Symphony No.1: The Lord of the Rings (Book and CD) - De Meij, Johan

25 Year Anniversary

Symphony No.1: The Lord of the Rings (Concert Band - Score and Parts) - De Meij, Johan

Revised 2023 editionJohan de Meij's first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book.The movements are:GANDALF (The Wizard)LOTHLORIEN (The Elvenwood)GOLLUM (Smeagol)JOURNEY IN THE DARK a. The Mines of Moria b. The Bridge of Khazad-DumHOBBITSThe symphony was written in the period between March 1984 and December 1987, and had its premiere in Brussels on 15th March 1988, performed by The Royal Band of the Belgian Guides under the baton of Norbert Nozy. In 1989, the Symphony The Lord of the Rings was awarded first prize in the Sudler International Composition Competition in Chicago. In 2001, the orchestral version was premiered by the Rotterdam Philharmonic Orchestra and was recorded by the London Symphony Orchestra.

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Symphony No.1: The Lord of the Rings (Concert Band - Study Score) - De Meij, Johan

Revised 2023 editionJohan de Meij's first symphony The Lord of the Rings is based on the trilogy of that name by J.R.R. Tolkien. This book has fascinated many millions of readers since its publication in 1955. The symphony consists of five separate movements, each illustrating a personage or an important episode from the book.The movements are:GANDALF (The Wizard)LOTHLORIEN (The Elvenwood)GOLLUM (Smeagol)JOURNEY IN THE DARK a. The Mines of Moria b. The Bridge of Khazad-DumHOBBITSThe symphony was written in the period between March 1984 and December 1987, and had its premiere in Brussels on 15th March 1988, performed by The Royal Band of the Belgian Guides under the baton of Norbert Nozy. In 1989, the Symphony The Lord of the Rings was awarded first prize in the Sudler International Composition Competition in Chicago. In 2001, the orchestral version was premiered by the Rotterdam Philharmonic Orchestra and was recorded by the London Symphony Orchestra.

SYMPHONY No.2 (Novello Symphonic Band Score and Parts) - Bedford, David

Score & Parts.

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SYMPHONY No.2 (Novello Symphonic) Score only - Bedford, David

Symphony No.2 contains four movements and a coda, all played without a break, following the traditional symphonic pattern. The Introduction presents the main thematic material of the piece which is characterized by rising and falling 5ths a semitone apart. The Quaver Machine has a repeated, relentless constant quaver pulse from the vibraphone. The harmony circles around only 3 chords and the section builds with more and more instruments being played in harmony and in canon. A shift in tonality gradually leads to Adagio, an almost opulently romantic presentation of the main theme with a rippling accompaniment. After a massive climax, the music leads to Finale with the main theme presented as an Ostinato gradually introducing the full band to another large climax. Gradually, everything quietens down for the Coda, a varied repetition of the Introduction but ending with a last reminiscence of the Adagio. Duration: 14 mins.

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Symphony No.2: The Big Apple (Concert Band - Score and Parts) - De Meij, Johan

An ode to New York. The Big Apple is a musical representation of the spirit, the glamour and the unfriendliness of one of the most fascinating cities in the world. Listening to this symphony is as exciting as a visit to Manhattan. The listener is never allowed a moment's peace, even the tranquil slow passages are accompanied by an ostinato rumbling in the background. As in the City there is never a quiet moment. Duration: 35.00

Symphony No.3 (Concert Band - Score and Parts) - Giannini, Vittorio

Of gigantic proportion, this work for concert band is a solid part of the standard repertoire. Giannini's numerous works for band are well known for their compositional quality, and this symphony, long out of print, will be welcomed by serious conductors and educators the world over. Duration: 23:45

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SYMPHONY No.3 (Organ Symphony) Finale (Concert Band) - Saint-Saens, Camille - Lorriman, Howard

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Symphony No.3 (Urban Landscapes) (Concert Band - Score and Parts) - Cesarini, Franco

Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 "Urban Landscapes" Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and Cloud Gates, which by sharing the same thematic material arranged in cyclical form, strengthen the overall cohesion of the piece. The first movement, preceded by a short slow introduction in which the main theme is presented in an almost dreamlike form, metaphorically represents the city at dawn. The sudden change of time symbolizes the start of activities with all its noises and sounds: you can hear the bell that announces the closing of the subway doors, the sound of cars speeding by, the siren of a patrol car. If the first movement represents the day, the second introduces a nocturnal environment: a melancholic melody played by the English horn anticipates a more animated tempo depicting melodies coming from jazz clubs. Powerful fanfares that take up the second theme of the first movement introduce the third movement. In this finale, the role of the two themes is reversed compared to the first movement and one takes the place of the other in a kind of games of mirrors. Symphony No. 3 "Urban Landscapes" Op. 55: a sumptuous musical portrait of the "Windy City". Duration: 27.00

SYMPHONY No.3 JFK (Concert Band) - Boysen Jr, Andrew

Andrew Boysen's Symphony No. 3 "JFK" honors the life of the great U.S. presidents: John Fitzgerald Kennedy. In one continuous movement, the symphony's sections depicts several aspects of his life: "P.T. 109," "Ask not what your country...," "November 22, 1963," "John-John." In addition to the battery of inventive percussion, the composer calls for a Solo Violin and a Boy Soprano to tell the story.