In War Time - David Del Tredici

David Del Tredici's In Wartime - the first work for wind band by one of America's masters of orchestral music - matches its emotional depth with immediate musical appeal. The opening hymn laces fragments of Abide With Me with swirling counterpoint, while the following Battlemarch brings an ominous march-theme into a frenzied conflict with the Persian national song, Salamati, Shah! Daring, brilliantly orchestrated and absolutely unique, In Wartime is a landmark in the repertoire. (18:30)

In Wartime

Inaugural Fanfare - Aaron Copland

Scored for wind ensemble: 3 flutes, 2 oboes, 2 clarinets, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, and percussion.

Incandescence - Richard L. Saucedo

Composed to give young players the opportunity to experience mixed meter in a controlled setting (in this case, 3/4 + 4/4), Incandescence uses an engaging and energetic rhythmic groove to make this big step fun and enjoyable. Inaddition to being a perfect vehicle for teaching and internalizing a constant 8th- note subdivision, this piece will be exciting and rewarding to perform. Dur: 2:10

Incandescens - Jérôme Naulais

Incantation and Dance - John Barnes Chance

Symphonic Band (score & parts). Chance, Jb

Incantation And Ritual - Brian Balmages

This fantastic work conjures images of an ancient tribal gathering. The opening's mysterious Incantation uses a soft, chant-like melody with slight intrusions by the percussion, foreshadowing the intense ritual to follow. As theopening builds, the driving beat of the ritual takes over with great fire. Percussion infuses this work with relentless energy as the piece draws to a powerful conclusion. Do not miss this one!

Incantation and Shadow Dance - Barry E. Kopetz

Incantation and Shadow Dance is a musical representation of the appearance of the witches in the Shakespeare play "Macbeth." The piece opens with two exceptionally long and emotionally charged measures, the mood slowly building, much like "chanting over a cauldron," dark, mystical and enchanting, invoking the spirits of the night. Then everything changes very abruptly, as a rhythmic introduction announces the appearance of the spirit dance. It represents a "dance macabre" and as such, brings a sense of impending evil and darkness to the mood until the full complement of spirits are now dancing around the fire. The gathering of "storm clouds" heralds the appearance of all manner of dark and sinister creatures joining the dance which builds to climax as all the spirits gather for the final frenzied finale.

Incantations - Robert W. Smith

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Incendie a Rio (l') - Gustin