Come To The Festival Tent! - Ernest Broeniman

This festive sounding march is reminiscent of those performed in Europe. European bands utilize euphoniums in harmony, and this is the case with "Come to the Festival Tent." Very powerful and articulate!

Come Where the Lilies Bloom - Thompson

Come, Sing To Me, - Thompson

Cornet Solo with Band Accompaniment ("Come, Sing To Me")

Come, Sweet Death - Johann Sebastian Bach

This is certainly one of the most beloved and widely sung of all the many great chorales. Richness of texture, singing lines, and deep feeling make the present instrumental setting an unforgettable experience for both performers and audiences. Alfred Reed's transcription of this true Bach favorite is a perfect selection for concert use. Will stir your audience each time it is performed.

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Comedians' Gallop

Comedians' Gallop - Dmitri Kabalevsky

Kabalevsky's famous melody from The Comedians may be short in duration, but it is packed with humor and excitement. Carefully adapted for younger bands by Paul Jennings, this one will be a joy to rehearse and perform. (Grade 3) (1:20)

Comedy Classics

Thanks to cable channel reruns, just about everyone will recognize these wonderful theme songs from television's past. Cleverly woven together in a medley for younger groups, you can't go wrong with this entertaining arrangement. Includes: Happy Days, The Brady Bunch, Ballad of Jed Clampett, Theme from Bewitched, The Addams Family Theme, and I Love Lucy.

Comedy Tonight - Stephen Sondheim

Comegys Creek - Brian Beck

Kick off your shoes, jump in, and ride down Comegys Creek. This North Texas creek is named after Dr. C. G. Comegys, a prominent family who lived in Mckinney, TX in the early 1900s. Composer and fellow Texan, Brian Beck captures the southern rowdiness of frolicking in the water with friends and family. Comegys Creek is a fun piece that will expand your student's harmonic vocabulary and is perfect for introducing and reinforcing accidentals that create interesting harmonies, all within a comfortable range. It also explores the many permutations of the 8th and 16th note combinations, as well as introduces and reinforces 7/8 time signature. Groups performing this piece will become "multi-meter masters" in no time! (2:24).

Comet Rag - E. Mahony

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