South Street

Southampton March - Robert Sheldon

The charm and style of a British-style march is brought "to the fore" in this delightful concert march for young band. Tuneful melodies reminiscent of folk tunes create a tasty palette with which to open a concert or festival performance. (1:45) Correlates to Book 2, level 3.

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Southdown - Ray Steadman-Allen

Southend Celebration - Philip Sparke

The work opens with a stern fanfare in bare fifths, which leads to a cantabile theme introduced by alto saxophone. This builds to a climax and reintroduces the fanfare, which slowly evolves into the subsequent vivo. A perky tune emerges on flute, saxophone and trumpet, which, after a short bridge passage, leads to a contrasting melody on low clarinets and saxophones. After some development a true 'second subject' appears for the whole band. A recapitulation leads briefly back to the opening fanfare before the vivo returns to close the work in celebratory mood.

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Southern Australia - Arthur Gullidge

Southern Heritage March

Southern Hymn - Samuel R. Hazo

Even though the themes used in this beautiful setting are original, it is intended to be played in the style of a slow Southern folk hymn, similar to "Amazing Grace" or "Shenandoah."Filled with suspensions and resolutions, as well as calm moments and powerfully emotional builds, this is a marvelous work for expanding your ensemble's stylistic and dynamic range. Dur: 4:25 (Grade 4)

Southern Roses - Karl L. King

Note: This is a reprint from a vintage publication of 1910.No conductor score is published for this work. The Solo Cornet part serves as a conductor guide.Parts for Eb Horns are included; no F Horn parts are published for this work.If a C Piccolo/C Flute part was not published originally, one has been subsequently added by our editorial staff.

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Southern Salute - Harry Huffnagle

A very nice concert band piece with that sounthern flare. Easy to prepare and fun to play!

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Southern Star - David Gorham

A concert march in the finest tradition! Melodic, spirited, and expertly scored, this march is conceived in the mold of the classic English marches of the early 20th century. This is a nice change of pace for the "march" portion of your concert or adjudication.

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