PALLADIO (Young Concert Band - Score and Parts) - Jenkins, Karl - Longfield, Robert

Although this composition sounds like it came straight out of the Baroque period, it is actually the first movement of a suite written in 1996 by Karl Jenkins. Instantly recognized as the "diamond commercial" theme, its relentless pulse and dramatic nature make it a natural for bands. Robert Longfield's skilled arrangement puts it within reach of most groups. (2:45)

PALOMA BLANCA (Intermediate Concert Band) - Bouwens, Johannes - Parson, Ted

Duration: 2:55

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Palustrus (Percussion Ensemble with Concert Band - Score and Parts) - Clark, N. Alan

Palustrus, for percussion ensemble and band, is based on two musical ideas. The first, a figure of two 16th notes, is introduced alluding to tiny seedlings as they sprout from the fertile earth. This figure quickly grows in frequency and density, then spreads into the second idea using a series of diatonic patterns. "Palustrus" is a medium-difficult, but attainable technical challenge in a diatonic setting. Splashes of dissonance in the winds support the active and exciting percussion ensemble statements throughout. Highly recommended for programs with a larger percussion section! Duration: 2.45

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Pan American

An impressive new arrangement by Andy Clark of one of Karl L. King's most distinctive marches. This arrangement retains all of the charm and Spanish flavor of the original while it utilizes a reduced instrumentation which makes it sound great with smaller bands. An outstanding choice for concert or contest performances. Very highly recommended!

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Pan, Highlights from (Concert Band - Score and Parts) - Powell, John - Wagner, Douglas E.

As a prequel to James Matthew Barrie's classic Peter Pan (The Boy Who Wouldn't Grow Up), director Joe Wright's fantasy adventure film is full of all the swashbuckling action and tender emotional moments that anyone who has read the book would expect. Included in this delightful John Powell film-score medley are the "Opening Overture," "Mine Escape," "Pirates vs. Natives vs. Heroes vs. Chickens," "Transfiguration," and "Fetching the Boys." Powerful!Duration: 3:45

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Panache (Concert Band - Score and Parts) - Fraser, Bruce

The work has a military feel in the opening fanfare, but settles down to an angular melody with frequent changes in time signature. The middle section should be played expressively and maintain a good flow. The speed of the Allegro is most likely to be determined by the agility of the trombone section in the unison running quavers. There is the possibility of adding extra drummers near the end - a drum corps was used behind the Band in the first performance making a stunning effect.

Panache (Concert Band - Score Only) - Fraser, Bruce

The work has a military feel in the opening fanfare, but settles down to an angular melody with frequent changes in time signature. The middle section should be played expressively and maintain a good flow. The speed of the Allegro is most likely to be determined by the agility of the trombone section in the unison running quavers. There is the possibility of adding extra drummers near the end - a drum corps was used behind the Band in the first performance making a stunning effect.

Pandemonium (Concert Band - Score and Parts) - Story, Michael

Just as the title suggests, this piece is a musical depiction of wild uproar or unrestrained disorder; tumult or chaos. Complete with hammered brake drum, the piece is a real attention-getter. Out of pandemonium blooms music!Duration: 1:30

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Pandora's Box (Concert Band - Score and Parts) - Yagisawa, Satoshi

Pandora appears in Greek mythology - the first woman, created by the gods and sent to earth as an evil addition to the human race. 'Pan' means 'all' and 'dora' means 'gifted'. Pandora's Box must by no means be opened. The various stories surrounding this box inspired Yagisawa to write this dramatic piece, an addition to his series of pieces based on Greek mythology, such as Perseus.Duration: 9:00

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Panis Angelicus - Franck, Cesar

Franck's beloved sacred song in a loving instrumental setting revealing once again Alfred Reed's masterful grasp of the possibilities of instrumental color in the modern concert band. VERY NICE!

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