Sparkling Drums - Ted Huggens

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Sparkling Flutes - Richard Comello

Sparkling March - Bertrand Moren

Sparkling Samba - Gilbert Tinner

The flowing rhythm of the samba is often tempestuous and fast, but it always moves within a steady tempo. The samba, like running water, can murmur, swell, sparkle and develop into a fierce element. It is always in motion. Inspired by this principle, Gilbert Tinner composed the work Sparkling Samba. Supported by a lively rhythm section, all the sections of the band dance on the waves of the samba style!

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Sparkling Youth - Ivo Kouwenhoven

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Sparks - Brian Balmages

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Sparks of Fire - Wietse Meys

If you are looking for a musical introduction with overwhelming energetic character, lots of rhythms and a pumping Bass and Drum part, this is the piece you are looking for. Sparks of Fire originated from a piece of music for pop band and strings for the Belgian entertainment concept 'Christiano and his Magical Orchestra'. Not many people sit still when listening to this energetic piece of music! It is perfect for opening or closing your concert.

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Spartacus - Aram Il'yich Khachaturian

Spartacus - Jan Van der Roost

Spartacus is a "Symphonic Tone Poem" with 3 joints. Each section has its own melodical materials, however: in the final movement the main theme from the second section returns in a 'grandioso'-tutti. The last bar but one recaptures the 'oriental' atmosphere of the very beginning. The first section (= from the beginning till J) builds up a climax by repeating and accumulating some melodical and rhythmical stuctures. The oriental character of the melodical fragments refers to the origin of the Roman slaves. The second section evokes the love between Spartacus and his loveby giving a peaceful atmosphere. The mean theme (presented the first time at letter L) has a broad andwide character and refers slightly to filmmusic. In this part of the composition, a special attention is given to the orchestration. The final section is more agressive and martial and refers to the revolt of the slaves against the Roman oppressors. In the middle of this movement, an accumulation of the 12 tones symbolizes the crucifixion of the slaves: the english horn resumes partly the cadenza of the flute (at letter J), as if he wants to show again the eternal love between Spartacus and his love a very last time ... The theme at the third bar of letter T is actually based on the 2nd theme of this section (which starts at the fifth bar of letter R), but has been worked out rhytmically.

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Spartacus - Joseph Loduca