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  • £38.50

    The Lost City - Paul Lavender

    Explorer Level (correlates with Book 1, p. 11) Combining solid rhythms and strong melodies, this very easy adventure theme by Paul Lavender will make your beginning band sound impressive. You'll experience almost instant success with this one!

    Estimated dispatch 7-14 working days
  • £104.99

    Song of Hope - Jan van der Roost

    2011 was a disastrous year for Japan: on March 11 the northeast of the country suffered a violent earthquake, which triggered a huge tsunami and caused massive damage to people and the environment. The ensuing problems with the nuclear reactor atFukushima only increased the misery: a black day in the country's history...One almost inevitable consequence of such dramatic circumstances is the particular damage suffered by the cultural arts. And so it was in Japan: various high school wind orchestras in the effected areas lost their practice rooms and/or instruments.It will take a long time before the damage suffered is repaired - and it will take great effort to overcome the psychological effects, too. Focusing on the latter, Yutada Nishida (director of The Bandwagon radio program) asked a few composers fora simple work that could be played by many orchestras. It just so happened that the Osakan Philharmonic Winds (with whom Jan Van der Roost had conducted a concert exclusively of his own works on September 25th) had had a similar idea. This concert saw the baptism of Song of Hope. This pieceimmediately struck a chord with musicians and audience alike: it begins bleakly in the low register and evolves to a more open, optimistic close. There really is hope for better times!

    Estimated dispatch 7-14 working days

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  • £293.00

    Three Dance Episodes (from On the Town) - Leonard Bernstein

    The 1944 musical On the Town represents Leonard Bernstein's first venture onto the Broadway stage. Inspired by his successful ballet Fancy Free, the musical follows the adventures of three sailors on shore leave in New York Cityand is focused around a series of dance episodes, three of which Bernstein selected for an orchestral suite. Long unavailable for band, this 2016 edition is beautifully transcribed by Paul Lavender. Dur: c. 11:00

    Estimated dispatch 7-14 working days
  • £124.95

    Fantasia on Welsh Nursery Tunes (Concert Band - Score and Parts) - Williams, Grace - Jones, William A.

    Grace Williams (1906 - 1977) from Barry, South Wales, was Wales finest composer. She studied composition at the Royal College of Music with Ralph Vaughan Williams and completed the Fantasia on Welsh Nursery Tunes in 1940. The iconic Fantasia, - her most popular work, which brought her to prominence - is a composition for symphonic orchestra based on traditional Welsh nursery tunes and lullabies.It is a light-hearted musical journey through childhood in eight traditional tunes. The jubilant start to the work is echoed in the finale, with a calmer, but effectively scored middle section.The Fantasia was featured in the 2024 Last Night of the Proms. This first Wind Band arrangement received its world premiere by Chalfont Wind Band April 1 2023.Melodies used include:There's Mam coming (Dacw Mam yn Dwad)The Bittern (Deryn y Bwn)Migildi, Magildi (nonsense words imitating the sound of a hammer on an anvil)Sleep my baby (Si lwli mabi)Gee-up, little horse (Gee Ceffyl Bach)Sleep, my pretty child) (Cysga Di, Fy Mhlentyn Tlws)Where are you going, my pretty maid? (Yr Eneth Ffein Ddu)Summer Katie (Cadi Ha)Duration: 11 minutes

    Estimated dispatch 7-14 working days

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  • £89.95

    Dance Suite (Concert Band - Score and Parts) - Wiffin, Rob

    Dance Suite comprises three dances - Femme Fatale (a tango), Midnight Wish (a rumba) and Wherever I look (a Mambo). The first two movements are fairly straightforward but the mambo is a little more difficult and also requires 4 rather than three trumpets - the fourth part being included in the first trumpet part in the complete suite. The music works best with a string bass or a bass guitar but the bass line is fully cued in the tuba part. Each of the movements is also available separately.Duration: 11.00

    Estimated dispatch 7-14 working days

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  • £112.95

    Four Irish Dances (Prestige Concert Band - Score and Parts) - Arnold, Malcolm - Rogers, Ron

    Malcolm Arnold's Four Irish Dances are from the latter stage of his career. The 1986 piece complements his other regional dance suites for orchestra, including Cornish, English and Scottish dances, though it darker in mood and colour. Stomping brass and drums in the opening Allegro con Energico give way to two spare middle movements: a Comodo made from anguished melodic imitation and a lilting Piacevole with eerie solo piccolo and miniature trio for trumpets. The 11 minute piece concludes with a wild, contrapuntal jig in triple time.The original orchestra version of the work was premiered at the Leeds Castle Festival on 10 October 1987, by the Wren Orchestra conducted by the composer.

    Estimated dispatch 7-14 working days

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  • £22.95

    Four Irish Dances (Prestige Concert Band - Score only) - Arnold, Malcolm - Rogers, Ron

    Malcolm Arnold's Four Irish Dances are from the latter stage of his career. The 1986 piece complements his other regional dance suites for orchestra, including Cornish, English and Scottish dances, though it darker in mood and colour. Stomping brass and drums in the opening Allegro con Energico give way to two spare middle movements: a Comodo made from anguished melodic imitation and a lilting Piacevole with eerie solo piccolo and miniature trio for trumpets. The 11 minute piece concludes with a wild, contrapuntal jig in triple time.The original orchestra version of the work was premiered at the Leeds Castle Festival on 10 October 1987, by the Wren Orchestra conducted by the composer.

    Estimated dispatch 7-14 working days

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  • £67.50

    Christus Factus Est (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas

    Thomas Doss orchestrated this inspiring and very playable transcription of Christus factus est (WAB 11), the motet written by Bruckner in 1884, for wind orchestra. After Messe fr den Grundonnerstag from 1844 and a motet for eight-voice mixed choir, three trombones and string instruments ad libitum from 1873, this was Bruckner's third setting of the Latin gradual (Gregorian chant) of the same name. Wagner's influence can be clearly heard.Duration: 5.15

    Estimated dispatch 7-14 working days

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  • £124.99

    Legend of the Bell (Concert Band - Score and Parts) - Appermont, Bert

    This work was inspired by the legend of the Klokkeven, in which a church bell plays the leading part. It forms a connecting thread throughout the composition. The work consists of three continuous movements, each with its own atmosphere and character. In The Black Robber, we hear dark sounds in the brass and fast chromatic motifs. The Swamp contains mysterious low parallel fifths, imploring solos and chafing dissonant harmonies. Finally, in The Bell sweetly musing solos are hopefully accompanied by the church bell ringing from a distance. After a number of changes in tempo, the music ends in a grand tutti.Duration: 11.30

    Estimated dispatch 7-14 working days

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  • £123.20

    3 Letzte Motetten (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas

    Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new.Duration: 14.00

    Estimated dispatch 7-14 working days

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