Meditation (Clarinet Solo with Concert Band - Score and Parts) - Massenet, Jules - Fernie, Alan

from Thais

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Meditation (Concert Band - Score and Parts) - De Haan, Jan

Meditation is based on Dear Lord and Father of Mankind (1887) by the English composer and organist Frederick Charles Maker (1844-1927). This is a calm, introverted work that however has an intense effect. In the first section, the solo euphonium is given an important role, leading to one of the loveliest of all English hymn melodies.Duration: 6:45

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Meditation (from Thais) (Flute Solo with Concert Band - Score and Parts) - Massenet, Jules - Brand, Geoffrey

This lovely, reverent melody has become a standard performance work by flautists everywhere. The delicate, lyrical lines of the flute solo part are supported well with refined band accompaniment. Moments of peace and tension coexist beautifully in this outstanding work.

Meditation (from Thais) (Flute Solo with Concert Band - Score and Parts) - Massenet, Jules - Glover, Andrew

Excerpted from French composer Jules Massenet's opera "Thais," this beautiful setting of "Meditation" has been arranged for flute solo with concert band. Feature your outstanding flautist or guest artist with this lovely work. The band accompaniment requires a minimal amount of rehearsal and preparation, and provides a great opportunity to showcase your soloist. Stunning! Duration: 4.30

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Meditation (From The Opera Thais) (Flute Solo) (Concert Band - Score Only) - Massenet, Jules - Brand, Geoffrey

This lovely, reverent melody has become a standard performance work by flutists everywhere. The delicate, lyrical lines of the flute solo part are supported well with refined band accompaniment. Moments of peace and tension coexist beautifully in this outstanding work.

Meditation (Saxophone Section Feature with Concert Band - Score and Parts) - Hassler, Hans Leo - Sparke, Philip

This timeless melody by Hans Leo Hassler (1564-1612) is now chiefly remembered because of its inclusion in J.S. Bach's St. Matthew Passion (hence its title), where it is treated to a variety of rich harmonisations. This setting features alto and tenor saxophones, who first play a lyrical descant to the famous hymn tune and then the melody itself, against a Bach-like obbligato in the upper woodwinds. This fabulous new arrangement presents a wonderful opportunity to feature your saxophones.Duration: 4:15

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Meditation and Festiva

As the name suggests, the opening is a slow, dirge- like section beginning with reeds, adding trombone and low brass. An ostinato snare drum helps build the opening to a climax which then returns to the original meditative mood. A sudden shift in mood occurs at the Festiva, where punctuating brass, lyric clarinets, and effective polychords lead in a rhythmically straightforward way toward a highly fulfilling conclusion.

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MEDITATIONS (Prestige Concert Band - Score and Parts) - Ellerby, Martin

'Meditations on the Seven Last Words of Our Saviour from the Cross' takes its form from a work by Haydn. It consists of seven slow movements prefaced by a slow introduction and concluded by a presto movement representing the earthquake that occurred after Christ's death. Performance time 12'50" Grade 5 (Recorded on QPRM143D DREAMSCAPES, Royal Northern College of Music Wind Orchestra)

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MEDITATIONS (Prestige Concert Band - Score only) - Ellerby, Martin

'Meditations on the Seven Last Words of Our Saviour from the Cross' takes its form from a work by Haydn. It consists of seven slow movements prefaced by a slow introduction and concluded by a presto movement representing the earthquake that occurred after Christ's death. Performance time 12'50" Grade 5 (Recorded on QPRM143D DREAMSCAPES, Royal Northern College of Music Wind Orchestra)

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Medium (Movement II from T-Bone Concerto) (Trombone Solo with Concert Band - Score and Parts) - De Meij, Johan

The T-Bone Concerto was Johan de Meij's first composition for solo instrument and symphonic band. It consists of three movements called respectively 'Rare', 'Medium' and 'Well Done'. In addition to the solo trombone, an important role has been allotted to a kind of chamber music ensemble within the band. This group introduces new thematic material and accompanies the soloist, thus creating a delightful transparant accompaniment. The ensemble consists of a double wind quintet (2 flutes, 2 oboes, 2 clarinets, 2 french horns and 2 bassoons) plus a cor anglais and a double bass. Parts I and II are written in the A-B-A form and allow the soloist to display both the technical and the lyrical characteristics of the instrument. Part III at first develops into a kind of neo-baroque style using the thematic material of the first and second movement, and finally leads to a triumphant finale and a virtuoso conclusion. Duration: 8.30

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