Nemelem Nemelem (Concert Band - Score and Parts) - Beres, Villiam

Duration: 3.00

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Nemesis (Concert Band - Score and Parts) - Fagan, Gary

The dictionary defines the word nemesis as: 1. goddess of divine retribution; 2. one that inflicts retribution or vengeance; 3. a formidable and usually victorious rival. This piece was written to convey the sense of the definition. Although the piece begins serenely, it soon ventures into a driving storm of contemporary rhythms and harmonies that continues until the end of the piece. A feeling of conflict between formidable musical forces permeates the piece; creating an exciting new work for young bands. Duration: 4.00

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Nemu-Susato (Concert Band - Score and Parts) - Van der Roost, Jan

Commissioned by the Japan Band Clinic Committee of Yamaha for the Nemu Band Directors Clinic in Nemu no Sato, May 18-20, 1997. The surprising title of this work is an indication of its content. By combining the somewhat similar names 'Nemu no Sato' and 'Susato' into a new word, Jan Van der Roost has produced a significant and interesting subject. The Yamaha corporation has extensive facilities in Nemu no Sato, Japan, including a concert hall, recording studios, hotel and so on. Concerts, workshops, clinics and other events are held here, including the annual Nemu Band Directors Clinic, which consists of numerous musical events. Jan Van der Roost served as guest conductor and speaker in 1994. He was invited again for the 1997 clinic, this time with a composition assignment. The difficulty level of his piece was to be Grade 2 - 3 bands. With this in mind, Mr. Van der Roost strove to create a renaissance-like sound. Simultaneously he wished to create a tribute to Tielman Susato who, like Jan Van der Roost, lived and worked in Antwerp in the 16th century. The first performance of Nemu-Susato was conducted by the composer, performed by the Tokyo Metropolitan Police Band, and took place during the Nemu Band Directors Clinic on May 19, 1997.Duration: 6.00

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Nena! (Concert Band - Score and Parts) - Schaars, Peter Kleine

Includes: 99 Luftballons; Irgendwie, Irgendwo, Irgendwann; Leuchtturm; Nur getraumtDuration: 7:30

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Nepotism (Movement II from Symphony No.1, The Borgias) (Concert Band - Score and Parts) - Schwarz, Otto M.

A sinister legend hangs over the Borgia family, a legend of corruption, abuse of power, orgies, sex and murder. These rumours proliferated especially during the papacy of Alexander VI, a descendant of the family, who was even called the Antichrist. On his death, contemporary witnesses reported that the devil himself prowled around the death chamber and a black dog run along the corridors of the Vatican as his emissary. One might say that this Borgia pope, who ruled together with his family with the greatest brutality, became demonised. Unscrupulousness, poison-toting, incest and other malice are to this day the hallmarks of this pontiffNepotism: Rodrigo Borgia was elected Pope on 11 August 1492. From the very start, the new pope was prepared to use any means to eliminate his opponents, either through the infamous Borgia poison or by excommunication and execution. His son Cesare, who wanted little to do with the church, was appointed cardinal against his will. Alessandro Farnese, broth of Giulia Farnese, the Pope's mistress, also became a cardinal. Numerous Spaniards were brought into the country and were appointed to ecclesiastical posts. This infuriated the opponents of Alexander VI. The Dominican Girolamo Savonarola from Florence demanded the removal of the Pope. He was tortured and banned. Giuliano della Rovere wanted to convene councils to depose the Pope, which Alexander managed to prevent through artful political manoeuvrings. Through great brutality, brilliant political skill and power games, this pope was able to achieve his goal of leaving for his children a great legacy. Alexander VI constantly changed his allies and always acted unscrupulously to improve his financial situation and expand his sphere of influence. At the centre of the second movement of this work is the medieval hymn Dies Irae (Day of Wrath), which acts as a warning in the background condemning the Pope's actions.Duration: 9.15

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Nessun Dorma (Concert Band - Score and Parts) - Puccini, Giacomo - Beringen, Robert van

Nessun Dorma, an aria from Puccini's Turandot, is now instantly recognised due mainly to the performance by the late Pavarotti at the 1990 World Cup in Italy. Since that time its popularity has continued to grow and it is now often thought of as Pavarotti's theme tune.This version for concert band retains all the intense feeling of the original.Duration: 3:00

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Nessun Dorma (from Turandot) (Concert Band - Score and Parts) - Puccini, Giacomo - Ellerby, Martin

Duration: 2:45

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Nessun Dorma (No One Sleeps) (Concert Band - Score and Parts) - Puccini, Giacomo - Bocook, Jay

One of the most memorable melodies ever written, this Puccini masterpiece is wonderfully adapted for band by Jay Bocook. The opening theme is presented by a solo baritone (cued for trumpet or oboe) followed by soaring statements for woodwinds and horn. The trumpets are added as the pieces build towards the climactic ending.Duration: 2:15

Nessun Dorma (No One Sleeps) (Concert Band - Score and Parts) - Puccini, Giacomo - Vinson, Johnnie

There may not be a more beautiful melody in all of classic literature than this masterpiece by Puccini. This wonderful adaptation for young players gives all sections of the band a chance to play the melody at some point. What better way to teach a lyric style of playing than with this well-paced and rich-sounding arrangement. Duration: 2:30

Nettleton (Concert Band - Score and Parts) - Vinson, Johnnie

The early American hymn tune Nettleton is creatively arranged in this beautiful setting by Johnnie Vinson. Using the horns as a focal point for the first section and followed by a lyric section scored for woodwinds, this work also includes nicely scored sections for brass as well as effectively written dynamic nuances.Duration: 3:30