In His Hands (Flexible Ensemble - Score and Parts) - Fernie, Alan

8 Part Flexible Ensemble and Percussion

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In Honor of the Fallen (Concert Band - Score and Parts) - Milner, Barry

In Honor of the Fallen was written to honor all those who have died in service to our great country while protecting the freedom of our citizens through their military service or domestic heroism. The composer wanted to write a piece that reflected his feelings about those who put their lives on the line on a daily basis. A most uplifting and stirring composition! Duration: 4.45

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In Joyous Flight (Concert Band - Score and Parts) - Roszell, Patrick

Musically depicting a butterfly release, this exciting work evokes the flourish of colour and hope. A bold and dramatic piece suitable for concerts and contests throughout the school year. The piece serves beautifully as an opener or closer on concerts and contests throughout the school year. A bold and dramatic addition to the literature.Duration: 4:30

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In Memoriam (Concert Band - Score and Parts) - De Haan, Jacob

In memory of Alex Veld. Duration: 4:45

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In Memoriam (Concert Band - Score and Parts) - Moren, Bertrand

Duration: 6.30

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In Memoriam: For the Fallen (Narrator with Concert Band - Score and Parts) - Sparke, Philip

In Memoriam: For the Fallen was commissioned by Bolsover District Council for the Bolsover Brass Summer School 2014. It is a setting for narrator and band of Laurence Binyon's (1869-1943) poem, For the Fallen, which was first published in The Times in September 1914. Binyon was dismayed at the outbreak of war and especially concerned by the large number of casualties suffered by the British Expeditionary Force in the early months of the battle on the Western Front. Too old to enlist, he volunteered as a hospital orderly in France. The poem is known world-wide as the famous fourth stanza (They shall grow not old...) has become a regular part of Remembrance Day and ANZAC Day services. In Memoriam: For the Fallen is a musical accompaniment to the poem, shadowing the mood of each stanza.Duration: 7.30

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In My Blood (Concert Band - Score and Parts) - Kamuf, Michael

From pop icon Shawn Mendes's self-titled third solo recording, this powerful anthem draws from influences such as John Mayer and Justin Timberlake. This arrangement for beginning band will be a favourite of students and audiences alike!Duration: 3.00

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In My Garden (Concert Band - Score and Parts) - Vogel, Kirk

In My Garden is inspired by one family's struggle with an untimely death. The healing process was aided by the construction of a beautiful garden in their back yard with the inscription in stone as you enter saying: If I had a flower for every time I think of you, I could walk forever in my garden.Duration: 4.00

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In Nomine (Concert Band - Score and Parts) - Schwarz, Otto M.

How often has something been justified by, declared to be, or blessed as 'in the name of' some cause or other? How can it be that opposing armies and the use of weapons are ever 'in the name of...'? This is a common thread in the history of different faiths. Good was created but evil was committed and all 'in the name of...' This thread is also found in the history of the Premonstratensian Abbey at Wadgassen. The abbey was built in the 12th century on unfertile, desolate moorland, which later evolved into the most powerful religious community in the Saarland. The history of the abbey records quite astounding achievements under the motto desertum florebit quasi lilium ('the desert will bloom like a lily'); but also the harsh treatment of delinquents. The order had its own school, in which children were taught the seven liberal arts (which included music as well as geography and astronomy), but the poor were left to starve outside the abbey walls and were only allowed to eat from the members' leftovers on feast days. The medieval witch trials demanded their pound of flesh, and one group that fell victim were ecstatic dancers who moved wildly to music, which was interpreted as the devil's work. The result: a show trial that sentenced the dancers to death by fire. All in the name of... The year is 1789: Abbot Bordier is in the tenth year of his command. He does not yet know that he is to be the last abbot of an almost 700-year tradition. Not far from the abbey is the French border, which has long been making itself felt with the sound of gunfire, and the brothers continue to keep a nervous eye on it. The first portents of the French Revolution loom, but no one wants to believe it, that is, until the French pound the door down, storm the abbey and come right into the brothers' chambers. In a blind fury, all the pipes of the abbey organ are torn out, icons beheaded with swords and brothers beaten death while numerous buildings are set on fire. The abbey church is in flames. A frantic and desperate escape begins. Abbot Bordier and a handful of brothers make their getaway via the River Saar, adjacent to the abbey, to the neighbouring village of Bous. They survive, but their life, the Premonstratensian abbey, is destroyed. While they flee towards Prague and the sanctuary of the Strahov Monastery, the abbey at Wadgassen is razed to the ground and becomes a stone quarry. The desert blooms once more, however. A few short decades later, a glasswork arises from the foundations of the abbey. As peace returns to the region, it brings jobs and a new vision for its people.Duration: 11.15

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In Perfect Peace (Concert Band - Score and Parts) - Downie, Kenneth

This sensitive setting of the song 'Thou wilt keep him in perfect peace' is one of the best examples of a hymn arrangement, paying full regard to the melodic characteristics and sentiments of the lyrics.