Requiem K.626 (Concert Band - Score and Parts) - Mozart, Wolfgang Amadeus - Longfield, Robert

Mozart's last work was actually unfinished when he died in 1791. Completed by friend and pupil, Franz Xavier Sussmayr, it has become a testament to Mozart's enduring greatness, unmatched for melodic eloquence and emotional depth. This marvelously effective adaptation for winds includes the opening 2 movements, Introit and Kyrie Eleison.

Requiem to a Land Forgotten (Concert Band - Score and Parts) - Sheldon, Robert

Whether by geo-political strife or natural disaster, many people across the world have been displaced far from their homes. Requiem to a Land Forgotten represents the sadness of leaving, the joyous anticipation of returning, and, upon that return, the tragedy and loss that is experienced by victims of war-torn nations or the ravages of nature. Duration: 5.00

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Reserva (Concert Band - Score and Parts)

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Residence of the Lords (The Medieval Castle) (Concert Band - Score and Parts) - Lopez, Victor

Lyrical and exciting, this original piece captures the essence of the feudal castle and residence of the lords during the Slavic period. A solid composition with simple melodic and rhythmic content and minimal technical demands that is both fun to play and guaranteed to sound full and mature even with limited instrumentation. Duration: 2:00

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Residence of the Lords (The Medieval Castle) (Flexible Ensemble - Score and Parts) - Lopez, Victor

This version of Residence of the Lords by Victor Lopez is designed with maximum flexibility for use by any mix of instruments: wind, strings, and percussion, including like or mixed-ensembles with as few as 4 players. The suggested instrumentation and a customisable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. The 4-part instrumentation will support balanced instrumentation of the lower voices. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys. Lyrical and exciting, this original piece captures the essence of the feudal castle and residence of the lords during the Slavic period. A solid composition with simple melodic and rhythmic content and minimal technical demands that is both fun to play and guaranteed to sound full and mature even with limited instrumentation. Duration: 2.00

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Residenza (Concert Band - Score and Parts)

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Resilience (Concert Band - Score and Parts) - Oare, Michael

Inspired by that quality of humanity allowing us to adapt and persevere in the face of the challenges brought on by the pandemic, Resilience is a celebratory piece that commemorates everyone's efforts to overcome this difficult time. This upbeat and dynamic work for young bands is sure to lift up your spirits.

Resolutions (Concert Band - Score and Parts) - Camphouse, Mark

Resolutions has a double meaning embedded in its title: musical resolutions (dissonance resolving to consonance), and political resolutions as found in the words written by American patriot George Mason. Composer Mark Camphouse skillfully weaves old American tunes into his signature rich tapestry of sound in this work for advanced concert band.

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Resonance (Concert Band - Score and Parts) - Fraser, Bruce

The title?Resonance?derives from the sound created by imposing two major triads on top of each other, eg. the first brass chord of F major over G major, otherwise an eleventh chord. The whole piece is then worked out through these intervals, opening with a rush of flourishes and fanfares creating a lively atmosphere, moving to a middle slower section with a more angular melody. the opening is repeated and leads to a flying CODA with a cheeky interchange between Oboe and Piccolo.

Resonance (Concert Band - Score Only) - Fraser, Bruce

The title?Resonance?derives from the sound created by imposing two major triads on top of each other, eg. the first brass chord of F major over G major, otherwise an eleventh chord. The whole piece is then worked out through these intervals, opening with a rush of flourishes and fanfares creating a lively atmosphere, moving to a middle slower section with a more angular melody. the opening is repeated and leads to a flying CODA with a cheeky interchange between Oboe and Piccolo.