Concerto For Clarinet, Part 1, Kv 622 - Wolfgang Amadeus Mozart

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Concerto For Clarinet, Part 2-3, Kv 622 - Wolfgang Amadeus Mozart

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Concerto for Crash Cymbals - Mike Hannickel

Mike Hannickel does it again with this hilarious follow-up to Concerto for Triangle and Band. Any well-known personality from your school staff becomes the over-eager crash cymbals soloist. Whether it's the principal, thecustodian, the cook, the school secretary, or any one else who is recognizable to the students or the community, we're sure you have a great soloist somewhere nearby, just waiting for a chance to shine. Very easy band parts meanthat any group should be able to prepare the music for performance in short order. They'll be rolling in the aisles!

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Concerto for Euphonium - James Curnow

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Concerto For Euphonium and Band - François Glorieux

Concerto for Faculty and Band - James D. Ployhar

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Concerto for Flute and Wind Orchestra - Derek Bourgeois

Concerto for French Horn and Wind Band, Op. 29 - Theo van Doren

Theo Van Doren was an Antwerp musician, violinist and composer who, despite many foreign offers, preferred to stay in his own Antwerp. He started his career as a musician in silent movies, then as a soloist, with his own string trio. Later he became solo violinist in the Flanders' Opera Orchestra and conductor. He worked with a.o. Strawinksy, Rubinstein, Stern, etc. He also taught violin for 35 years at the Borgerhout music academy, where he trained many professional musicians.

Concerto for Guitar and Band - Juan A. Perez

Concerto for Horn and Band - Bert Appermont

Concerto for Horn and Band was written on commission from the horn player Miguel Martinez Megias and the symphonic concert band La Armnica from Buol, Spain. This four-movement work, written to fully explore the capabilities of the hornas a solo voice, is comprised of a dramatic Sarabande, a highly virtuoso Toccata, a wonderful Romance and a Finale that reworks the second movement in a kind of fugue and brings the work to a spectacular close. The basicbuilding block of this concerto, quite fittingly, is the fifth: you only have to think of the post horn or a hunting theme, which conjures up the sound of the perfect fifth. Wonderful new repertoire for a wonderful instrument.