Lakeside Drawings (Concert Band - Score Only) - Phillips, Richard

The Lake District in the English county of Cumbria has been a source of much inspiration for many composers over the years with its rolling countryside and lofty mountain peaks. This work seeks to reflect the contours of the many mountain peaks through the sometimes soaring melodic lines of the composition. It is based on tunes reflecting this aspect and also of the mindset of the many walkers who have scaled the mountains to achieve an ambition of reaching a summit. Once reached, a glorious view is a prize worth every hour of tiring ascent.

Lament (for a Fallen Friend) (Concert Band - Score and Parts) - Spittal, Robert

Lament is a musically inspiring and dramatic period piece for band that is influenced by 19th century American hymnody and band music. Inspired by the tragic loss of a friend of the composer, Lament is an elegy to all young people who pass from this world unjustly, before their rightful time.Duration: 4:00

Lament and Jubilation (Concert Band - Score and Parts) - Ricketts, Ted

Written in two main sections, this work opens with a lament featuring a melodic woodwind melody in a slow minor setting. The fast jubilation that follows includes a driving and rhythmic theme that is traded between the brass and woodwind sections. Expertly scored for younger ensembles, this will be easy to learn and exciting to perform. Duration: 2:30

Lament and Tribal Dances (Concert Band - Score and Parts) - Sweeney, Michael

Commissioned by the Iowa Bandmasters Association, this dynamic work from Michael Sweeney is written in three contrasting sections. The opening Lament features a plaintive horn melody and expansive harmonies. The mood then shifts to an intensely rhythmic dance using an unusual modal scale. In the final section, the flutes switch to recorders and a driving percussion ostinato figure helps propel this magnificent piece to a dramatic ending. A rewarding and satisfying work from one of today's best composers for young bands

Lament for Jerusalem (from Visions) (Flute or Violin Solo with Concert Band and Optional Treble Choir - Score and Parts) - Rutter, John - Noble, Paul

Visions is one of John Rutter's most recent compositions (2016). It was written for violin solo, treble voice choir, strings and harp. This arrangement maintains the violin solo as an option, but it is presented as a flute (and optionally with a movement for alto flute) solo with band. The vocal parts are included as an option, but the arrangement is also scored so that it may be performed without the treble choir. Visions is a tribute to Jerusalem, with the four movements titled: 1. Jerusalem the blessed; 2. Arise, shine; 3. Lament for Jerusalem; 4. Finale: The holy city. A showcase for the soloist, the depth of meaning and feeling in this music will make it an important addition to the repertoire of the Concert/Wind Band.

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Land of a Thousand Dances (Concert Band - Score and Parts) - Kenner, Chris - Longfield, Robert

This Wilson Picket hit from the '60s is energetic rock and roll at its best. Here is a playable version for beginning groups.

Land of Hope and Glory (Concert Band - Score and Parts) - Elgar, Edward - Sparke, Philip

Elgar's five Pomp and Circumstance Marches were written between 1901 and 1930 with number 1 undoubtedly being the most popular of the five. King Edward VII told Elgar that the tune would 'go round the world' if words were fitted to it. Elgar took the hint and included it (with slight rhythmic changes) in his Coronation Ode of 1902, with words by A. C. Benson. Thus was born Land of Hope and Glory which is now, of course, an integral part of the annual Last Night of the Proms, when the audience (with varying degrees of success!) sing the words along to the original march. Now your concert band can enjoy all the pomp and ceremony of the proms with this arrangement by Philip Sparke.Duration: 2:30

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Land of Legends Wind Band Set (Score & Parts)

In 'Land of Legends' German composer Andreas Ludwig (what's in a name) Schulte takes you along to the fictional world of legends, myths and fairy tales. The introduction to the first part (The Castle) describes the majestic contours of the scene of action. Its instrumentation (horns) immediately makes you imagine being in Medieval spheres. The addition of trenchant copper instruments even gives the part a heroic tinge. After entering through the gate, a lot of hustle and bustle appears to be going on in the courtyard. Pages, squires and soldiers are busy attending to their arms. Beer is being brewed, flax is being spun, cattle are being tended and some craftsmen from neighbouring villages are busily at work. In the upper chamber of the round tower lives an old man (The Old Wizard). He hardly ever comes out, and nobody knows exactly what he is doing. It is said that he is engaged in wizardry and magic. It is all very mysterious. There are also festivities, some of them sober, others exuberant. The wedding in the third part is celebrated in a grand manner. With a flourish of trumpets, the bride makes her entrance at the hand of her father. Afterwards, at the party there is dancing to the music played by minstrels and of course a plentiful banquet follows. 11:00

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Land of Liberty (Concert Band - Score and Parts) - Wasson, John

Featuring classic patriotic melodies spanning the history of America, here is a stirring medley for mature bands. John Wasson effectively uses unique treatments and scoring devices blended with seamless transitions in creating this impressive work for the concert stage.Includes:ColumbiaThe Gem of the OceanChesterYankee DoodleAmerica, The BeautifulMy Country, 'Tis of TheeDuration: 5:45

Land of the Free (Concert Band - Score and Parts)

A classic and familiar folk melody that's all wrapped up in a unique new arrangement for young bands. Huckeby combines a contemporary rock sound and very easy mixed meters to make this an appealing and unusual piece for this level.

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