Hymn to Loved Ones Lost (Concert Band - Score and Parts) - Saucedo, Richard L.

In this touching composition, Richard Saucedo has created a collage of feelings and emotions associated with losing someone near and dear. Along with a sense of sadness, the piece also reflects feelings of frustration and anger we often feel at these times. It is the composer's hope that this musical tribute will help remind us all that music is for everybody.

Hymn to the Beauty That Was (Concert Band - Score and Parts) - Russell Bate, Jane

This stunning lyrical composition is truly something special. Hymn to the Beauty That Was is a moving ballad which adds harp (or synthesizer) to the band, and features soloists on flute, English horn (or alto sax), and euphonium. The piece builds to a powerful and emotional climax as the three main musical elements (the women's theme, the hymn melody, and an accompanying triplet figure) are woven together.Duration: 6.30

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Hymn to the Creator of Light (from The Gift of Life) (Concert Band with Optional Choir - Score and Parts) - Rutter, John - Noble, Paul

The Gift of Life was written early in 2015 as a commission to honour a retiring Minister of Music at a church in Dallas, Texas. In planning this piece, John Rutter has stated: In 1985 I had written a Requiem - which, like any Requiem, inevitably reflects on death - why not write the opposite, a work celebrating life? Unlike a Requiem, where a set form of words is laid down in Catholic liturgy, no framework exists for a celebration of life, and I had to choose (and in three cases, write) texts which were appropriate to a theme rarely expressed in music since Haydn's wondrous oratorio The Creation in 1798. The six movements reflect different facets of the miracles of creation and of life. This arrangement is written for combined Concert Band and Chorus, but may be performed by Concert Band alone.

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Hymn to the Fallen (Concert Band - Score and Parts) - Williams, John - Lavender, Paul

Steven Spielberg's twenty year association with John Williams has produced yet another powerful cinematic achievement, this time a gripping, realistic view of the horrors of WW II. Williams' score includes this simple hymn, using chorus as an instrument of the orchestra, adding a special reverence and poignancy to the simple melody. Arranger Paul Lavender brings us this edition for the concert band stage. Includes 30 optional choral octavos

Hymn to the Fallen (Concert Band - Score and Parts) - Williams, John - Sparke, Philip

Saving Private Ryan is certainly one of Steven Spielberg's most powerful films. The brilliant John Williams score creates part of this power. Hymn to the Fallen one of the most powerful and emotional melodies which appears during the closing credits, evokes a feeling of hope and strength amid the overall tone of reverence. Philip Sparke has transcribed this moving work for concert band using John Williams original orchestral score as the source.Duration: 6:00

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Hymn to the Fallen (Concert Band - Score and Parts) - Williams, John - Sweeney, Michael

From the highly acclaimed Steven Spielberg film, this emotional hymn by John Williams evokes a feeling of hope and strength amid the overall tone of reverence. This arrangement is beautifully scored for young groups while maintaining the integrity of the original. Exposed sections featuring woodwinds or brass are cross cued for bands with incomplete instrumentation.

Hymn to the Fallen (Concert Band - Score and Parts) - Williams, John - Woude, Klaas van der

from Saving Private Ryan

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Hymn to the Infinite Sky (Concert Band - Score and Parts) - Yagisawa, Satoshi

Duration: 7:30

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Hymn Variants

A major work for winds based on the old chorale melody "Lasst Uns Erfreuen" (Let Us Be Joyful) which hailed the advent of Christ, and which is also known by its Latin title of "In Dulci Jubilo". STUNNING!

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Hymne an die Nacht (Concert Band - Score and Parts) - Beethoven, Ludwig van - Bilkes, Michael

Hymne an die Nacht is a deeply moving theme by the master composer Ludwig van Beethoven. It is taken from his Sonata No. 23 in F minor, Op. 57 (Appassionata), which he composed between 1804-1806. This theme originates from the second movement of this famous sonata which Beethoven himself considered his best work in this genre. The passion of this sonata inspired Michael Bilkes to make this beautiful arrangement.Duration: 2:45

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