Miracle on 34th Street, Overture to (Concert Band - Score and Parts) - Broughton, Bruce - Vinson, Johnnie

From the 1994 version of this heartwarming holiday movie, Bruce Broughton created a marvellous original soundtrack that continues to remain popular. This authentic-sounding adaptation combines the best elements from the overture into a concise and impressive work that will be a treat for any holiday audience.Can be played with the String Pak to create a work for Full Orchestra

Mirage (Concert Band - Score and Parts) - De Haan, Jacob

A mirage is an illusion, something without substance that does not really exist. Although not real, its unattainable nature is perfect for musical inspiration. Composer Jacob de Haan was strolling through a picturesque forest of the Dutch Gelderland when he thought he saw a body of water. While there was no water, its mere image created waves that can be relived in De Haan's original composition, Mirage.Duration: 3.00

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Mirages

Bold and dramatic, this compelling work by composer Robert W. Smith will be a welcome addition to the standard repertoire for the developing band. Beginning with a powerful brass statement, the woodwinds and percussion respond in an equally forceful manner. Using unique harmonic effects for this level of performance, "Mirages" provides excellent opportunities for all sections of the band to grow and flourish in a more mature musical setting. "Mirages" will be a valued resource to your concert programming and teaching literature for many years to come!

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Mirelle (Alto Saxophone with Concert Band - Score and Parts) - Kenny, Terry

An original work to feature your alto sax player

Mirror Lake Legend (Concert Band - Score and Parts)

This stirring arrangement is sure to be an emotional experience for your students and audience alike. Teaches 8th and 16th patterns and triplets.

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MISERY (as performed by Maroon 5) (Concert Band) - Thomas, Reid

"Misery" was the first single off American rock band Maroon 5's third studio album, Hands All Over. This infectious groove is sure to entertain both your students and audience!

Miss Liberty - Swearingen, James

One of the most famous of all of Karl L. King's easier marches, this new setting by James Swearingen leaves out nothing from the original but provides for modern instrumentation, accurate articulations, dynamics and a full score. An exceptional march that's very playable, it's an effective choice for any festival or concert performance! Can't be beat!

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MISS SAIGON (Concert Band) - Barker, Warren

(Sun and Moon; The Heat Is on in Saigon; The American Dream; I Still Believe; The Last Night of the World)

Missa Brevis Wind Band Set (Score & Parts)

Missa Brevis, written for choir and wind band, was commissioned by the Conseil D?partemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX's birth in ?guisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Dei are very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In this option, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. In that case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, you can opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of these options (vocally/instrumentally) is also possible - not just from an artistic point of view (variation), but also from a practical starting point - for example in the case that the choir has rehearsed only two movements. With a full strength, the conductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible: 1. clarinet choir (from Eb Clarinet to Bass Clarinet) 2. clarinet choir + saxophones 3. brass (flugelhorns, horns, euphoniums, bass section) 4. brass (2 trumpets / 2 trombones) 5. double reeds (optional + flute, optional + string bass) 6. tutti 7. all winds 8. all brass In a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combined quartet (two cornets and two trombones) + brass band. Choral parts available separately. 0:20:00

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Missa Festi (Music for a Festival) (Concert Band - Score and Parts) - Shaffer, David

Opening with a dramatic fanfare which incorporates a gracious and flowing melody, this exciting piece builds in power and tension to a bright Allegro. This section incorporates a simple but effective melody in the trumpets and is reintroduced several times throughout the piece, modified by tempo, phrase length and instrumentation. An exciting piece to prepare with your students and a powerful performance composition for your audiences, "Missa Festi" is a perfect selection for contest or festival. Duration: 2.30

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