Paso Bella Wind Band Set (Score & Parts)

Paso Bella is full of the typical fiery and melodic characteristics of the paso doble. The hot Spanish temperament can be heard from the opening themes in the minor key, as is usual in a paso doble, to the last bars of the trio. The trio is followed by an exuberant closing which will reverberate in the ears of both musicians and audience for a long time. 0:04:30

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Paso Doble (Flexible Ensemble - Score and Parts) - Woodfield, Ray

8 Part Flexible Ensemble and Percussion

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Paso Flamenco (Concert Band - Score and Parts) - Lopez, Victor

A vigorous combination of the Paso Doble and the Flamenco, "Paso Flamenco" has an intense modal quality that's a snap to rehearse. The distinct percussive sounds are joined with the charismatic melody. Great opportunities for exploring rhythmic accuracy in a very musical work. A real attention-getter!Duration: 2:00

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PASODOBLE OLE (Easy Concert Band) - Tailor, Norman - Suba, Eduardo

Duration: 2:15

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Pasovario (Concert Band - Score and Parts) - Laseroms, Wim

The compound title of this work reflects its musical content. 'Vario' refers to the two different meters - 3/4 and 2/4 - in which this paso doble has been written. The compact, powerful opening is in 3/4 time: it is followed by a melodic, cantabile second theme, in the beautiful chalumeau register, in 2/4 time. This refreshing piece sets a great tone for your concert!Duration: 3.10

Pass in Review (Concert Band - Score and Parts) - Wagner, Douglas E.

A Medley of British Military Band March ThemesAlways regal and stately, this collection of British military marches includes; The British Grenadiers, Royal Air Force March Past, A Life on the Ocean Wave, The Vanished Army (They Never Die) and finishes with Colonel Bogey.Duration: 3:00

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Passacaglia - Bach, Johann Sebastian

This Bach masterwork for organ has been expertly adapted and arranged for band by Andrew Glover. Beginning with a bass ostinato, and followed by a series of variations that explore the full depth and sonority of the concert band, this work will showcase your mature ensemble and astonish audiences. This intense work will provide a rich musical experience for all! A truly superb work for band. Great music from one of the all-time great composers!

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Passacaglia (from Suite No.7) (Concert Band - Score and Parts) - Handel, George Frideric - Longfield, Robert

Handel's Passacaglia from Suite No. 7 in G minor was originally written for harpsichord and consists of a series of variations over a repeating four-measure harmonic progression. In this masterful transcription by Robert Longfield, Handel's Baroque gem serves as a vehicle to showcase the colours and timbres of the modern concert band.Duration: 4:30

Passacaglia and Fugue in C minor BWV 852 (Concert Band - Score and Parts) - Bach, Johann Sebastian - Cesarini, Franco

The Passacaglia is a set of instrumental variations based on an ostinato bass. Bach's Passacaglia and Fugue in C-minor for organ represents the pinnacle of what had been achieved in this compositional form at that time. In Franco Cesarini's arrangement for large wind orchestra, the particularly careful interpretation of the original piece enables him to exploit all the sound colors at his disposal, and in this sumptuous guise Bach's work also takes on a grandiose dimension, albeit tinged with late-Romanticism. The exposition of the beautiful theme begins in the bass part, immediately creating a solemn and serious atmosphere which is accentuated by the intensely pathetic character of the first variations. Up to the tenth variation it remains confined to the bass, but in subsequent ones it also passes to the soprano and alto register. The integrity of the theme is also embellished with elegant arpeggios, in whose lower and higher extensions the theme can be distinguished. Towards the end it returns to the bass in an impressive thickening of the polyphonic texture that swiftly re-establishes the key of C-minor. The "Thema fugatum" which follows immediately does not constitute a Fugue in its own right, rather it is nothing but the twenty-first and most extensive variation of the Passacaglia. This time Bach uses only the first half of the theme, superimposing a rhythmic countersubject that considerably enlivens the entire development of the composition. The polyphonic discourse becomes increasingly dense, until the building tension peaks in a powerful "Neapolitan sixth" chord, followed by a sudden pause. This culminating moment then leads to the coda and final cadence on a bright C-major chord. Duration: 12.45

Passacaglia for Band

Alternating sections of regal brass and bright syncopation, this work combines the traditional passacaglia form with fresh modern harmonies. Interesting parts for every section and a fine offering from a creative composer.

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