The Golden Compass, Concert Suite from (Concert Band - Score and Parts) - Desplat, Alexandre - Ross, John

The medley from Andre Desplat's film score for The Golden Compass, the first in a blockbuster trilogy, contains: "Roger & Lyra on the Roof," "Serafina and Scoresby" and "Sky Ferry." Engaging film music sure to please!Duration: 6.30

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The Golden Dragon (Concert Band - Score and Parts)

A rip-snortin' galop that's as much fun to play as it is to listen to! This modern edition includes full score, F horn, and C flute and piccolo parts. A great circus favorite, this will show off your band like nothing else!

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The Golden Gryphon (Concert Band - Score and Parts) - De Haes, Tom

The Golden Gryphon by Tom De Haes portrays three distinguished characteristics of this fascinating mythical beast: the gryphon as guardian of the divine mystery; the winged gryphon, pulling the chariot of the sun god Helios; and the gryphon as heroic, invincible creature. The composition begins mysteriously, before the appearance of the three themes - at first individually, and then contrapuntally combined. A majestic chorale leads us finally to a dignified ending.Duration: 12.00

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The Golden Secret (Concert Band - Score and Parts)

It is said that that unimaginable amounts of gold are hidden deep within the Fissserjoch in Tirol (in central Europe). Legend has it a giant made out of gold stands watch over it. Sometimes, late at night, mysterious lights can be seen and the sounds of treasure hunters drift into the valley. But at the break of dawn all is silent. The Golden Secret tells the tale of gold, giants and the mysterious events at the Fissserjoch. 08:50

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The Golden Vanity (Concert Band - Score and Parts) - Vaughan Williams, Ralph - Wagner, Douglas E.

The Golden Vanity by Ralph Vaughan Williams is a military march that remained unfinished at his death. With the permission of his heirs and assistance from RVW Ltd., Douglas E. Wagner has completed it in a manner consistent with Vaughan Williams' characteristic style. A stately march! Duration: 4.45

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The Golden Year

Excellent programming choice! This original composition by master composer Alfred Reed is written at a much easier grade level than most of his pieces. Contains all of Dr. Reed's musical magic while being alittle more accessible by younger concert bands. Expose your younger students to the art of Alfred Reed with this exceptional piece.

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The Good King Swings! (Concert Band - Score and Parts) - Hodges, Steve

Good King Wenceslas and While Shepherds Watched Their Flocks are treated in an upbeat swing setting with all the nuances found in a jazz ensemble. The arrangement features some jungle drums, a smooth jazz section, an exciting contrapuntal section, and a genuine big band ending.Duration: 3.00

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The Good Life (Concert Band - Score and Parts) - Grice, Rob

The Good Life was written to honour the music teachers that make a positive difference in the lives of their students. Their actions inspire students to imagine their own potential to become the best that they can be.Duration: 2:15

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The Gospel Mass (Concert Band - Score and Parts)

The Gospel Mass -a mass for mixed choir, combo and concert band-is based on the gospel music that has spread throughout the world since its creation in America. The movements of the mass ordinary as we know it have now been composed in various pop styles that have their origin in the gospel music. We hear, then, not only the classic American gospel style (including the characteristic clapping and swing rhythms), but also freer gospel styles that have developed over the course of time. As far as we know, The Gospel Mass is the only true gospel mass. Choral parts available separately.

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The Governor's March (Concert Band - Score and Parts) - Anderson, Leroy

This wonderful march comes with a remarkable history. Originally titled "Governor Bradford March," it was written for orchestra in 1948. 50 years later (1998) Tom Everett, director of the Harvard University Band, discovered Mr. Anderson's manuscript for band among some other old band arrangements! This band version was performed for the first time in 1999 and the recording was used by National Public Radio. This striking yet very playable cut-time march is an excellent addition to the repertoire of classic American marches.