GOD REST YE MERRY, GENTLEMEN (Simply Classics Concert Band) - Burton, Denis

God Rest You Merry, Gentlemen

After a sensitive and effective statement of the famous carol medley there's a quick segue into a distinctive rhythmic section featuring mixed meters. Based mainly on the 3/4+ 2/4 time sequence, this powerful and contemporary sounding variation is sure to impress and entertain your audiences. A sensational addition to any holiday performance. Don't miss this one!!!

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God Rest You Merry, Gentlemen (Concert Band with Optional Choir - Score and Parts) - Noble & Willcocks

God Rest You Merry, Gentlemen is an English traditional Christmas carol. It is one of the oldest extant carols, dated to the 16th century or earlier. There are contradictory interpretations of the meaning of the phrase rest you merry at the time it was written in this carol: the verb 'rest' in the sense to keep, cause to continue to remain is typical of 16th to 17th century language. The adjective 'merry' in Early Modern English had a wider sense of pleasant; bountiful, prosperous. Some interpretations have 'merry' meaning 'mighty'. This arrangement represents one in the Series of Band Arrangements compatible with David Willcocks' Carols for Choirs.

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God Shed His Grace On Thee

This impressive chorale-prelude by Andrew Glover is an exceptional choice for ceremonial events, formal observances, or as a concert selection. A robust opening fanfare segues seemlessly into a peaceful original chorale. A short interlude leads into a robust and powerful chorus of "America, the Beautiful" which includes optional parts for antiphonal trumpets and trombones. Sensitive and reflective scoring combine with warm and gentle dissonances for a truly remarkable conclusion. Stunning, emotional and inspiring selection for any program.

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God So Loved the World (Concert Band - Score and Parts) - Stainer, John - Horner, Kevin

The Crucifixion, an oratorio composed by John Stainer in 1887 was designed in such a way that most church choirs would find it accessible. Also, it helpfully includes five hymns so that the congregation can contribute also. Whilst the text for this work was written by W J Sparrow Simpson, who worked with Stainer in an earlier work entitled 'Mary Magdalene', that used in this setting of 'God, so loved the world' is literal from John 3 verse 16 in the scriptures. This movement of 'The Crucifixion' is the most popular and widely used.

God So Loved the World (Concert Band - Score Only) - Stainer, John - Horner, Kevin

The Crucifixion, an oratorio composed by John Stainer in 1887 was designed in such a way that most church choirs would find it accessible. Also, it helpfully includes five hymns so that the congregation can contribute also. Whilst the text for this work was written by W J Sparrow Simpson, who worked with Stainer in an earlier work entitled 'Mary Magdalene', that used in this setting of 'God, so loved the world' is literal from John 3 verse 16 in the scriptures. This movement of 'The Crucifixion' is the most popular and widely used.

God Still Lives - Bach, Johann Sebastian

Freely transcribed by Alfred Reed. Developed from one of the "69 Sacred Songs and Airs,'' this is a stately proclamation of faith and joy superbly transcribed by on of the masters! Alfred Reed's arrangement take this Bach classic to the next level and will leave your audience's in complete amazement! A wonderful selection from the first note to the last!

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God's Country (Concert Band - Score and Parts) - Galante, Rossano

From the most statuesque mountain ranges to our grandest waterfalls, this composition musically depicts the picturesque landscapes that have existed since the beginning of time. Soaring melodic lines, epic brass fanfares, and emotionally charged harmonies will take your performers on an unforgettable journey through God's Country.Duration: 6:00

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Goddess of Fire

A magnificent programmatic work for symphonic band that is an offering to Pele, the Goddess of Hawaii's volcanoes. The work opens with primordial, mysterious sounds representing the foreboding volcanoes of Hawaii. We are then introduced to Pele as a tall, beautiful young woman. This is one of the forms she can take and it represents her powers of creation and beauty. This gives way to the active and destructive Pele, often taking the form of an old woman, wrinkled and bent with age. The following lyrical section of the piece is the full statement of Pele's theme of creation and beauty. As this theme settles, we begin to hear the ground pop and crack letting us know that new lava is beginning to bubble and flow. Suddenly and violently, one of her volcanoes erupts, creating massive chaos and destruction. After the eruption subsides, Pele's theme of creation and beauty returns again. A wonderful addition to any concert or festival performance by mature bands. Exceptional in every respect!

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Goddess of Jeju Island (Concert Band - Score and Parts) - De Haan, Jacob

This work is based on an old folksong from Jeju, an island off the coast of South Korea. The song tells of the legend of the origins of the island through a volcano, the embodiment of a goddess. Along with various treatments of the folksong melody Jacob de Haan weaves into his work a repeating majestic theme to honour the goddess and powerful robust passages symbolising the powerful forces of nature that brought forth the island.Duration: 9:15

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