Simply Rock! (Concert Band - Score and Parts)

In Simply Rock! Rob Ares has produced a lively, refreshing and modern work. This piece will hold the attention of both the musicians and the audience as the melodies are linked by a compelling accompanying motif which will encourage you to get up and dance. This work truly is a solid piece of rock ! 03:00

Simply Sousa (Concert Band - Score and Parts) - Sousa, John Philip - Woodfield, Ray

This work is for Concert Bands with a reduced number of players

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Simply the Best (Concert Band - Score and Parts) - Chapman & Knight - Sebregts, Ron

Simply the Best was first performed by the little known Bonnie Tyler in 1988, but did not gain wide-spread popularity until Tina Turner recorded it barely one year later. The song has become one of Tina Turner's all time greatest hits and is a favourite around the world when something needs celebrating. Ron Sebregts' arrangement really rocks and will make sure your next concert is Simply the Best!Duration: 4:45

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SIMPSONS (Young Band) - Lavender, Paul

After 18 seasons of unparalleled success on television, Homer and all the gang have finally made it to the big screen! Here is a dynamite arrangement of one of the most unique and recognizable theme songs ever!

Sinatra! (Concert Band - Score and Parts) - Bulla, Stephen

With his charismatic style and polished interpretations, Frank Sinatra put his unique stamp on a number of familiar standards. This effective medley for band features some of his best-known hits.Includes:Come Fly with MeWitchcraftThat's LifeFly Me to the Moon

Sine Nomine Wind Band Set (Score & Parts)

A new concertpiece by Menno Haantjes. After his previous' Around a Village' not an programmatic composition, but an unnamed "Sine Nomine", leaving complete imagination to all musicians and listeners. 08:00

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Sine Nomine (For All the Saints) (Concert Band with Optional Choir - Score and Parts) - Williams, Vaughan - Noble, Paul

For All the Saints was written as a processional hymn by the Anglican Bishop of Wakefield, William Walsham How. The setting by Vaughan Williams was included in The English Hymnal which was published in 1906 for the Church of England by Oxford University Press. The music editor was composer and music historian Ralph Vaughan Williams. This hymnal used his new setting which he called Sine Nomine (literally, without name) in reference to its use on the Feast of All Saints, 1 November (or the first Sunday in November, All Saints Sunday). It has been described as one of the finest hymn tunes of the 20th century. This arrangement adheres in form to the original RVW orchestration, including all eight verses and an optional organ part, which is the standard format in many hymnals. It may be performed as accompaniment to a congregational hymn, with choir, or as a band piece alone.

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Sinfonia Wind Band Set (Score & Parts)

With this work, commissioned by a prestigious girls? school with morethan a hundred years of tradition and history, the composer aimed towrite a universal work with love as its theme. He succeeded in doingthis with Sinfonia - a delightfully charming interlude with a transparentsound and a striking melody. 0:05:53

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Sinfonia Espansiva (Movement I, Allegro Espansivo) (Concert Band - Score and Parts) - Nielsen, Carl - De Meij, Johan

The first movement of Nielsen's spectacular 3rd Symphony, skillfully arranged for wind orchestra by Johan de Meij. Duration: 11.15

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Sinfonia Hungarica (Concert Band - Score and Parts) - Van der Roost, Jan

This three-movement symphony musically depicts the history of Hungary. Key historical figures, wars and other important events from this country inspired all three movements. The first movement depicts Atilla, the King of the Huns, and is characterised by fear, threat and aggression. The second movement focuses on Arpad, the founder of the Hungarian State and the final movement is named after Istvan, the King who introduced Christianity into Hungary. The beautiful theme of the national hymn appears throughout the symphony, however it is often partially hidden. It is used as a "thread," hardly recognizable at the beginning, becoming more and more obvious near the end and it concludes the symphony as the "final apotheosis," making the band sound like a majestic living organ.Duration: 12:45