March of the Crusaders (Concert Band - Score and Parts) - Ployhar, James D.

James D. Ployhar has transformed this hymn-tune into the march that it was originally intended to be. According to legend, this hymn was sung by German crusaders on their way to Jerusalem. Credited as a Silesian folk song, March of the Crusaders is an impressive addition to beginning band literature. Duration: 1.30

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March of the Day (Concert Band - Score and Parts) - Laseroms, Wim

This joyful work begins with a powerful introduction, followed by a playful and light theme. The middle section introduces your bass players. A beautiful trio follows this, leading to a brilliant and festive closing. March of the Day will 'make your day' as it is a traditional march in a bright and modern jacket. Duration: 3.10

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March of the Dwarfs (Concert Band - Score and Parts) - Grieg, Edvard - Story, Michael

Lyric Suite (Orchestration of Op.54) No.4This setting of the march from Grieg's Lyric Suite is a charming and colourful work in ABA form. Delicate at the beginning, it develops the lyric melody, then the march builds with intensity to a dramatic conclusion. Rewarding and musical!Duration: 3:30

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March of the Flats and Sharps (Concert Band - Score and Parts)

Looking for a piece that introduces the chromatic scale in a meaningful way for the entire band? This lively march gives every player part of the chromatic scale as well as a musical melody and countermelody. Introduce the march form with an intro, 1st strain, transition, 2nd strain, trio and recapitulation. Open your concert with a sound that shows off your band!

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March of the Guards (from Fidelio) (Flexible Ensemble - Score and Parts) - Beethoven, Ludwig van - Glover, Andrew

Beethoven's "March of the Guards" from the opera "Fidelio" has been adapted for flexible-instrumentation bands by Andrew Glover. This stately processional march maintains an air of dignity and solemnity throughout, and adapts well to the five-part "Build-A-Band" instrumentation. Careful scoring and minimal percussion requirements make this an excellent choice for very small ensembles, or those with awkward instrumentations. An excellent choice! Duration: 3.45

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March of the Hyperion Robots (Concert Band - Score and Parts) - Saucedo, Richard L.

Hyperion, the mysterious moon of Saturn, boasts of a very musical race of robots! (Well, it makes for a fun story!) A perfect introduction to 6/8, this appealing and fresh-sounding work is written with easy-to-learn patterns, a single moderate tempo, and careful yet creative scoring for beginners.Duration: 2:10

March of the Irish Dragoons (Concert Band - Score and Parts) - Balent, Andrew

Exploring a variety of treatments of the folk song The Minstrel Boy, this concert march opens with the clarinets playing the main theme. After a brief interlude and key change, the trumpets take the melody accompanied by a beautiful woodwind counterline which is followed by a strong final strain with the full band.

March of the Kangaroos (Concert Band - Score and Parts)

A delightful march for the youngest players that sounds terrific even when performed with smaller groups. Perfect as the opening number for any concert or band festival,

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March of the Magical Toys (Concert Band - Score and Parts) - Smith, Robert W.

"'Twas the night before Christmas and all through the house, not a creature was stirring, not even a mouse. Santa had dropped through the chimney with care, hoping the children would be up the stairs. He placed all the toys round the tree with delight, and wiggled his nose at the stroke of midnight. The toys came alive and marched round and round, singing and dancing to holiday sounds." So begins Robert W. Smith's program notes. Need more be said? Here is that "Smith creativity" at its finest!Duration: 2:30

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March of the Majestics (Concert Band - Score and Parts) - Sheldon, Robert

An excellent selection for concert, contest or graduation ceremonies, March of the Majestics is a bold and stately processional march, full of dignity and character. The opening fanfare leads to a majestic melody that first appears in the upper voices, and later played by the lower brass and woodwinds. The return of the original fanfare ends the piece with a regal flourish. Duration: 2.00

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