Pasovario (Concert Band - Score and Parts) - Laseroms, Wim

The compound title of this work reflects its musical content. 'Vario' refers to the two different meters - 3/4 and 2/4 - in which this paso doble has been written. The compact, powerful opening is in 3/4 time: it is followed by a melodic, cantabile second theme, in the beautiful chalumeau register, in 2/4 time. This refreshing piece sets a great tone for your concert!Duration: 3.10

Pass in Review (Concert Band - Score and Parts) - Wagner, Douglas E.

A Medley of British Military Band March ThemesAlways regal and stately, this collection of British military marches includes; The British Grenadiers, Royal Air Force March Past, A Life on the Ocean Wave, The Vanished Army (They Never Die) and finishes with Colonel Bogey.Duration: 3:00

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Passacaglia - Bach, Johann Sebastian

This Bach masterwork for organ has been expertly adapted and arranged for band by Andrew Glover. Beginning with a bass ostinato, and followed by a series of variations that explore the full depth and sonority of the concert band, this work will showcase your mature ensemble and astonish audiences. This intense work will provide a rich musical experience for all! A truly superb work for band. Great music from one of the all-time great composers!

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Passacaglia (from Suite No.7) (Concert Band - Score and Parts) - Handel, George Frideric - Longfield, Robert

Handel's Passacaglia from Suite No. 7 in G minor was originally written for harpsichord and consists of a series of variations over a repeating four-measure harmonic progression. In this masterful transcription by Robert Longfield, Handel's Baroque gem serves as a vehicle to showcase the colours and timbres of the modern concert band.Duration: 4:30

Passacaglia and Fugue in C minor BWV 852 (Concert Band - Score and Parts) - Bach, Johann Sebastian - Cesarini, Franco

The Passacaglia is a set of instrumental variations based on an ostinato bass. Bach's Passacaglia and Fugue in C-minor for organ represents the pinnacle of what had been achieved in this compositional form at that time. In Franco Cesarini's arrangement for large wind orchestra, the particularly careful interpretation of the original piece enables him to exploit all the sound colors at his disposal, and in this sumptuous guise Bach's work also takes on a grandiose dimension, albeit tinged with late-Romanticism. The exposition of the beautiful theme begins in the bass part, immediately creating a solemn and serious atmosphere which is accentuated by the intensely pathetic character of the first variations. Up to the tenth variation it remains confined to the bass, but in subsequent ones it also passes to the soprano and alto register. The integrity of the theme is also embellished with elegant arpeggios, in whose lower and higher extensions the theme can be distinguished. Towards the end it returns to the bass in an impressive thickening of the polyphonic texture that swiftly re-establishes the key of C-minor. The "Thema fugatum" which follows immediately does not constitute a Fugue in its own right, rather it is nothing but the twenty-first and most extensive variation of the Passacaglia. This time Bach uses only the first half of the theme, superimposing a rhythmic countersubject that considerably enlivens the entire development of the composition. The polyphonic discourse becomes increasingly dense, until the building tension peaks in a powerful "Neapolitan sixth" chord, followed by a sudden pause. This culminating moment then leads to the coda and final cadence on a bright C-major chord. Duration: 12.45

Passacaglia for Band

Alternating sections of regal brass and bright syncopation, this work combines the traditional passacaglia form with fresh modern harmonies. Interesting parts for every section and a fine offering from a creative composer.

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Passages (Concert Band - Score and Parts) - Sweeney, Michael

The term passage can variously describe a passageway of travel, a musical phrase, or perhaps the soul's moving on from this world to the next. In this work for band, dark and rich sonorities are contrasted with a lilting, Celtic-flavoured melody as it alternates with striking "passages" from the brass. Later, an alto sax soloist adds a haunting quality to the mood followed by a return of the ethnic drumming heard earlier. This unique and rewarding composition is beautifully paced and skilfully orchestrated using every section of the band.Duration: 7:00

Passing Storm (Concert Band - Score and Parts) - Hoefle, Heather

From the first rumbles of distant thunder to the fury of the storm, this composition by Heather Hoefle will engage your students and audience in musical imagery. Composed by a master teacher that works every day in the classroom, "Passing Storm" provides context and reinforcement of musical skills and concepts including articulation and dynamics. Your students will love this musical experience as they tell the story of the storm through their musical performance! Duration: 3.30

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Pastime with Good Company (Concert Band - Score and Parts) - Sparke, Philip

The English king, Henry VIII (1491-1547), is mainly remembered for disposing of his wives on a regular basis and breaking with the Catholic Church when the Pope Clement VII refused to grant him a divorce so he could marry Anne Boleyn. As a young man he was a gifted athlete, dancer and composer, writing many songs, poems and consort pieces (though not Greensleeves, as is often believed). Pastime with Good Company is undoubtedly the best-known of these, written in the first years of the 16th century while he was still a handsome prince, newly married to Catherine of Aragon and the envy of Europe. The lyrics tell of the joys of hunting, dancing and singing and would have been sung as part of the court entertainment.This arrangement features a quartet of soloists and two solo drummers.Duration: 6:00

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PASTIME WITH GOOD COMPANY (Programme Concert Band) - Wiffin, Rob

Rob Wiffin has taken this classic work - attributed to King Henry V - and given it an exciting yet delicate percussion feel which make for a great opener - or closer! (Grade 3) Performance time c. 3 minutes

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