Symphonic Rock (Concert Band - Score and Parts) - Tinner, Gilbert

The Music of Queen and Genesis.Gilbert Tinner combined a number of hits by the well-known British rock group Queen - and a song by Genesis, also a rock formation from England - to form an exciting arrangement with the telling title Symphonic Rock. The instrumentation can indeed be called symphonic, but important instruments from pop music are also present. For instance, an important role is played by the electric guitar, and a synthesizer is used as well. The medley respectively features: Innuendo, A Kind of Magic, Another One Bites the Dust, Radio Gaga, That's All and We Are the Champions.Duration: 8.45

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Symphonic Salute (Concert Band - Score and Parts) - Sharpe, Trevor Lee

A collection of your favourite syphonic themes conveniently arranged into one arrangement!

Symphonic Scenario - Cacavas, John

Probably the most ambitious piece ever composed by Cacavas during his long and distinguished career. Contemporary in nature, the dynamic opening theme progresses to an impres sionistic middle section and a dazzling finish. It's a dramatic showcase for contest and program performance!

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Symphonic Sketches for Clarinet and Bassclarinet Wind Band Set (Score & Parts)

18:45

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Symphonic Songs for Band (Concert Band - Score and Parts) - Bennett, Robert Russell - Ferencz, George

This enduring perennial - one of a pair of Bennett works popularised by Frederick Fennell's influential Eastman Wind Ensemble - is at last available in a Deluxe Edition including full score. Celebrating the golden anniversary of the work's 1957 premiere, this new publication allows conductors to rehearse with maximum effectiveness and appreciate fully the mastery of Bennett's scoring technique. Prepared by Bennett biographer George Ferencz, the score includes introductory notes and a complete errata list for the original set of parts.Duration: 14:30

Symphonic Soul Wind Band Set (Score & Parts)

00:02:27

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Symphonic Statement (Concert Band - Score and Parts) - Smith, Robert W.

You'll be startled at the bold presence and sonority of this fresh new festival work for your beginners. Created by Robert W. Smith, "Symphonic Statement" is dedicated to his daughter, Savanna Grace Smith. A bold choice for your contest or any program. Duration: 3.00

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Symphonic Suite (Concert Band - Score and Parts) - Williams, Clifton

A suite of five movements with different material. Each movement is associated through the use of one theme. The first, "Intrada," is fanfare-like, and the second, "Chorale," features a trumpet solo. "March," the third movement, is reminiscent of the opening material, followed by "Antique Dance," which has a modal melody. The final movement, "Jubilee," is clearly the most intense. The work is an Ostwald Award-Winning Composition of the American Bandmasters Association and is clearly a repertoire standard. Duration: 12.30

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Symphonic Variants (Concert Band - Score and Parts) - Beethoven, Ludwig van - Wagner, Douglas E.

Here's a real confidence booster for your youngest ensemble. Beethoven's familiar "Ode to Joy" is scored for use early in the first year of instruction. Ample doubling reinforces the form while difficult rhythms are non-existent. Every section has a chance with the melody during the arrangement. This one will make them sound huge! Duration: 2.15

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Symphonic Variations (Concert Band - Score and Parts) - De Haan, Jacob

This composition is based on a passacaglia theme, in which artistic perfection, symphonic drama and oriental melody lines play a role. The passacaglia is originally a dance made up of a series of variations above a bass line constantly present as an ostinato. It is not in this sense that the "Symphonic Variations" are in the passacaglia form but in the sense of the open form of the variations. Jacob de Haan, himself originally an organist, took his inspiration for this piece from the famous passacaglia for organ in C-minor by J.S. Bach. Following the introduction of the passacaglia theme (in the bass) the entry by the trumpets and trombones forms the majestic start to a musical adventure, in which this theme (often fragmentary) returns in variations. Then there follow two faster movements with dramatic contrasts and virtuose passages. Particularly striking here is the use of two characteristic intervals from the beginning of the theme namely the minor second and the augmented fourth. An apause in the composition comes in the slow bridge where a syncopated bourdon (perfect fifth) is constantly repeated. The tension grows in dynamics and harmony, and the oriental-flavour becomes obvious in the melody. We arrive at a faster movement via an accelerando, in which a perpetuum mobile based on the passacaglia theme is central. Finally the whole flows into a martial theme, in which the ostinato accompaniment n the descant derives from the passacaglia theme.Duration: 11:15