Celebration! - Adolphus Hailstork

"The years leading to the US Bicentennial (1976) saw a great flowering of artistic celebration, including the commissioning of American composers to write festive works for the occasion. The Nashville Symphony and its conductor Thor Johnson asked Adolphus Hailstork for such a work to premiere, and to distribute the music at no cost to high school orchestras around the United States. The present version for band followed as a natural offshoot of the infectiously exhilarating 3-minute work. Note: A large score (11"" x 14"") is also available as custom print (115-40235L - Large Score)."

Celebration, les Cinq Numeros - Johann Sebastian Bach

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Celebration, No1 Entree, Choral Bwv 625 - Johann Sebastian Bach

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Celebration, No2 Offertoire, Choral Bwv 633 - Johann Sebastian Bach

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Celebration, No3 Elevation, Choral Bwv599 - Johann Sebastian Bach

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Celebration, No4 Communion, Choral Bwv 721 - Johann Sebastian Bach

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Celebration, No5 Sortie, Choral Bwv 572 - Johann Sebastian Bach

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Celebrations - Ed Huckeby

There are composers about whom nothing or only little is known, who are only known through their works or even through one work only. Luigi Carvelli is one of them: He lived in the second half of the 19th century and died afterthe turn of the century. Carvelli is supposed to have been a hornist in the area of Torino/Milan and played at the world premiere of Verdi's 'Falstaff'. The only extant work is his 'Serenata Napolitana' a delightfully catchy andmelodious little piece, ideal as a little performance piece for lessons or as an encore, as a special treat after a major sonata programme.

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Celebrations - Vincent Persichetti

Celebrations - Wim Laseroms

This stately march was composed to mark any celebration and more specifically the anniversary of the foundation of a band. The main theme is a wonderful legato melody which is interrupted several times with flowing arpeggios. Following a regal trio melody the main theme returns with a triumphal feel. A great new march for use at any celebration.