Ach wie flchtig, ach wie nichtig - M. Frank

Achievement Unlocked - Amy Webb

Achilles' Wrath - Sean O'Loughlin

One of Sean O'Loughlin's most popular pieces has been scored for flexible instrumentation. It is bold, aggressive and dynamic, containing shifting modalities and will make any band sound top-notch. Now bands with instrumentation issues can sound wonderful with this great piece.

Achnaton - Jan Bosveld

The Egyptian pharaoh Amenhotep IV, better known as Achnaton, was the second son and successor of Amenhotep III. He reigned the New Kingdom from 1353 until 1336 BC. Achnatons lack of interest in the economic well-being of Egypt ushered ina revolutionary period in Egyptian history. His harsh reign induced much suffering under the population. During this period when it was customary for a pharaoh to have many wives, he had taken his cousin Nefertete to reign as queen at hisside. An elegant and very beautiful woman, she used her influence to ease the turmoil caused by Achnaton. Combined with her grace, her presence at public functions led to a greater popularity among her subjects than the pharaoh enjoyedhimself. Being mostly preoccupied with religious questions, he declared that all the other gods did not exist. There was only one god, the Aten, and it was the sun itself. It was now necessary to change his name: 'Amenhotep' meaning 'the god Amun is satisfied', because he didnt want to be associated with Amun or any of the other deities. He renamed himself 'Achnaton' which means 'servant of the Aten' -- a much more appropriate title! In the sixth year of his reignAchnaton also moved the capital to a brand new city called Achet-Aton ('the Horizon of the Aten') which was where Tel el-Amarna stands today. He did this to further isolate himself from the 'old' religion, since the previous capital Thebes was thecentre of worship of Amun. This new religion created an up rise among the population and high priests. In spite of Nefertetes influence, the falling economy and religious conflict resulted in the decline of the Egyptian empire. Hoping toforget it ever happened, people later tried to eradicate all traces of Achnaton and his successors rule by smashing their statues, mutilating their mummies, and ruining their relief carvings. From that moment on he was remembered as the'heretic king'. This composition was partially funded by the 'Prins Bernhard Cultuurfonds'.

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Achterbergliederen - Jacob de Haan

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Acrobat - J.A. Greenwood

Across the Desert Sands - Michael Oare

Take your students on a captivating musical journey inspired by the vast landscapes and rich culture of desert dwelling peoples! The opening is bold and majestic before leading to a percussion driven faster section. The exotic flute melody evolves throughout the ensemble and leads to a dance-like celebration. The pace quickens and the intensity builds to an exhilarating and dramatic finish. Unique and striking! Dur: ca. 3:00

Across The Halfpipe - Samuel R. Hazo

Enjoy a jubilant celebration of sounds and rhythms in this refreshing work that musically explores the exhilaration of snowboarding or skateboarding on the halfpipe. Composer Samuel Hazo uses an energetic percussion fabriccombined with twisting and turning patterns of melodies and riffs in this challenging and appealing offering for band. Dur: 3:50

Across the Northern Sky - Michael Sweeney

Commemorating the 50th anniversary of Eckroth Music (Bismarck, ND), Across the Northern Sky captures the majesty and beauty of the northern states served by their store locations. The antiphonal brass fanfare in the opening is followed by a dynamic main theme. A brief lyric section features rich harmonies with a short solo for flute, and the work concludes with a buoyant theme of celebration. (compatible with the Young Edition for multi-level performances - HL04007669) Dur: 5:20

Across the Northern Sky (Young Edition) - Michael Sweeney

Here is an easier version of Michael's powerful overture that commemorates the 50th anniversary of Eckroth Music. Capturing the majesty and beauty of the northern states served by their store locations, this edition is completely compatible with the more advanced version (HL04007667) for use in multi-level performances. The opening brass fanfare is optional when performing this version by itself. Dur: 4:50 (without fanfare)