Results
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£52.95Marzo Zingaro - Randall D. Standridge
'Marzo Zingaro' by Randall Strandridge seeks to portray the image of a lone wanderer, happily marching across the Italian countryside. The first strain portrays a more daring mood, while the trio and finale portray a happier style. (2:10)
Estimated delivery 7-14 working days
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£56.50
1st And Goal - Joel Spineti
Whether it's high school, college, or professional football, nothing is more exciting than watching the action on 1st & Goal! This piece depicts the high energy of this fast-moving sport through the use of driving rhythms, melodic brass lines, and soaring woodwinds. (3:10)
Estimated delivery 7-14 working days
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£82.95A Celebration Overture - Bruce Broughton
The concert opener A Celebration Overture is really an extended fanfare, opening with an energetic brass and percussion motif that forms the basis of most of the piece that follows. A contrasting lyrical section appears shortly after the opening statement and once again before the final push to the end. (4:10)
Estimated delivery 7-14 working days
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£77.50The Vikings - Andrew Boysen
The Vikings is not your traditional march. This dark, angry piece follows all of the traditional march concepts, including the standard form, repeats, key changes, and even a piccolo solo over the trio, but will provide a stunning change of pace from a standard march. (4:10)
Estimated delivery 7-14 working days
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£84.50
Pieces Of Eight - Larry Clark
Written as a commission for the Georgia District 10 Honor Band, Larry Clark has drawn on the history of the coast of Georgia where the pirate Blackbeard was thought to have stashed his treasure. He has written an intriguing concert overture for young bands with this flavor. Not only will your students love it, but there are many musical opportunities for teaching as well.
Estimated delivery 7-14 working days
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£110.99Color Concordia (Concert Band - Score and Parts) - De Haan, Jan
Concordia was the Roman goddess of concord or unity. To convey the unity among their musicians, many music societies over the years, including the band that commissioned this composition, have chosen this name. The literal translation of Color Concordia is colour harmony. Consequently, the composer has gratefully used the many ranges of colouring of the concert band for the instrumentation of this work. He based the thematic material on the four note names in Concordia: C, C, D and A, resulting in a brilliant piece of music that will suit any band.Duration: 10.15
Estimated delivery 7-14 working days
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£38.50The Last Flower of Autumn (Male Voice Choir - 25 Pack)
In this work for male voice choir and piano, Philip Sparke aptly captures the mood of the poem The Last Flower of Autumn by Edith Sodergran (1892-1923), a Swedish-speaking Finnish poet. This solemn composition echoes the idyllic, romantic mood of the poem, which can be understood as an allegory of human existence with all its hardships and life's inevitable difficulties.Duration: 10.15
Estimated delivery 7-14 working days
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£168.50The Last Flower of Autumn (Male Voice Choir with Concert Band - Score and Parts)
In this work for male voice choir and concert band, Philip Sparke aptly captures the mood of the poem The Last Flower of Autumn by Edith Sodergran (1892-1923), a Swedish-speaking Finnish poet. This solemn composition with extensive instrumentation echoes the idyllic, romantic mood of the poem, which can be understood as an allegory of human existence with all its hardships and life's inevitable difficulties.20 choral parts are included in the set, and extra Male Voice Choir parts can be ordered if needed.Duration: 10.15
Estimated delivery 7-14 working days
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£156.00Triptychon (Concert Band - Score and Parts) - De Meij, Johan
Finnish painter Akseli Gallen-Kallela (1865 - 1931) painted his famous Aino Triptych in 1891, with his own wife Mary as the model. It is inspired by the Kalevala, the Finnish national epic and depicts the story on three panels: The left one is about the first encounter of Vainamoinen and Aino in the forest. The right one depicts mournful Aino weeping on the shore and listening to the call of the mermaids of Vellamo who are playing in the water. The central panel depicts fishing Vainamoinen having thrown away a small fish, which turns out to be Aino, who laughs at him and vanishes forever.Duration: 10.30
Estimated delivery 7-14 working days
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£123.203 Letzte Motetten (Concert Band - Score and Parts) - Bruckner, Anton - Doss, Thomas
Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn't have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the "modernity" of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new.Duration: 14.00
Estimated delivery 7-14 working days
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