Coast Impressions - André Waignein

Coast Life - Johan Nijs

Coast Life is an easy concert work composed by Johan Nijs and orchestrated for concert band. The three movements of this piece describe life on and around the coast. You can visit the bustling harbour, take a trip on the sea whether it be calm or stormy, or you can take a coast trip - either on the beach or along the promenade. All aspects of the seaside are portrayed in this attractive work.

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Coast To Coast - Darrol Barry

Coast to Coast: An American Musical Road Trip

Travel across the country from New York to San Francisco and points in between, as this medley drives you through some of the best-known songs about U.S. cities and states in just a few minutes! Just be sure to hold onto your seat. Though the ride begins with a smooth cruise, there are a few tricky curves in the road ahead, and maybe even an Easter egg or two. Featuring: The Sidewalks of New York My Kind of Town (Chicago Is) Kansas City, Here I Come The Yellow Rose of Texas Viva Las Vegas I Left My Heart in San Francisco.

Coastal Overture - Steve Reisteter

Coat of Arms (Concert March) - George Kenny

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Cobra - Jan Bosveld

Shortly after the Second World War, a combative movement of Danish, Belgian and Dutch artists chose the cobra snake - extremely dangerous yet considered sacred - as a symbol of their resistance to strict guideliness of form. The name "Cobra" also happens to contain the first letters of the cities Copenhagen, Brussels ans Amsterdam, from where most of the movement's members came. The Cobra movement, which existed from November 1948 until November 1951, can with some justicication be called the last major avant-garde movement of the 20th century.The source of inspiration for the composition Cobra comes from four paintings: "Obhobning" by the Dane Egill Jacobsen; "La jeune fille et lamort" by the Belgian Pierre Alechinsky; "Orgeldraaier" and "Le rythme joyeux de la ville" by the Dutch artists Karel Appel and Corneille. Obhobning means "pile-up", which is represented musically in the first part by a melodic and harmonic pilling up of perfect fourth's. The first part is also characterized by a rhythmic feeling, which the painting gives through its use of numerous black stripes. In the painting La jeune fille et la mort, Pierre Alechinsky places a young girl opposite Death. The second part features the constantly pulsating motion of live while a creeping, dark, melodic line develops. The tension between life and death is tangible as a battle reveals itself. In part three, one hears the Orgeldraaier by Karel Appel, as cheerful and playful as an organ grinder's music. The painting Le rythme joyeux de la ville by Corneille is busy and extremely dynamic, a perfect source of inspiration for a powerful, rhythmic ending to this composition.

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Cobra Dance - Joel Spineti

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Coburger Marsch - Johann Michael Haydn

Cockatoo Jive - Günter Noris