Results
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£164.95Amphibiosity (Concert Band - Score and Parts) - Ellerby, Martin
Amphibiosity was commissioned by the Royal Marines Band Service with funds made available by the Royal Navy and Royal Marines Charities for the 2014 Mountbatten Festival of Music held at the Royal Albert Hall in London.The work was written in celebration of the 350th Anniversary of the Royal Marines Corps and utilises many familiar tunes associated with them. Although the piece is cast in one continuous movement it falls into an introductions, ten sections and a coda.The Introduction sets the tone with the Amphibiosity mofif - a call to attention, it is of serious intent. During the course of the work it returns as a point of reference. The first section makes use of The Globe and Laurel (Original Regimental Slow March of the Royal Marines, the tune (Early One Morning) making an apt appearance, it has been played in the minor and like much of the quotational material in the piece is of a referenced nature being symbolic in meaning. However it soon turns to the major to provide a less sombre aspect to the introduction proper. There follows an interlude, the Amphibiosity motif returning rather like a ritornello to give cohesion to the structure and act as a point of change.Section two presents Sarie Marais (Regimental March Past of the Royal Marine Commandoes), the first half of the tune used as a fugal subject (placed in the minor) and as such providing the impression of a building up of activity. The ensuing third section is light-hearted commencing with an original hornpipe leading into the fourth section, Seascape, representing the fleet at sea. Another interlude follows, the Amphibiosity motif reappearing as a woodwind fanfare making way for the fifth section. Anticipation, serious matters lie ahead, there is trouble in the papers, the Corps will be placed on standby.Section six is subtitled Preparation, all hands-on deck, time to get set: A Life on the Ocean Wave (Regimental March of the Royal Marines) is alluded to. On reaching section seven, Assault, the landing goes ahead. Within this section there is an internal interlude reflecting on things past: other men have been in this position before. It is a taut and trying situation, training must pay off!Section eight is named Victory, but not gung-ho, and here the Seascape music is revisited. The penultimate ninth section is called Rememberances, although all made it this time, it was not always the case in times past and the Naval Hymn (Eternal Father) provides a moment of tribute to the fallen of previous generations.The Finale (section ten) delivers By Land and Sea (Slow March of the Royal Marines) in a bright and positive orchestration, the mood being celebratory. In a brief Code, the Amphibiosity motif makes a last triumphant appearance.Duration: 10.30
Estimated dispatch 7-14 working days
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£32.95Amphibiosity (Concert Band - Score only) - Ellerby, Martin
Amphibiosity was commissioned by the Royal Marines Band Service with funds made available by the Royal Navy and Royal Marines Charities for the 2014 Mountbatten Festival of Music held at the Royal Albert Hall in London.The work was written in celebration of the 350th Anniversary of the Royal Marines Corps and utilises many familiar tunes associated with them. Although the piece is cast in one continuous movement it falls into an introductions, ten sections and a coda.The Introduction sets the tone with the Amphibiosity mofif - a call to attention, it is of serious intent. During the course of the work it returns as a point of reference. The first section makes use of The Globe and Laurel (Original Regimental Slow March of the Royal Marines, the tune (Early One Morning) making an apt appearance, it has been played in the minor and like much of the quotational material in the piece is of a referenced nature being symbolic in meaning. However it soon turns to the major to provide a less sombre aspect to the introduction proper. There follows an interlude, the Amphibiosity motif returning rather like a ritornello to give cohesion to the structure and act as a point of change.Section two presents Sarie Marais (Regimental March Past of the Royal Marine Commandoes), the first half of the tune used as a fugal subject (placed in the minor) and as such providing the impression of a building up of activity. The ensuing third section is light-hearted commencing with an original hornpipe leading into the fourth section, Seascape, representing the fleet at sea. Another interlude follows, the Amphibiosity motif reappearing as a woodwind fanfare making way for the fifth section. Anticipation, serious matters lie ahead, there is trouble in the papers, the Corps will be placed on standby.Section six is subtitled Preparation, all hands-on deck, time to get set: A Life on the Ocean Wave (Regimental March of the Royal Marines) is alluded to. On reaching section seven, Assault, the landing goes ahead. Within this section there is an internal interlude reflecting on things past: other men have been in this position before. It is a taut and trying situation, training must pay off!Section eight is named Victory, but not gung-ho, and here the Seascape music is revisited. The penultimate ninth section is called Rememberances, although all made it this time, it was not always the case in times past and the Naval Hymn (Eternal Father) provides a moment of tribute to the fallen of previous generations.The Finale (section ten) delivers By Land and Sea (Slow March of the Royal Marines) in a bright and positive orchestration, the mood being celebratory. In a brief Code, the Amphibiosity motif makes a last triumphant appearance.Duration: 10.30
Estimated dispatch 7-14 working days
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£134.99Celtic Voyage (Spirit of Jubilation) (Concert Band - Score and Parts) - Calster, Sven Van
In Celtic Voyage, Sven Van Calster has set the 90th anniversary of the commissioning orchestra to music in a Celtic ambience. Along with numerous wonderful memories and experiences, 90 years is bound to bring setbacks too. The solemn middle section based on Celtic music depicts overwhelmingly the beauty and joy of music that play such a great role in any music organisation.Duration: 8:10
Estimated dispatch 7-14 working days
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£104.99Go West (Concert Band - Score and Parts) - Kanayama, Toru
Duration: 5:10
Estimated dispatch 7-14 working days
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£188.00Riverdance, Highlights from (Concert Band - Score and Parts) - Whelan, Bill - De Meij, Johan
The premiere of Riverdance took place on April 30, 1994 during a seven-minute pause in the Eurovision Song Contest at the Point Theatre, Dublin. Thanks to 10,000 performances on four continents, TV audiences in the millions and sales of CDs and videos by the bucket-load, Riverdance has since become one of the most successful shows on Earth. This Riverdance arrangement for concert band is, after The Seville Suite, the second collaboration between Bill Whelan and Johan de Meij.Medley includesCloudsongFiredanceLift the WingsDance of the River WomanRiverdanceDuration: 11.15
Estimated dispatch 7-14 working days
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£84.50Man of Steel, Suite from (Concert Band - Score and Parts) - Zimmer, Hans - Ford, Ralph
The mega-blockbuster, Man of Steel, has a musical score as powerful as the super hero himself. Composer Hans Zimmer captures the vastness, beauty, conflict, and emotion of the film in his powerful score including: "Look to the Stars," "DNA," "Goodbye My Son," "Launch," "Krypton's Last," "If You Love These People," "Flight," and "What Are You Going to Do When You Are Not Saving the World?" Supermen and superfans are sure to enjoy this super medley. Put on your cape and take off with the Man of Steel!Duration: 10:00
Estimated dispatch 7-14 working days
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£38.50Sway (Quien Sera) (Concert Band - Score and Parts) - Longfield, Robert
Recorded by Michael Buble, this Latin standard is popular once again. Robert Longfield's easy and appealing arrangement features plenty of interesting percussion parts and modest ranges for all players.Duration: 2:10
Estimated dispatch 7-14 working days
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£60.99Last Full Measure (A Gettysburg Remembrance) (Concert Band - Score and Parts) - Sweeney, Michael
Commemorating the 150th anniversary of the Battle of Gettysburg, this medley of Civil War-era tunes is cast in a unique and appealing setting for young bands. The Girl I Left Behind Me (tin whistles are optional), When Johnny Comes Marching Home and the tender Johnny Has Gone for a Soldier express longing and hope for loved ones far away. In contrast, Battle Cry of Freedom and Battle Hymn of the Republic inspire feelings of patriotic resolve and courage. A rousingly effective work!Duration: 5:10
Estimated dispatch 7-14 working days
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£118.99Bridge of the Gods (Concert Band - Score and Parts) - Curnow, James
Commissioned by the Oregon Symphonic Band in Portland, Bridge of the Gods is a dramatic three-movement symphonic poem presenting the colourful legend told by the Native American Klickitatst about the origins of the volcanic mountains of the Cascade range and legendary bridge. The first movement (Saghalie) pays tribute to the powerful chief of all gods and is based on a majestic fanfare theme. The second movement captures the beauty of the maiden Loowit, with haunting flute and English horn solos accompanied by soft chanting voices. The final movement, Tanmahawis, utilises stark clusters, jagged melodic fragments, and rhythmic percussive energy as it depicts the destruction of the mighty bridge.Duration: 10:00
Estimated dispatch 7-14 working days
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£69.99Der Aufstand (Concert Band - Score and Parts) - Higgins, Gavin
Der Aufstand (German for 'riot') is not a descriptive work, nor is it solely based on the riots of 2011. It does, however, draw on the idea of opposing forces and escalating anger. The work falls into two contrasting sections that are linked by a series of repeated, 'screaming' chords. A slow build drives the first section from a single pitch to a blazing orchestral tutti. The second section is a fast and wild series of fanfares and driving rhythms that ultimately cannot be sustained. In many ways this mirrors the first. Both sections open on single tones (Bb and E) and grow to a climax of brass and hammered chords. The first performance took place on the last day of the 2012 Olympic Games. Der Aufstand is a noisy antithesis to the celebratory fanfare. Duration: 10.00
Estimated dispatch 7-14 working days
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