Sinfonia per Banda (Concert Band - Score and Parts) - Ponchielli, Amilcare - Cesarini, Franco

This overture, called Sinfonia, is without doubt one of the best original works for concert band to emerge from the 19th century. It is characterised by its fluid spontaneity as well as its rich texture. This arrangement offers bands the opportunity to perform a work of high artistic value, which otherwise would be forgotten.Duration: 9:00

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Sinfonietta (Concert Band - Score and Parts) - Bourgeois, Derek

This substantial work is amongst the most important British contributions to the concert band repertoire. Written in 1983 to fulfil a commission from the British Youth Wind Orchestra, this Sinfonietta has brought the house down whenever it has been performed. The music is tonal, approachable and tuneful, as players and audiences will testify. Your library cant afford to be without this!

Sinfonietta (Concert Band - Score and Parts) - Johnson, Stuart

This early Johnson, Stuart work is now standard repertoire. Each movement of?Sinfonietta for Wind Orchestra?can be played separately, or 3 movements can be used as a suite. Challenging yet tuneful, this piece will always please audiences and bands.

Sinfonietta (Concert Band - Score and Parts) - Van der Roost, Jan

Sinfonietta consists of four movements that have no thematic or musical relationship with each other. Each movement has its own character and atmosphere, which displays a variety of qualities and possibilities of the modern concert band. The four movements are entitled The Landing; The Sword Dance; Nightfall by the River and Towards the Future. Together they build into a mini- symphony full of colour and contrasts.Duration: 25.00

Sinfonietta (Concert Band - Score and Parts) - Wiffin, Rob

Sinfonietta is a challenging, extended work for symphonic wind band in three movements. The first two, Dance with the Devil and A Glimpse of Paradise are a transition from dark to light; Dance with the Devil is aggressive and occasionally macabre whereas A Glimpse of Paradise is serene. The final movement, Reyes Magos, is the joyous fiesta of the Three Kings. Sinfonietta is technically and expressively demanding but is written within the realms of tonal language.

Sinfonietta (Concert Band - Score only) - Bourgeois, Derek

This substantial work is amongst the most important British contributions to the concert band repertoire. Written in 1983 to fulfil a commission from the British Youth Wind Orchestra, this Sinfonietta has brought the house down whenever it has been performed. The music is tonal, approachable and tuneful, as players and audiences will testify. Your library cant afford to be without this!

Sinfonietta (Concert Band - Score only) - Johnson, Stuart

This early Johnson, Stuart work is now standard repertoire. Each movement of?Sinfonietta for Wind Orchestra?can be played separately, or 3 movements can be used as a suite. Challenging yet tuneful, this piece will always please audiences and bands.

Sinfonietta (Concert Band - Score only) - Wiffin, Rob

Sinfonietta is a challenging, extended work for symphonic wind band in three movements. The first two, Dance with the Devil and A Glimpse of Paradise are a transition from dark to light; Dance with the Devil is aggressive and occasionally macabre whereas A Glimpse of Paradise is serene. The final movement, Reyes Magos, is the joyous fiesta of the Three Kings. Sinfonietta is technically and expressively demanding but is written within the realms of tonal language.

Sinfonietta No.1 (Concert Band - Score and Parts) - De Meij, Johan

Sinfonietta No.1 was originally written for brass band, commissioned by the Dutch National Championships 2011 in Groningen. It also served as the test piece for the Swiss National Championships 2011 in Montreux, Switzerland. In 2012, Johan de Meij created this version for wind orchestra. Unlike most of Johan de Meij's compositions, Sinfonietta No.1 is an abstract, non-programmatic work. It consists of three movements, in which the thematic material of the opening measures, an upward fifth jump. returns in various shapes and forms throughout the piece. The slow middle section features solo passages by cello, English horn and bassoon, all starting with the same fifth jump. The final movement presents an Elgar-like march theme, interspersed with quotes from the second movement, and ending with the opening theme of movement I.Duration: 15.30

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Sinfonietta No.1 (Concert Band - Score and Parts) - Sparke, Philip

Sinfonietta No.1 was commissioned by the Foundation of Friends of the Marine Band of the Royal Netherlands Navy. It was first performed by them in 'De Doelen', Rotterdam on the 13th November 1990 (in a joint concert with the Royal Marines Band from Great Britain) which celebrated the 325th anniversary of the Netherlands Marine Corps and coincided with the 45th anniversary of the band and the 175th anniversary of naval music in the Netherlands.The work is in three, linked movements:I: OvertureSeveral contrasting motivic ideas open the work, but none manage to develop into a theme of any sort. Eventually a short theme appears on clarinet, alto saxophone and horn but it is swept away by runs of triplets from the woodwinds. The theme returns, accompanied by the triplets from the woodwinds. The theme returns, accompanied by the triplets, and this leads to a return of the opening material to close the movement.II: AriaThe second movement opens with violent outbursts from the timpani until a simple, mournful tune is presented by flute and bassoon over a sparse accompaniment by the lower brass. Trumpets introduce a quicker, turbulent central section but this leads back to a brief repeat of the original tune, bringing the movement to a peaceful close.III. ScherzoThe final movement is a fast and furious scherzo which bursts into life with a flurry of notes. The vivacious main (woodwind) theme is first played by the flutes and then by the whole woodwind section. A cornet then takes centre stage with a fanfare-like theme which is then taken up by the brass. A bridge passage then leads to a version of this theme for full band. The original flute tune is then developed until the horns introduce a chorale tune which is taken up by saxes and then full band until the opening material reappears. The woodwind and brass themes are then combined and lead to a forceful version of the chorale which becomes more and more dissonant until the opening of the Overture returns to bring the work to a rousing finish.Recorded on QPRM134D THE KINGS GO FORTH, Central Band of the Royal Air Force

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