearsals. Dur: 1:40

    Estimated dispatch 7-14 working days
  • £76.99

    Titanic (Medley) - James Horner

    Without question, James Cameron's Titanic is the entertainment icon of this era, breaking virtually every box office record and capturing 11 Academy Awards. James Horner's score has touched millions and is showcased in this superb medley for band. Includes: Southampton, Take Her To Sea, Mr. Murdoch, Hard To Starboard, and My Heart Will Go On.

    Estimated dispatch 7-14 working days
  • £53.50

    Chorale from Jupiter (from The Planets) - Gustav Holst

    Grade 1-1.5 One of the most moving melodies ever written is this well-known theme from Holst's Jupiter(from The Planets). Paul Murtha has beautifully adapted this for the beginning level through skillful scoring and carefulpacing. Dur: 1:50

    Estimated dispatch 7-14 working days
  • £53.50

    Aztalan (City of Mystery) - Michael Sweeney

    The ancient city of Aztalan existed around a thousand years ago in southern Wisconsin, but disappeared mysteriously by around A.D. 1300. Through careful use of tone clusters, haunting melodies and creative percussion effects, thisvery easy work for band portrays a sense of mystery and drama. Dur: 2:45 (Grade 1-1/2)

    Estimated dispatch 7-14 working days
  • £42.50

    Looking Past the Shadows - Richard L. Saucedo

    Featuring a flowing lyric style and beautiful harmonies, this composition for beginning groups allows you to teach phrasing and musicality in a rewarding setting. With easy rhythms and moderate ranges, this is very attainable foryoung players. Dur: 2:30 (Grade 1-1/2)

    Estimated dispatch 7-14 working days
  • £118.99

    The Passing Bell - Warren Benson

    Composed in 1974, The Passing Bell is one of the quintessential works from the pen of American composer Warren Benson. Written as a memorial piece, this emotional work is both dramatic and ethereal. The scoring is characterized by a sophisticated harmonic structure and calls for instruments often playing in their extreme and extended ranges. Considered one of the classics of band literature it is available again in this new edition. Dur: 11:00

    Estimated dispatch 7-14 working days
  • £57.50

    Instant Swing Concert

    What a great idea! Here's 11 of the biggest swing hits from two eras, the 40's and the 90's, cleverly put together in a medley that will turn your concert hall into a dance hall. Eric's skilled writing makes it fun and easy to play for any group. This one's an entertainment winner. Includes: Woodchopper's Ball, Jumpin' Jack, Zoot Suit Riot, Puttin' On the Ritz, It Don't Mean a Thing (If It Ain't Got That Swing), Stompin' at the Savoy, Boogie Woogie Bugle Boy, Leap Frog, Go Daddy-O, In the Mood, and Jump, Jive An' Wail.

    Estimated dispatch 7-14 working days
  • £104.99

    Do Not Go Gentle Into That Good Night - Elliot Del Borgo

    The Dylan Thomas poem Do Not Go Gentle into That Good Night was the motivation for this musical composition. While not a programmatic depiction of the poem, the work attempts to recreate the essence of the poem in sound. Theopening motive, representative of the life force, permeates much of the work. The use of sound layers - in the form of polytonal hymns - calls to mind the struggles and persistence of the human spirit and its refusal to go gentle.A substantial and dramatic work for mature ensembles. Dur: 11:15 (Grade 5)

    Estimated dispatch 7-14 working days