Relativo

This impressive concert/festival work by Robert W. Smith will be a welcome addition to the standard repertoire. Based on the concept of relativity, the composer uses related rhythms, melodic motifs and key centers to create a rich musical tapestry. Equally rich in educational concepts and teaching opportunities, we predict "Relativo" will become part of your personal teaching repertoire for years to come.

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Relay Race (Concert Band - Score and Parts) - Bankston, Brian

This is the ultimate tool for teaching balance within your sections. It will become a fast favorite as the students constantly pass pieces of the melody around like a baton in their musical relay race. Your beginners are going to beg you to rehearse this fun composition. Duration: 1.30

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Release the Kraken! (Concert Band - Score and Parts) - Story, Michael

Release the Kraken!, by Michael Story, is a fantastic overture that captures the enormity of these gigantic, mythical creatures. They have many tentacles or claws that can engulf a ship and pull it to the depths of the sea! Multiple textures, memorable themes, and terrific orchestration make this the perfect choice for your concert or contest performance.Duration: 2.15

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Relight My Fire (Concert Band - Score and Parts) - Hartman, Dan - Schaars, Peter Kleine

In 1979, Dan Hartman's disco classic, Relight My Fire, occupied the top slot of the US dance charts for six weeks. In 1993, the song was back at No. 1 reworked and sung by British boyband, Take That. Both of these versions inspired Peter Kleine Schaars in his arrangement of Relight My Fire for concert band.Duration: 3:15

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Reluctant Joys (Concert Band - Score and Parts) - Karrick, Brant

Six African-American spirituals, laments, and plantation songs are woven into a musical tapestry capturing their simple elegance and charm, as well as incorporating fresh musical ideas with harmony, accompaniment, meter, and counterpoint. Duration: 7:30

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Remember (Concert Band - Score and Parts) - Donahue, Melanie J.

This lovely and gentle ballade is inspired by the beautiful folk melodies of Ireland.Duration: 3.30

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Remember Me (Concert Band - Score and Parts) - Purcell, Henry - Wiffin, Rob

An arrangement for wind band of Purcell's haunting Dido's Lament. This arrangement was made in the period of national mourning following the death of Her Majesty Queen Elizabeth II. I needed something as a reflective concert piece and chose to arrange Dido's Lament - the aria "When I am laid in earth" from the opera Dido and Aeneas by the English composer Henry Purcell (1659-1695). There have been various versions of this beautiful song from Stokowski's lush orchestration to Annie Lennox's more lateral slant. While not wanting to try and completely emulate the original, I did not want to stray too far from it. Purcell's style of Baroque music was uniquely English and, for the theoretically minded, this aria makes exemplary use of the passus duriusculus in the ground bass.- Rob WiffinDuration: 3.30

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Remember Me (from Coco) (Concert Band - Score and Parts) - Anderson-Lopez & Lopez - Longfield, Robert

Arranged in a moderate ballad style for beginning band, this beautiful tune from the Pixar hit movie Coco will be enjoyed by all ages.

Remember Me (from Coco) (Concert Band - Score and Parts) - Anderson-Lopez & Lopez - Vinson, Johnnie

Pixar Studios strikes gold again with their imaginative and original animated film Coco. With a story of Mexican folklore and with characteristic music, here is a wonderful setting of the main song. The opening is in a ballad style, and then shifts to a faster tempo with a mariachi flavour.

Remember Mozart (Concert Band - Score and Parts) - Gistel, Luc

In combining his gifts as a composer with his great creative spark, Andre Waignein composed Remember Mozart, a delicate and flowing work dedicated to one of the greatest composers in music history, Wolfgang Amadeus Mozart. Remember Mozart develops a single but serene melodic line, only interrupted by some measures in the central passage. The primary theme soon returns, proceeding with a natural flow, and leads the work to a modulatory section - a bridge passage to the Mozartian-flavoured finale, brilliantly highlighted by a composer filled with admiration for the genius of Salzburg.Duration: 3:45

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